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E-raamat: Complete Poetry of Percy Bysshe Shelley

Edited by , Edited by , Edited by (Anglia Ruskin University), Edited by (University of Maryland), Edited by , , Edited by , Edited by (University of Pennsylvania)
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  • Ilmumisaeg: 01-Jul-2012
  • Kirjastus: Johns Hopkins University Press
  • Keel: eng
  • ISBN-13: 9781421411095
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 01-Jul-2012
  • Kirjastus: Johns Hopkins University Press
  • Keel: eng
  • ISBN-13: 9781421411095

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"His name is Percy Bysshe Shelley, and he is the author of a poetical work entitled "Alastor", or "The Spirit of Solitude"". With these words, the radical journalist and poet Leigh Hunt announced his discovery in 1816 of an extraordinary talent within "a new school of poetry rising of late." The third volume of the acclaimed edition of "The Complete Poetry of Percy Bysshe Shelley" includes "Alastor", one of Shelley's first major works, and all the poems that Shelley completed, for either private circulation or publication, during the turbulent years from 1814 to March 1818: "Hymn to Intellectual Beauty", "Mont Blanc, Laon and Cythna", as well as shorter pieces, such as his most famous sonnet, "Ozymandias". It was during these years that Shelley, already an accomplished and practiced poet with three volumes of published verse, authored two major volumes, earned international recognition, and became part of the circle that was later called the Younger Romantics. As with previous volumes, extensive discussions of the poems' composition, influences, publication, circulation, reception, and critical history accompany detailed records of textual variants for each work. Among the appendixes are Mary W. Shelley's 1839 notes on the poems for these years, a table of the forty-two revisions made to "Laon and Cythna" for its reissue as "The Revolt of Islam", and Shelley's errata list for the same. It is in the works included in this volume that the recognizable and characteristic voice of Shelley emerges-unmistakable, consistent, and vital.

Arvustused

The detail and precision of the textual editing here are exemplary: the publication history of the poems, along with the tangled manuscript evidence behind and alongside the original volumes, is dealt with clearly and (when need be) decisively, to produce a hugely authoritative-as well as huge-edition. -- Peter McDonald Times Literary Supplement This latest installment of The Complete Poetry is nothing less than a landmark in Shelley studies: comprehensive and reliable, necessary and illuminating. -- Susan Wolfson, Princeton University Keats-Shelley Journal Now that [ Shelley's] poetry is coming into such revealing clarity of focus, thanks to editions such as this one, the question of its value can be explored with more confidence than ever before. -- Peter McDonald Times Literary Supplement This is a critical volume of Shelley's works for the 21st century-in short, a scholarly masterpiece. No academic library should be without it. Choice The years between 1814 and 1818 were amongst the most personally turbulent and poetically productive of Shelley's brief life; it is thus tremendously exciting to have access to a resource that provides such an intimate look into the poet's world and his creative process. The Year's Work in English Studies What makes this volume so exceptional (like its predecessors) is not only the state-of-the-art editing, but also the knowledgeable commentaries that give information on the poems' composition, possible sources and influences, publication, and most welcome, their reception history. These latter passages give exceptional guidance and allow scholar and amateur alike to make themselves familiar with the critical debate... This gigantic editorial project cannot be praised highly enough. It meets the severest standards of modern editing... The whole scholarly community is deeply indebted to everyone involved in this collaborative enterprise. -- Christoph Bode Zeitschrift fuer Anglistik und Amerikanistik

