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E-raamat: Companion to Rock Art

4.40/5 (5 hinnangut Goodreads-ist)
Edited by (Australian National University), Edited by (Australian National University)
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Represents new approaches in the archaeological study of rock art, exploring issues that include gender, shamanism, landscape, identity, indigeneity, heritage and tourism, as well as technological and methodological advances in rock art analyses-- This unique guide provides an artistic and archaeological journey deep into human history, exploring the petroglyphic and pictographic forms of rock art produced by the earliest humans to contemporary peoples around the world.Summarizes the diversity of views on ancient rock art from leading international scholars Includes new discoveries and research, illustrated with over 160 images (including 30 color plates) from major rock art sites around the world Examines key work of noted authorities (e.g. Lewis-Williams, Conkey, Whitley and Clottes), and outlines new directions for rock art research Is broadly international in scope, identifying rock art from North and South America, Australia, the Pacific, Africa, India, Siberia and Europe Represents new approaches in the archaeological study of rock art, exploring issues that include gender, shamanism, landscape, identity, indigeneity, heritage and tourism, as well as technological and methodological advances in rock art analyses

Arvustused

To summarise, as stated by Conkey in the foreword, this volume is a clear example of how in the twenty-first century rock art is considered a topic of archaeological inquiry, leaving behind the times when it was excluded from the archaeological discussions because of its problematic dating and interpretation (see Whitley 2001 for details about the North American case; or Morwood 2002: 64-88 for the Australian case).  (Archaeology In Oceania, 2 October 2013)

Overall, this is a fine compendium, and all rock art researchers will need to read it. Aimed at a sophisticated audience. Summing Up: Highly recommended.  Upper-level undergraduates and above.  (Choice, 1 June 2013)

