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E-raamat: Contemporary Bohemia: A Case Study of an Artistic Community in Philadelphia

  • Formaat: PDF+DRM
  • Sari: SpringerBriefs in Sociology
  • Ilmumisaeg: 10-May-2019
  • Kirjastus: Springer Nature Switzerland AG
  • Keel: eng
  • ISBN-13: 9783030187750
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  • Formaat: PDF+DRM
  • Sari: SpringerBriefs in Sociology
  • Ilmumisaeg: 10-May-2019
  • Kirjastus: Springer Nature Switzerland AG
  • Keel: eng
  • ISBN-13: 9783030187750

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This book presents an investigation and assessment of an artistic community that emerged within Philadelphia’s Fishtown and the nearby neighborhood of Kensington. The book starts out by examining historical and sociological work on bohemia, and then provides a detailed history of greater Philadelphia and the Fishtown/Kensington region. After analyzing the ways in which Fishtown/Kensington’s artistic community maintains continuity with bohemian tradition, it demonstrates that this community has decoupled traditional bohemian practices from their anti-bourgeois foundation. The book also demonstrates that this community helped generate and maintains overlapping membership with a larger community of hipsters. It concludes by defining the area's artistic community as an artistic bohemian lifestyle community, and argues that the artistic activities and cultural practices exhibited by the community are not unique, and have significant implications for urban artistic policy, and for post-industrial urban society.


1 Introduction
1(14)
1.1 Background
1(3)
1.2 The Present Project
4(1)
1.3 Sample and Methods
5(3)
1.4 Our Main Findings
8(2)
1.5 Contributions to the Existing Literature
10(5)
References
12(3)
2 Classic Bohemia: Paris and Greenwich Village
15(12)
2.1 Introduction
15(1)
2.2 Classic Bohemian Paris
15(4)
2.2.1 Political Hopelessness and Bohemian Ambivalence
18(1)
2.3 The Classic Parisian Avant-Gardes
19(2)
2.4 Greenwich Village: America's Classic Bohemia
21(6)
References
25(2)
3 Contemporary Bohemia
27(16)
3.1 The Growing Integration of Bourgeois and Bohemian Culture
27(5)
3.1.1 Bobo's in Paradise and the Rise of the Creative Class
29(3)
3.2 Contemporary Bohemia
32(11)
References
40(3)
4 The Research Site
43(26)
4.1 The Philadelphia Art Scene: A Brief Overview
43(2)
4.2 Center City Neighborhoods with Galleries, Artist Space, and Artistic Events
45(1)
4.2.1 Old City
45(1)
4.2.2 Chinatown and Callowhill
45(1)
4.2.3 Midtown Village, Washington Square West, and Society Hill
46(1)
4.2.4 Rittenhouse Square and Fitler Square
46(1)
4.3 Outside Center City Neighborhoods with Galleries, Artist Space, and Artistic Events
46(1)
4.3.1 Hawthorne, Bella Vista, and Queen Village
46(1)
4.3.2 Northern Liberties
47(1)
4.4 Fishtown/Kensington: A Brief Overview of the Research Site
47(7)
4.4.1 History and Geography
47(2)
4.4.2 Deindustrialization and Gentrification
49(1)
4.4.3 Anatomy of the Area
50(4)
4.4.4 First Fridays
54(1)
4.5 Being an Artist: Philadelphia Versus New York
54(3)
4.6 Artist Attraction to Fishtown/Kensington
57(1)
4.7 Artists and Gentrification
58(1)
4.8 Fishtown/Kensington Artists as Gentrifiers
59(10)
References
62(7)
5 Bohemian but Not Anti-bourgeois
69(18)
5.1 Living the Artistic Bohemian Lifestyle
69(10)
5.1.1 L'art pour l'art
69(3)
5.1.2 Alternative Artistic Venues
72(1)
5.1.3 Virtual Alternative Artistic Space
73(1)
5.1.4 Cheap Living, Day Jobs, and Economic Hardship
74(1)
5.1.5 DIY
75(1)
5.1.6 Artistic Community Life
76(1)
5.1.7 Denying La Vie de Boheme
77(2)
5.2 But Not Anti-bourgeois
79(8)
5.2.1 Rejecting Grit as Glamour
82(2)
References
84(3)
6 The Fishtown Hipster
87(16)
6.1 Defining the Hipster
87(2)
6.2 The Social Benefits of Hipster Communities
89(1)
6.3 Critiques of Hipster Culture
89(1)
6.4 A Critique of the Critics
90(2)
6.5 The Fishtown Hipster
92(11)
6.5.1 The Hipster Church: A Closer Look
94(6)
References
100(3)
7 Conclusion: Going Beyond Ordinary
103(10)
7.1 Summary
103(2)
7.2 Policy Implications
105(8)
7.2.1 Enhancing Artistic Community Sustainability: Policy Options
105(2)
7.2.2 Beyond a Focus on Artists: A Policy Note
107(1)
7.2.3 Bottom Up Versus Top Down
107(1)
7.2.4 Encouraging the Consumption of Art Within Cities
108(2)
References
110(3)
Appendix: Photographs of the Neighborhood 113
Geoffrey Moss is currently a full-time Associate Professor of Instruction in Sociology at Temple University. He received a Ph.D. in Sociology and Education from Columbia University, an M.A. in Organizational Psychology from Columbia University-Teachers College, an M.A. in Criminal Justice from John Jay College of Criminal Justice, and a B.A. in Economics from Queens College of the City University of New York. He is a member of the American Sociological Association, Urban Affairs Association, and Phi Beta Kappa. He previously published a (2017) book for the Springbriefs Sociology series titled "Artistic Enclaves in the Post-Industrial City: A Case Study of Lawrenceville Pittsburgh" and has published articles in the Journal of Criminal Justice, Economic and Industrial Democracy, and School Organization. His interest in artistic communities was sparked by his parents, David and June Moss, who were part of New Yorks 1950s bohemian theatre scene, and nourished by frequent visits to artistic communities in New York and other cities. He lives in Plymouth Meeting PA with his wife, Kay Williams, an RN at Chestnut Hill Hospital.







Rachel Wildfeuer is a PhD Candidate in the Department of Sociology at Temple University. Her dissertation examines how place matters in Americans confidence in the American Dream. While at Temple University, she has received a fellowship to work with the Digital Scholarship Center, served as a research assistant analyzing child maltreatment perpetrated by fathers, regularly presented academic work at both the Annual Meetings of the American Sociological Association and the Eastern Sociological Society, and been involved in a variety of quantitative and qualitative research projects. In addition to research, Rachel has taught multiple undergraduate sociology courses upon receiving her MA from Temple University. 







Keith McIntosh is a PhD candidate in the Department of Sociology at Temple University. He is an urban sociologist whose scholarly interests include gentrification, aesthetics and urban design to the reproduction of social inequities in the urban environment. He consistently presents his work at the American Sociological Association and Eastern Sociological Society annual conferences. Recently, he presented research from a current line of inquiry regarding the use of social capital in a Philadelphia neighborhood undergoing gentrification. His recent published work includes a manuscript with Dr. Dustin Kidd on the use of social media in the unfolding of global social protest movements. He has worked as a researcher in both university and business settings. He is currently teaching undergraduate sociology classes while pursuing his doctoral studies.