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E-raamat: Color Management: Understanding and Using ICC Profiles

Edited by (Colour Imaging Group, London College of Printing, UK), Series edited by (Sharp Labs., Inc.)
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Color Management serves as a comprehensive guide to the implementation of the ICC (International Color Consortium) profile specification, widely used for maintaining color fidelity across multi-media imaging devices and software. The book draws together many of the White Papers produced by the ICC to promote the use of color management and disseminate good practice; the ICC specification has become widely accepted within the color industry, and these papers have been updated, expanded and edited for this collection. Other chapters comprise material that will go on to form future ICC White Papers, as well as some original content. The ICC review process ensures that the material and recommendations included are collaborative, reflecting the input of the wide community of color and imaging scientists and developers who make up its membership. Readers can be assured of the best advice for achieving optimum results.Provides an overview of color management in applications and the role of ICC profiles in a color reproduction system. Presents user guidelines on color measurement procedures and discusses measurement issues for media such as optically-brightened papers and inkjet prints. Offers comprehensive guidance on the latest version of the specification and the application of the perceptual rendering intent with its reference gamut. Examines the construction and benefits of different types of ICC profiles, and sets out compliance test considerations, implementation notes and evaluation of profile quality. Includes a glossary of terms. This book is written for color and imaging scientists developing, implementing and using color management systems within a range of imaging devices and software. Senior undergraduate and postgraduate students will also find the book of use.
About the Editor vii
Series Editor's Preface ix
Preface xiii
PART ONE: GENERAL
1 Introduction
3
2 Color Management – A Conceptual Overview
7
3 The Role of ICC Profiles in a Color Reproduction System
19
4 Common Color Management Workflows and Rendering Intent Usage
27
5 Recent Developments in ICC Color Management
35
6 Color Management Implementation Classification
45
7 ICC Profiles, Color Appearance Modeling, and the Microsoft Windows Color System
53
8 Glossary of Terms
57
PART TWO: VERSION 4
9 The Reasons for Changing to the v4 ICC Profile Format
83
10 ICC Version 2 and Version 4 Display Profile Differences
91
11 Using the sRGB_v4_ICC_preference.icc Profile
95
12 Fundamentals of the Version 4 Perceptual Rendering Intent
105
13 Perceptual Rendering Intent Use Case Issues
109
PART THREE: WORKFLOWS
14 Using ICC Profiles with Digital Camera Images
121
15 RGB Color-Managed Workflow Example
127
16 Issues in CMYK Workflows
133
17 Orchestrating Color – Tools and Capabilities
137
18 flexible Color Management for the Graphic Arts
143
PART FOUR: MEASUREMENT AND VIEWING CONDITIONS
19 Standards for Color Measurement and Viewing
155
20 ICC Recommendations for Color Measurement
161
21 Fluorescence in Measurement
169
22 Measurement Issues and Color Stability in Inkjet Printing
173
23 Viewing Conditions
177
PART FIVE: PROFILE CONSTRUCTION AND EVALUATION
24 Overview of ICC Profile Construction
187
25 ICC Profile Internal Mechanics
205
26 Use of the parametricCurveType
221
27 Embedding and Referencing ICC Profiles
241
28 LUT-Based Transforms in ICC Profiles
245
29 Populating the Matrix Entries in lutAtoBType and lutBtoAType of Version 4 ICC Profiles
257
30 Implementation Notes for SampleICC's IccProfLib
263
31 Introducing the New multiProcessingElements Tag Type
273
32 Inverting ICC Profiles
283
33 Evaluating Color Transforms in ICC Profiles
287
34 Profile Compliance Testing with SampleICC
291
INDEX 297
Phil Green is currently Course Director of the MSc in Digital Colour Imaging and a member of the Colour Imaging Group at the London College of Communication, UK. He is also Technical Secretary of the International Color Consortium (ICC) and is active in the CIE (International Commission on Illumination) TC8-03 report detailing guidelines for the evaluation of colour reproduction. He is an experienced author/editor, having written the books Colour Engineering: Achieving Device Independent Colour (Wiley, 2002), Digital Photography (Pira International, 1999), and Understanding Digital Colour, 2nd Edition? (GATF, 1999). His research interests include gamut mapping, colour appearance and colour difference in graphic arts media.