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E-raamat: Confident Choir: A Handbook for Leaders of Group Singing

  • Formaat: PDF+DRM
  • Ilmumisaeg: 06-Dec-2017
  • Kirjastus: Rowman & Littlefield Publishers
  • Keel: eng
  • ISBN-13: 9781538102800
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 06-Dec-2017
  • Kirjastus: Rowman & Littlefield Publishers
  • Keel: eng
  • ISBN-13: 9781538102800
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The Confident Choir is an exploration of conditions affecting the confidence levels in singers of all levels to create an accessible synthesis of the psychological models and offer practical confidence-building strategies for conductors, teachers, community musicians, and workshop leaders.

Michael Bonshor combines his experience as a singing teacher and choral director with a series of in-depth interviews that give an intimate depiction of the challenges faced by the contemporary choral singer. These insights provide the basis for a range of suggested techniques to bolster confidence and reduce anxiety in the group-singing context.

This book is primarily designed as a guide for leaders of amateur group singing activities and is relevant to choirs of all sizes and genres. The content will appeal to singers, teachers, and choir leaders; students and scholars in the fields of choral research, community music, music psychology, and adult education; and educators training the musical leaders of the future.

Arvustused

Michael Bonshor has created the new number one companion for every Choral Conductor. His assiduously tailored chapters provide insights, tips and strategies to create confidence, clear direction, sound communication, and a positive contagion from both sides of the podium. -- Robert T. Elliott, festival director, Cornwall International Male Choral Festival Ltd This realistic, well researched and practical guide provides conductors and scholars with transformative advice for building confidence in choirs. Bonshors comprehensive approach and coherent writing provide pragmatic solutions for all readers. An influential book which will stimulate motivation and inspire confidence! -- Mary Black, post-doctoral research fellow, Music Department, Leeds University This immensely thoughtful yet extremely practical book is based on a satisfying mixture of established psychological and pedagogical research, and Michael Bonshor's own qualitative research and experience of directing groups of singers in a wide variety of settings. I will almost certainly revisit this book at the beginning of each new choral society season to remind myself how to get the best out of my choir! -- Matthew Redfearn, conductor and music director, Glossop Choral Society This fascinating new book is a great resource for both beginners and experienced practitioners working with amateur singers who seek to develop their professional skills and knowledge within this field. This scholarly yet richly practical guide is supported by checklists and thought provoking statements from singers and conductors relating to collective singing performances. The book is underpinned by the extensive expert professional experience of the author and will be of significant interest and value to all who lead amateur singing ensembles. -- Joy Hill, choral conductor, Royal College of Music Junior Department

Preface ix
Acknowledgements xiii
Introduction: Singing Together xv
Amateur "Careers" in Group Singing xvi
The Highs and Lows of Singing xviii
Singers and Their Stories xix
Seeing the Bigger Picture xx
A Note on Terminology xxiv
1 Conveying and Cultivating Confidence
1(30)
The Embodiment of Confidence
2(6)
Communicating Confidence
8(9)
The Cloak of Confidence
17(5)
The Conductor's Contribution
22(6)
Chapter Summary
28(3)
2 Practice, Preparation, and Presentation
31(26)
Performance Anxiety and Motivation
32(2)
Musical Expression and Immersion
34(2)
Going with the Flow
36(3)
Practice and "Overlearning"
39(3)
Warming Up
42(2)
Repertoire Selection
44(3)
Keeping Up Appearances
47(3)
Practical Presentation
50(2)
It'll Be All Right on the Night!
52(4)
Chapter Summary
56(1)
3 Choral Acoustics and Choir Configuration
57(24)
Here Comes the Science
58(2)
Hearing Each Other
60(1)
Closeness and Confidence
61(3)
Choir Formation and Communication
64(3)
Positioning the Performers within the Venue
67(2)
Individual Placement within the Choir
69(2)
From Rehearsal Room to Concert Venue
71(4)
Action Stations
75(3)
Chapter Summary
78(3)
4 Collaboration and Communal Learning
81(32)
Community, Comradeship, and Camaraderie
82(2)
The Choral Team
84(3)
Trust, Support, and Reciprocal Peer Learning
87(7)
Role Models and Team Leaders
94(5)
Clashes and Conflicts
99(4)
The Choir as a Community of Practice
103(4)
Building Confident Choral CoPs
107(2)
Developing the Choral Community
109(1)
Chapter Summary
110(3)
5 Conductors and Verbal Communication
113(32)
The Source of Feedback
114(2)
The Power of Praise
116(3)
Balancing the Amount of Positive and Negative Feedback
119(4)
Constructive Criticism
123(2)
Destructive Criticism
125(4)
Communication Style
129(3)
Individual Needs within the Choir
132(5)
Accounting for Choral Diversity
137(2)
Pause for Reflection
139(3)
Chapter Summary
142(3)
6 Singer-Centered Choral Conducting
145(8)
Final Checklist for Conductors
149(4)
Conclusion
153(4)
Facilitating Flow
154(1)
There Are Limits!
154(1)
Personal Reflections upon Professional Practice
155(1)
A Conductor's Mission Statement
156(1)
Notes 157(14)
Bibliography 171(8)
Index 179(8)
About the Author 187
Michael Bonshor is an honorary research fellow and associate lecturer in the Department of Music at the University of Sheffield. He is also a past Early Career Research Fellow at the Institute of Musical Research, Royal Holloway, University of London. He has performed internationally as a professional singer and had a longstanding career as a singing teacher, accompanist, workshop leader and conductor.