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Part I Image Attributes and Aesthetic Aspects |
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1 The Portrait and Landscape Genres |
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3 | (6) |
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3 | (2) |
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5 | (3) |
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8 | (1) |
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8 | (1) |
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2 The Colour Attributes of Paintings |
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9 | (24) |
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2.1 Painters, Paint and Colour Systems |
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9 | (1) |
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10 | (6) |
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16 | (14) |
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17 | (1) |
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2.3.2 Structural Contrasts |
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18 | (7) |
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25 | (5) |
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30 | (3) |
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31 | (2) |
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3 Computational Models of Colour Contrast |
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33 | (6) |
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3.1 Contrast Models for Simple Images |
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33 | (1) |
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3.2 Contrast Models for Complex Images |
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34 | (2) |
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3.3 Contrast Models for Hue Contrast |
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36 | (3) |
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37 | (2) |
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4 The Geometric Attributes of Paintings |
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39 | (16) |
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4.1 Composition in Paintings |
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42 | (4) |
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42 | (2) |
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4.1.2 Region of Interest and the Horizon |
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44 | (2) |
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46 | (5) |
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51 | (4) |
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51 | (4) |
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Part II Transfer of Aesthetic Values |
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5 Global Colour Style Transfer |
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55 | (16) |
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5.1 Global Hue, Saturation and Lightness Analysis |
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56 | (2) |
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58 | (4) |
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5.2.1 RGB to RYB Conversion |
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58 | (2) |
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5.2.2 Dominant Hue Extraction |
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60 | (1) |
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5.2.3 Dominant Hue Alignment and Mapping |
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61 | (1) |
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5.3 Saturation and Lightness Mapping |
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62 | (1) |
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5.4 Experiments and Discussion |
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62 | (8) |
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70 | (1) |
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70 | (1) |
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6 Atmospheric Perspective Effect Transfer for Landscape Photographs |
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71 | (36) |
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71 | (3) |
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74 | (2) |
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6.3 Paintings Versus Photographs |
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76 | (2) |
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76 | (1) |
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6.3.2 Contrast in Paintings and Photographs |
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76 | (2) |
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6.4 Contrast Manipulation |
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78 | (11) |
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6.4.1 Reference Selection |
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79 | (2) |
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6.4.2 Depth-Aware Contrast Mapping |
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81 | (8) |
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6.5 Experiments and Discussion |
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89 | (13) |
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102 | (5) |
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104 | (3) |
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7 Regional Contrast Manipulation for Portrait Photograph Enhancement |
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107 | (30) |
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107 | (3) |
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110 | (1) |
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7.3 Paintings Versus Photographs |
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111 | (2) |
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7.4 Example-Based Portrait Photograph Enhancement |
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113 | (7) |
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7.4.1 Reference Selection |
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114 | (3) |
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117 | (3) |
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7.5 Experiments and Discussion |
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120 | (13) |
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133 | (4) |
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134 | (3) |
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8 Composition Improvement for Portrait Photographs |
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137 | (18) |
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137 | (1) |
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138 | (1) |
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8.3 Proposed Composition Improvement Method |
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139 | (5) |
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141 | (2) |
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143 | (1) |
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144 | (8) |
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152 | (3) |
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152 | (3) |
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9 Vignetting Effect Transfer |
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155 | (24) |
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155 | (1) |
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156 | (1) |
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9.3 Vignetting Effect in Paintings |
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157 | (4) |
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9.4 Transfer of Painter-Style Vignetting to Photographs |
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161 | (10) |
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9.4.1 Lightness Weighting Pattern and Blending Function |
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161 | (2) |
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9.4.2 Lightness Weighting Pattern Correction |
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163 | (3) |
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9.4.3 Content-Aware Interpolation |
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166 | (4) |
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9.4.4 Local Contrast Restoration |
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170 | (1) |
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9.5 Experiments and Discussion |
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171 | (5) |
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176 | (3) |
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178 | (1) |
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179 | (12) |
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179 | (1) |
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180 | (1) |
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10.3 Defining Hue Contrast |
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180 | (1) |
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181 | (2) |
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10.5 Computational Details |
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183 | (1) |
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10.6 Results and Interpretations |
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184 | (4) |
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10.7 Evaluation Through a User Study |
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188 | (1) |
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189 | (2) |
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189 | (2) |
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11 Interactive Local Hue Contrast Manipulation |
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191 | |
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191 | (3) |
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194 | (1) |
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11.3 Hue Manipulation Framework |
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195 | (5) |
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195 | (2) |
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197 | (1) |
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11.3.3 Hue Histogram Selection |
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197 | (2) |
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11.3.4 Hue Contrast Manipulation Operators |
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199 | (1) |
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11.4 Experimental Results |
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200 | (3) |
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11.4.1 Hue Compression and Hue Stretch |
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200 | (2) |
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11.4.2 Combining the Three Operations |
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202 | (1) |
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11.5 Discussion and User Feedback |
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203 | (1) |
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204 | |
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204 | |