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E-raamat: Comics and Graphic Novels

(Bournemouth University, UK), (Ghent University, Belgium), (University College Copenhagen, Denmark)
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Providing an overview of the dynamic field of comics and graphic novels for students and researchers, this Essential Guide contextualises the major research trends, debates and ideas that have emerged in Comics Studies over the past decades. Interdisciplinary and international in its scope, the critical approaches on offer spread across a wide range of strands, from the formal and the ideological to the historical, literary and cultural.

Its concise chapters provide accessible introductions to comics methodologies, comics histories and cultures across the world, high-profile creators and titles, insights from audience and fan studies, and important themes and genres, such as autobiography and superheroes. It also surveys the alternative and small press alongside general reference works and textbooks on comics. Each chapter is complemented by list of key reference works.

Arvustused

The volume provides an excellent resource for anyone interested in this topic, and will doubtless remain so as the field grows further in the coming years. * Modern Language Review * This is a book about how to approach comics that in itself approaches comics with finesse. The different complementary sections draw upon uses of critical theory, historical contextualisation, artists and audiences, and what the comics themselves say, directly as well as implicitly. The work is a masterclass in applied method and will be of use to all who study comics, be it professionally, for the fun of it, or both. * Laurence Grove, Professor of French and Text/Image Studies and Director of the Stirling Maxwell Centre, University of Glasgow, UK *

Muu info

Providing an overview of the dynamic field of comics and graphic novels for students and researchers, this Essential Guide contextualises the major research trends, debates and ideas that have emerged in Comics Studies over the past decades.
Acknowledgements x
About the authors xi
1 Introduction
1(6)
Part I Approaching comics
7(52)
2 Formalist approaches
9(28)
Early definitions and approaches
10(8)
Semiotic approaches
18(11)
Comics as language
29(3)
Conclusion
32(1)
Notes
32(1)
Works cited
33(4)
3 Ideological and material approaches
37(22)
Political and ideological perspectives
37(3)
Colonialism and comics
40(3)
Superheroes and ideology
43(3)
Cultural legitimacy as ideology
46(6)
Material and sensory issues
52(3)
Conclusion
55(1)
Notes
56(1)
Works cited
56(3)
Part II Histories and cultures
59(74)
4 Early criticism and legitimation
61(30)
Early comics criticism in America
61(5)
The American Comics Code
66(4)
Retrospective evaluations and revisionist readings
70(8)
Legitimizing the `Ninth Art'
78(2)
Legitimation issues
80(3)
Transatlantic interactions between comics and bande dessinie
83(2)
Comics exhibitions
85(1)
Conclusion
86(1)
Notes
87(1)
Works cited
87(4)
5 Historical approaches
91(42)
Global
91(4)
Europe
95(7)
North America, Canada and South America
102(7)
Asia
109(6)
Africa
115(3)
Australasia
118(3)
Transnational
121(5)
Conclusion
126(1)
Notes
126(1)
Works cited
127(6)
Part III Production and reception
133(44)
6 Creators, imprints and titles
135(20)
Old masters
135(2)
Serialized comics
137(2)
Women comics artists
139(3)
Graphic novelists
142(4)
Iconic magazines and publishers
146(4)
Conclusion
150(1)
Notes
151(1)
Works cited
152(3)
7 Audiences and fan cultures
155(22)
Historical audience studies
155(2)
Comics readers and identities
157(7)
Fan studies in comics
164(7)
Conclusion
171(1)
Notes
171(1)
Works cited
171(6)
Part IV Themes and genres
177(79)
8 Thematic approaches
179(20)
Documentary, trauma and memory
179(7)
Diversity: Ethnicity and religion
186(4)
Children in comics
190(1)
Intermedial and transmedial approaches
191(8)
Conclusion
194(5)
Notes
195(4)
Works cited
195(4)
9 Popular genres
199(20)
Genre
199(2)
Superheroes
201(5)
Horror
206(4)
Romance
210(4)
Conclusion
214(1)
Notes
214(1)
Works cited
214(5)
10 Outside the mainstream
219(22)
Underground comix in North America and the UK
219(3)
Autobiographix
222(6)
French-language alternative and small press publications
228(1)
Artists' collectives
229(5)
Fanzines and alternative practices
234(3)
Conclusion
237(1)
Notes
237(1)
Works cited
238(3)
11 General reference guides and textbooks
241(12)
Teaching comics
241(4)
Making comics
245(1)
General and critical reference works
246(5)
Works cited
251(2)
12 Conclusion
253(3)
Index 256
Dr Julia Round is a Principal Lecturer at Bournemouth University, UK. Her books include Gothic in Comics and Graphic Novels (2014) and the award-winning Gothic for Girls (2019).

Dr Rikke Platz Cortsen is Assistant Professor at University College Copenhagen, Denmark. Her research focuses on time and space in comics and the way identity is intertwined with place in contemporary Nordic comics. She co-edited the research anthology Comics and Power (2015).

Dr Maaheen Ahmed is Associate Professor at Ghent University, Belgium and principal investigator of COMICS, a multi-researcher project funded by the European Research Council.
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