Muutke küpsiste eelistusi

E-raamat: Color Grading 101: Getting Started Color Grading for Editors, Cinematographers, Directors, and Aspiring Colorists

(Feirstein Graduate School of Cinema, USA)
  • Formaat: 222 pages
  • Ilmumisaeg: 30-Sep-2019
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9780429639081
  • Formaat - EPUB+DRM
  • Hind: 48,09 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: 222 pages
  • Ilmumisaeg: 30-Sep-2019
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9780429639081

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

Written both for students and working professionals, this book walks readers step-by-step through the foundations of color grading for projects of any size, from music videos and commercials to full-length features.

In this clear, practical, and software-agnostic guide, author Charles Haine introduces readers to the technical and artistic side of color grading and color correction. Color Grading 101 balances technical chapters like color-matching, mastering, and compression with artistic chapters like contrast/affinity, aesthetic trends, and building a color plan. The book also includes more business-focused chapters detailing best practices and expert advice on working with clients, managing a team, working with VFX, and building a business. An accompanying eResource offers downloadable footage and project files to help readers work through the exercises and examples in the book.

This book serves as a perfect introduction for aspiring colorists as well as editors, cinematographers, and directors looking to familiarize themselves with the color grading process.

Arvustused

"Color Grading 101 is an easy introduction to color grading for new and aspiring colorists. It is full of excellent advice for embarking on a career as a colorist and I recommend it to anyone who wants to know more about the responsibilities and craft of our profession."

Kevin Shaw, President of Colorist Society International

"Color correction is often the most misunderstood stage of the filmmaking process. It can be daunting, confusing, and even in some cases, completely forgotten. This reputation often derives from its traditionally over-complicated explanation and arduous approach by its masters. In Color Grading 101, author Charles Haine walks readers through this crucial post production process in a way that is grounded, universal, and personable. Whereas most books on the subject matter are geared solely towards aspiring colorists, this work is intended to serve a multitude of crew members on all levels."

Matthew J. Pellowski, Film and Television Director and Showrunner

"Everything you wanted to know about color grading but were potentially afraid to ask! A great 101, helping anybody interested in color grading to get to grips with an often-misunderstood area. Written with panache and a no-nonsense style!"

Charlie Watts, Avid Certified Instructor; Principal Lecturer and Course Leader, School of Film, Media and Communication, University of Portsmouth

Introduction: "Why Doesn't My Footage Look as Good as Other People's?" vii
Overview: What Is Color Grading, Exactly? ix
Tech 1 Hardware, Software, Monitoring
1(15)
Art 1 The Story as Guide
16(12)
Quiz 1
27(1)
Tech 2 Codecs and Pipeline
28(15)
Art 2 Color Plan
43(11)
Quiz 2
53(1)
Practice 1
53(1)
Tech 3 Basic Primary Grading
54(11)
Art 3 Basics of Additive Color
65(8)
Quiz 3
71(1)
Practice 2
72(1)
Tech 4 Matching
73(7)
Art 4 History and Genres
80(14)
Quiz 4
93(1)
Practice 3
93(1)
Tech 5 Curves, Shapes, and Keys
94(12)
Art 5 Protecting Skin Tones
106(17)
Quiz 5
122(1)
Practice 4
122(1)
Tech 6 Tracking and Keyframing
123(5)
Art 6 Clients and Decision Making
128(10)
Quiz 6
136(1)
Practice 5
137(1)
Tech 7 Plugins, Noise Correction, and Heavy Processing
138(10)
Art 7 Commercials
148(7)
Quiz 7
154(1)
Practice 6
154(1)
Tech 8 Mattes, Alpha, Composites, and Cleanup
155(6)
Art 8 Music Videos
161(5)
Quiz 8
165(1)
Practice 7
165(1)
Tech 9 LUTs and Transforms
166(9)
Art 9 Portfolio Building
175(5)
Quiz 9
179(1)
Practice 8
179(1)
Tech 10 Onset Workflow, Panels, Dailies, and Online/Conform
180(13)
Art 10 Building a Business
193(8)
Quiz 10
199(1)
Practice 9
200(1)
Conclusion 201(1)
Index 202
Charles Haine is a filmmaker and entrepreneur who has worked in the motion picture industry since 1999. He has been teaching color grading since 2008. That same year, Haine founded the production company Dirty Robber, which has gone on to success in feature films, shorts, and commercials. Haine has also colored music videos for bands like My Chemical Romance and Fitz and The Tantrums, spots for brands like BMW, Ford, McDonalds, Chevy, and ESPN, and countless short and feature films including Leslie Libmans DisCONNECTED and Adam Bhala Loughs Hot Sugars Cold World. Haine is currently an Assistant Professor at the Feirstein Graduate School of Cinema at Brooklyn College, and was formerly an Associate Professor at Los Angeles City College. Haine is the author of The Urban Cyclists Handbook in addition to another book published by Routledge, Business and Entrepreneurship for Filmmakers. He is currently the tech editor at NoFilmSchool.com.