Notes on Contributors |
|
viii | |
Foreword: Perspectives on the Digital Humanities |
|
xvi | |
|
|
The Digital Humanities and Humanities Computing: An Introduction |
|
xxiii | |
|
Susan Schreibman, Ray Siemens, and John Unsworth |
|
|
PART I History |
|
|
1 The History of Humanities Computing |
|
|
3 | |
|
|
|
2 Computing for Archaeologists |
|
|
20 | |
|
|
|
|
31 | |
|
|
|
4 Classics and the Computer: An End of the History |
|
|
46 | |
|
|
|
5 Computing and the Historical Imagination |
|
|
56 | |
|
|
|
|
69 | |
|
|
|
7 Linguistics Meets Exact Sciences |
|
|
79 | |
|
|
|
|
88 | |
|
|
|
|
97 | |
|
Ichiro Fujinaga and Susan Forscher Weiss |
|
|
|
|
108 | |
|
Geoffrey Rockwell and Andrew Mactavish |
|
|
|
|
121 | |
|
|
|
12 "Revolution? What Revolution?" Successes and Limits of Computing Technologies in Philosophy and Religion |
|
|
132 | |
|
|
PART II Principles |
|
|
13 How the Computer Works |
|
|
145 | |
|
|
|
14 Classification and its Structures |
|
|
161 | |
|
|
|
|
177 | |
|
|
|
16 Marking Texts of Many Dimensions |
|
|
198 | |
|
|
|
|
218 | |
|
|
|
18 Electronic Texts: Audiences and Purposes |
|
|
240 | |
|
|
|
19 Modeling: A Study in Words and Meanings |
|
|
254 | |
|
|
PART III Applications |
|
|
20 Stylistic Analysis and Authorship Studies |
|
|
273 | |
|
|
|
21 Preparation and Analysis of Linguistic Corpora |
|
|
289 | |
|
|
|
22 Electronic Scholarly Editing |
|
|
306 | |
|
|
|
|
323 | |
|
|
|
24 Thematic Research Collections |
|
|
348 | |
|
|
|
25 Print Scholarship and Digital Resources |
|
|
366 | |
|
|
|
26 Digital Media and the Analysis of Film |
|
|
383 | |
|
|
|
27 Cognitive Stylistics and the Literary Imagination |
|
|
397 | |
|
|
|
28 Multivariant Narratives |
|
|
415 | |
|
|
|
29 Speculative Computing: Aesthetic Provocations in Humanities Computing |
|
|
431 | |
|
Johanna Drucker (and Bethany Nowviskie) |
|
|
|
|
448 | |
|
|
PART IV Production, Dissemination, Archiving |
|
|
31 Designing Sustainable Projects and Publications |
|
|
471 | |
|
|
|
32 Conversion of Primary Sources |
|
|
488 | |
|
Marilyn Deegan and Simon Tanner |
|
|
|
|
505 | |
|
|
|
34 "So the Colors Cover the Wires": Interface, Aesthetics, and Usability |
|
|
523 | |
|
|
|
35 Intermediation and its Malcontents: Validating Professionalism in the Age of Raw Dissemination |
|
|
543 | |
|
|
|
36 The Past, Present, and Future of Digital Libraries |
|
|
557 | |
|
|
|
|
576 | |
|
|
Index |
|
592 | |