List of Illustrations
xiii
Acknowledgments xv
Editorial Overview xxi
Neil Fraistat
Nora Crook
Abbreviations xxxi
Texts
Alastor; or, The Spirit of Solitude: and Other Poems
3(2)
Preface
5(26)
[ #1] Alastor; or, The Spirit of Solitude
7(24)
Neil Fraistat
Alastor Volume Poems
31(38)
Stuart Curran
[ #2] "O! there are spirits of the air"
33(1)
[ #3] Stanzas.---April, 1814
34(1)
[ #4] Mutability
35(1)
[ #5] "The pale, the cold, and the moony smile"
36(1)
[ #6] A Summer-Evening Church-Yard, Lechlade, Gloucestershire
37(1)
[ #7] To Wordsworth
38(1)
[ #8] Feelings of a Republican on the Fall of Bonaparte
39(1)
[ #9] Superstition
40(1)
[ #10] Sonnet. From the Italian of Dante. Dante Alighieri to Guido Cavalcanti
41(1)
[ #11] Translated from the Greek of Moschus
41(2)
[ #12] The Dœmon of the World. A Fragment
43(10)
Supplement: Dœmon Draft: Revision of Queen Mab V. 1-15
53(2)
Supplement: Dœmon Draft: Revision of Queen Mab VIII-IX
55(14)
The Scrope Davies Notebook
69(2)
Michael O'Neill
"Upon the wandering winds"
71(1)
To Laughter---
71(1)
Hymn to Intellectual Beauty
72(1)
Hymn to Intellectual Beauty (1817)
73(5)
Scene---Pont Pellisier in the vale of Servox (1816 version of Mont Blanc)
78(1)
Mont Blanc. Lines Written in the Vale of Chamouni (1817)
79(12)
The Smaller Silsbee Account Book
91(2)
Michael O'Neill
Marianne's Dream
93(6)
Verses written on receiving a Celandine in a letter from England
99(3)
Translated from an Epigram of Plato, cited in the Apologia of Apuleius ("Sweet Child, thou star")
102(1)
To Constantia
102(7)
Supplement: To Constantia, Singing
104(5)
Laon and Cythna; or, The Revolution of the Golden City: A Vision of the Nineteenth Century. In the Stanza of Spenser
109(4)
Michael J. Neth
Preface
113(1)
Dedication
113(8)
Canto First
121(10)
Canto Second
131(21)
Canto Third
152(18)
Canto Fourth
170(23)
Canto Fifth
193(24)
Canto Sixth
217(20)
Canto Seventh
237(15)
Canto Eighth
252(11)
Canto Ninth
263(14)
Canto Tenth
277(18)
Canto Eleventh
295(10)
Canto Twelfth
305(18)
Three Sonnets of 1815-1818
323(2)
Guido Cavalcanti to Dante Alighieri
325(1)
Stuart Curran
Ozymandias
326(5)
Michael O'Neill
Supplement: Fair-copy Version of Ozymandias
327(1)
To the Nile
328(3)
Michael O'Neill
Commentaries
Alastor; or, The Spirit of Solitude: and Other Poems
331(1)
Introduction to the Alastor Volume
331(12)
Neil Fraistat
Alastor; or, The Spirit of Solitude
343(86)
Neil Fraistat
Alastor Volume Poems
429(1)
Stuart Curran
"Ol there are spirits of the air"
429(3)
Stanzas.---April, 1814
432(1)
Mutability
433(1)
"The pale, the cold, and the moony smile"
434(2)
A Summer-Evening Church-Yard, Lechlade, Gloucestershire
436(1)
To Wordsworth
437(2)
Feelings of a Republican on the Fall of Bonaparte
439(2)
Superstition
441(1)
Sonnet. From the Italian of Dante. Dante Alighieri to Guido Cavalcanti
442(3)
Translated from the Greek of Moschus
445(1)
The Dœmon of the World. A Fragment (and Supplements)
446(20)
The Scrope Davies Notebook
466(1)
Michael O'Neill
"Upon the wandering winds"
466(3)
To Laughter---
469(4)
Hymn to Intellectual Beauty (both versions)
473(24)
Mont Blanc (both versions)
497(27)
The Smaller Silsbee Account Book
524(1)
Michael O'Neill
Marianne's Dream
524(8)
Verses written on receiving a Celandine in a letter from England
532(9)
To Constantia (and Supplement)
541(9)
Laon and Cythna
550(50)
Michael J. Neth
Cantos I-XII
600(308)
Supplements: Rejected Opening and Ancillary Fragments for Laon and Cythna
908(34)
1 "Frail clouds arrayed in sunlight": Rejected Opening to Canto I
908(12)
2 Alternative Draft of Canto I.xvi.141-44
920(2)
3 Discarded Stanza between Stanzas iv and v in Canto I
922(1)
4 Translated from an Epigram of Plato ("Sweet Child, thou star"), An Earlier Version of Canto IX.xxxvi.321-24
923(3)
5 A Page of Verse Jottings Later Shaped into Canto I
926(2)
6 Rough Draft of Possible First Version of Canto I.lix
928(1)
7 Draft of Another Possible False Start of Canto I.lix
929(1)
8 Prose Memorandum and Stanza Fragment for Canto XI
930(2)
9 Three Lines of Possible Laon and Cythna Draft, with a Link to Adonais and to Laon and Cythna's Epic Aim
932(1)
10 A "Scenario" in List Form
933(1)
11 Probable False Start of Dedication, Stanza 13
934(1)
12 Version of a Verse Image Used in Both Laon and Cythna and Prometheus Unbound
934(1)
13 Transcription of Recently Discovered MS Leaf for Canto III.vi.46-vii.63
935(7)
Three Sonnets of 1815-1818
942(1)
Guido Cavalcanti to Dante Alighieri
942(4)
Stuart Curran
Ozymandias (and Supplement)
946(9)
Michael O'Neill
To the Nile
955(10)
Michael O'Neill
Historical Collations
Alastor, or, The Spirit of Solitude
965(7)
Alastor Volume Poems
972(9)
The Scrope Davies Notebook
981(7)
The Smaller Silsbee Account Book
988(5)
Laon and Gythna
993(69)
Three Sonnets of 1815-1818
1062(5)
APPENDIXES
A Mary W. Shelley's Notes from Her 1839 Edition of The Poetical Works of Percy Bysshe Shelley
1067(9)
I Note on Alastor
1067(1)
II Note on the Early Poems
1068(1)
III Note on the Poems of 1816
1069(1)
IV Note on the Poems of 1817
1070(3)
V Note on The Revolt of Islam
1073(3)
B Sections of Queen Mab VIII-IX Revised to Damon Draft
1076(1)
C The Revision of Laon and Cythna to The Revolt of Islam
1077(5)
D Shelley's List of Errata for Laon and Cythna / The Revolt of Islam
1082(1)
Index of Titles 1083(2)
Index of First Lines 1085
Donald H. Reiman is an adjunct professor of English at the University of Delaware. Neil Fraistat is a professor of English and director of the Maryland Institute for Technology in the Humanities at the University of Maryland. Nora Crook is an emerita professor of English literature at Anglia Ruskin University, Cambridge.