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E-raamat: Computational Formalism: Art History and Machine Learning

  • Formaat: 200 pages
  • Sari: Leonardo
  • Ilmumisaeg: 23-May-2023
  • Kirjastus: MIT Press
  • Keel: eng
  • ISBN-13: 9780262374736
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  • Formaat: 200 pages
  • Sari: Leonardo
  • Ilmumisaeg: 23-May-2023
  • Kirjastus: MIT Press
  • Keel: eng
  • ISBN-13: 9780262374736
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How the use of machine learning to analyze art images has revived formalism in art history, presenting a golden opportunity for art historians and computer scientists to learn from one another.

Though formalism is an essential tool for art historians, much recent art history has focused on the social and political aspects of art. But now art historians are adopting machine learning methods to develop new ways to analyze the purely visual in datasets of art images. Amanda Wasielewski uses the term “computational formalism” to describe this use of machine learning and computer vision technique in art historical research. At the same time that art historians are analyzing art images in new ways, computer scientists are using art images for experiments in machine learning and computer vision. Their research, says Wasielewski, would be greatly enriched by the inclusion of humanistic issues.
The main purpose in applying computational techniques such as machine learning to art datasets is to automate the process of categorization using metrics such as style, a historically fraught concept in art history. After examining a fifteen-year trajectory in image categorization and art dataset creation in the fields of machine learning and computer vision, Wasielewski considers deep learning techniques that both create and detect forgeries and fakes in art. She investigates examples of art historical analysis in the fields of computer and information sciences, placing this research in the context of art historiography. She also raises  questions as which artworks are chosen for digitization, and of those artworks that are born digital, which works gain acceptance into the canon of high art.
Series Foreword ix
Acknowledgments xi
Introduction: Return To Form 1(38)
Machine Learning and Computer Vision
3(8)
The New Science Wars
11(5)
Digital Art History
16(6)
Objectivity and Cultural Studies
22(3)
Art History and Objectivity
25(5)
Computational Formalism
30(4)
Questions of Style
34(5)
1 The Shape of data
39(48)
Digitization and Dataset Creation
42(7)
The Semantic Gap
49(2)
Artificial Art Historian
51(9)
Image Selection
60(7)
Image Categorization
67(8)
Stylistic Determinism
75(4)
Style Unsupervised
79(5)
Stylistic Devices
84(3)
2 Deep Connoisseurship
87(40)
Cat, Dog, or Virgin Mary?
92(3)
Value, Fame, and the Artist's Hand
95(6)
Opening the Black Box
101(6)
The Business of Authenticity
107(8)
Next-Level Forgeries and Fakes
115(4)
An Artificial Artist?
119(5)
Poor Images
124(3)
3 conclusion: man, machine, metaphor
127(12)
The Rise of the Humanities Lab
133(2)
Foreign Metaphors as Interdisciplinary Tool
135(4)
Appendix: Classification by Artistic Style, Publications in Computer Science, 2005-2021, Including the Development and Utilization of Fine Art Datasets 139(6)
Notes 145(32)
Index 177