List of Plates
ix
List of Figures
xi
List of Tables
xvi
Notes on Contributors xviii
Foreword: Redefining the Mainstream with Rock Art xxix
Margaret W. Conkey
1 Research Issues and New Directions: One Decade into the New Millennium
1(14)
Jo McDonald
Peter Veth
Part I Explanatory Frameworks: New Insights
15(54)
2 Rock Art and Shamanism
17(17)
J. David Lewis-Williams
3 Pictographs, Patterns, and Peyote in the Lower Pecos Canyonlands of Texas
34(17)
Carolyn E. Boyd
4 Variation in Early Paintings and Engravings
51(18)
Iain Davidson
Part II Inscribed Landscapes
69(56)
5 Rock Art and Seascapes
71(19)
Ian J. McNiven
Liam M. Brady
6 The Social Dynamics of Aggregation and Dispersal in the Western Desert
90(13)
Jo McDonald
Peter Veth
7 Rock Art and Transformed Landscapes in Puerto Rico
103(22)
Michele H. Hayward
Michael A. Cinquino
Part III Rock Art at the Regional Level
125(72)
8 Megalithic Rock Art of the Mediterranean and Atlantic Seaboard Europe
127(16)
George Nash
9 North American-Siberian Connections: Regional Rock Art Patterning Using Multivariate Statistics
143(17)
Alice Tratebas
10 Southern Melanesian Rock Art: The New Caledonian Case
160(19)
Christophe Sand
11 Rock Art Research in India: Historical Approaches and Recent Theoretical Directions
179(18)
James Blinkhorn
Nicole Boivin
Paul S. C. Tacon
Michael D. Petraglia
Part IV Engendered Approaches
197(64)
12 Engendering Rock Art
199(15)
Kelley Hays-Gilpin
13 Pictures of Women: The Social Context of Australian Rock Art Production
214(23)
Jo McDonald
14 Engendering North European Rock Art: Bodies and Cosmologies in Stone and Bronze Age Imagery
237(24)
Joakim Goldhahn
Ingrid Fuglestvedt
Part V Form, Style, and Aesthetics in Rock Art
261(62)
15 Understanding Pleistocene Rock Art: An Hermeneutics of Meaning
263(13)
Oscar Moro Abadia
Manuel R. Gonzalez Morales
16 Rock "Art" and Art: Why Aesthetics Should Matter
276(18)
Thomas Heyd
17 Recursive and Iterative Processes in Australian Rock Art: An Anthropological Perspective
294(12)
Howard Morphy
18 A Theoretical Approach to Style in Levantine Rock Art
306(17)
Ines Domingo Sanz
Part VI Contextualizing Rock Art
323(76)
19 Rock Art in Situ: Context and Content as Keys to Meaning
325(16)
Linea Sundstrom
20 Symbolic Discontinuities: Rock Art and Social Changes across Time and Space
341(23)
Maria Isabel Hernandez Llosas
21 Parietal Art and Archaeological Context: Activities of the Magdalenians in the Cave of Tuc d'Audoubert, France
364(17)
Robert Begouen
Carole Fritz
Gilles Tosello
22 Rock Art, Inherited Landscapes, and Human Populations in Southern Patagonia
381(18)
Judith Charlin
Luis A. Borrero
Part VII The Mediating Role of Rock Art
399(38)
23 When Worlds Collide Quietly: Rock Art and the Mediation of Distance
401(19)
Ursula K. Frederick
24 Picturing Change and Changing Pictures: Contact Period Rock Art of Australia
420(17)
Paul S.C. Tacon
June Ross
Alistair Paterson
Sally May
Part VIII Rock Art, Identity, and Indigeneity
437(52)
25 Rock Art, Identity, and Indigeneity
439(16)
Robert Layton
26 Shamanism in Indigenous Context: Understanding Siberian Rock Art
455(17)
Andrzej Rozwadowski
27 Rock Art, Aboriginal Culture, and Identity: The Wanjina Paintings of Northwest Australia
472(17)
Valda Blundell
Donny Woolagoodja
Part IX Rock Art Management and Interpretation
489(74)
28 Rock Art and the Unesco World Heritage List
491(24)
Nuria Sanz
29 Safeguarding a Fragile Legacy: Managing uKhahlamba-Drakensberg Rock Art
515(17)
Aron Mazel
30 Managing Rock Art Sites
532(14)
Valerie Magar
31 From Discovery to Commoditization: Rock Art Management in Remote Australia
546(17)
Peter Veth
Part X Dating Rock Art: Technological Advances and Applications
563(62)
32 Radiocarbon Dating of Rock Paintings: Incorporating Pictographs into the Archaeological Record
565(18)
Karen L. Steelman
Marvin W. Rowe
33 Twelve Years of Research in Chauvet Cave: Methodology and Main Results
583(22)
Jean Clottes
Jean-Michel Geneste
34 In Suspect Terrain: Dating Rock Engravings
605(20)
David S. Whitley
Part XI Rock Art in the Digital Age
625(45)
35 Digital Enhancement of Deteriorated and Superimposed Pigment Art: Methods and Case Studies
627(17)
Liam M. Brady
Robert G. Gunn
36 Robust and Scientifically Reliable Rock Art Documentation from Digital Photographs
644(16)
Mark Mudge
Carla Schroer
Tommy Noble
Neffra Matthews
Szymon Rusinkiewicz
Corey Toler-Franklin
37 Engaging a New Digital Citizenry
660(10)
Michael Ashley
Cinzia Perlingieri
Index 670
The Editors

Jo McDonalds career has combined cultural heritage management and rock art research. She is currently Chair and Director of the Centre for Rock Art Research and Management at the University of Western Australia. Her major research focus, funded by an Australian Research Council Future Fellowship, is comparing rock art of the Australian and North American arid zones. She is past-President of the Australian Archaeological Association and of the Australian Association of Consulting Archaeologists Inc.

Peter Veths career has focused on the archaeology of Australia and Island Southeast Asia; and on global desert peoples and art in archaeological context. Peter is currently Chair in Archaeology at the University of Western Australia, an Adjunct Chair at the Australian National University, and Fellow of the Australian Academy of the Humanities. Beginning with Islands in the Interior, he has published twelve volumes on the archaeology, art, early contact history, and native title of Australia and Island Southeast Asia. Peter has coauthored Plans of Management, National Heritage Listing reports and Outstanding Universal Values reports for art provinces in Australia.
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