Using the analogy of an orchestra, the book looks at the ways in which the Party-state conducts communications in China.
Rather than treating China’s communications system as purely one of centralised top-down control, this book proffers that it is the combination of the government through its state policies, the propaganda bureau’s campaigns, commercial consumer culture, digital and traditional media platforms, celebrities, entertainers and journalists, educators, community interest groups, and family and friends, who all contribute to the evolution of how ideas are perpetuated, enforced, and legitimised in China.
Covering themes such as censorship, surveillance, national narratives onscreen and in everyday life, political agency, creative work, news production, and gender politics, this book gives an insight into the complex web of conditions, objectives, and challenges that the Chinese leadership and commercial interests face when orchestrating their visions for the nation’s future. As such, this volume will be of great interest to students and scholars of media and communication studies, Chinese politics, and Chinese Studies.
Using the analogy of an orchestra, the book looks at the ways in which the Party-state conducts communications in China.
1. Orchestrating thinking in China
2. Internet censorship system in
China: A functioning digital panopticon
3. Political control, media
marketisation, and news production
4. The American other and Chinas big
screens
5. Public relations, persona building, and national identity
construction in China: A case study of The Chinese Dream
6. Constructing a
discourse of Red merit: The orchestrated communication of Chinas Red
collectors
7. The construction of patriotism in primary school Chinese
language textbooks
8. Orchestrating opinions: A case study of mainland
Chinese responses to Hong Kongs mass protests
9. The discursive battle over
public participation in China
10. "Our sugar daddy can never control us":
Television professionals negotiate with market forces in Chinese
entertainment shows
11. Digital business governance: The algorithm design of
the short video-sharing application Tik Tok
12. Male anxiety and
self-victimisation: Chinese young mens perception of gender dynamics and
intimacy
13. Neoliberal femininities in China: The conflicting gender
discourse of transgender celebrity, Jin Xing
Nicole Talmacs is Senior Lecturer in Media and Communications at the University of Malta, Malta. She is an interdisciplinary researcher, whose research interests lie in the intersections of studies in media and communications, social theory, political science, international studies, and cultural studies. She is the author of Chinas Cinema of Class: Audiences and Narratives; and co-editor of The China Question: Contestations and Adaptations. Her scholarly articles have appeared in journals such as Feminist Media Studies, Journal of Asian and African Studies, and Media International Australia.
Altman Yuzhu Peng is Assistant Professor in the Department of Applied Linguistics at the University of Warwick, UK. His research interests lie in the intersections of feminism, public relations, and media and cultural studies. He is the author of A Feminist Reading of Chinas Digital Public Sphere, co-editor of China, Media, and International Conflicts, and has published over 20 scholarly articles in peer-reviewed academic journals such as Asian Journal of Communication, Convergence, Critical Discourse Studies, Discourse, Context & Media, and Television and New Media.
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