Contemporary Directors' Cinema refreshes the argument about the role of the director through the practice of evaluative criticism. The book identifies what makes nine recent films successful achievements by their directors and collaborators.
Each chapter gives some context for the director's work, but the central argument focuses on the style, form and themes of each film, while explicating aspects of point of view and tone. Contemporary Directors' Cinema argues that in each of its nine case studies the director's work is central to the achievement of economy, unity, eloquence, subtlety, depth, vigour, vividness and intensity. By offering critical readings of nine films from mainstream film culture, Contemporary Directors' Cinema demonstrates that cinema remains vital as a directors' medium.
The films discussed in this book are: Pain and Glory (2019); Shoplifters (2018); Parasite (2019); The White Ribbon (2009); Les Chansons d'amour (2007); The Bling Ring (2013); The Great Beauty (2013); Leviathan (2014); and Winter Sleep (2014).
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Jacob Leighs Contemporary Directors Cinema does many things at once, all brilliantly. It argues for the continuing, central role of the film director. It explores the richness of individual films. It canvasses the diversity of current production around the world. It stands up for the artistry of cinema in our 21st century, digital world. And it offers flexible but precise tools for close analysis. What more could we ask for? * Adrian Martin, Professor and film critic, Monash University, Australia * Jacob Leighs engaging study of nine significant 21st-century films upholds a method of criticism rooted in detailed close analysis that has become sadly unfashionable in recent years. Writing proudly in the tradition of such formative figures as V.F. Perkins and Robin Wood, he convinces the reader that the careful study of patterns, motifs, settings, performances, costumes, point of view, realism and complexity can still produce valid and exciting film criticism. * Alexander Jacoby, Senior Lecturer in Japanese Studies, Oxford Brookes University, UK *
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Contemporary Directors Cinema refreshes the argument about the role of the director, through the practice of evaluative criticism of 12 contemporary films.
Acknowledgements
Preface
Introduction
1. Pain and Glory (Pedro Almodóvar, 2019)
2. Shoplifters (Hirokazu Koreeda, 2018)
3. Parasite (Bong Joon-ho, 2019)
4. The White Ribbon (Michael Haneke, 2009)
5. Les Chansons damour (Christophe Honoré, 2007)
6. The Bling Ring (Sofia Coppola, 2013)
7. The Great Beauty (Paolo Sorrentino, 2013)
8. Leviathan (Andrey Zvyagintsev, 2014)
9. Winter Sleep (Nuri Bilge Ceylan, 2014)
Conclusion
Bibliography
Index
Jacob Leigh teaches Film Studies at Royal Holloway, University of London. UK. He teaches the work of a wide range of filmmakers, including Howard Hawks, Eric Rohmer, Claude Chabrol, Fritz Lang, Alfred Hitchcock, George Cukor, F.W. Murnau, John Ford, Max Ophuls, Carl Dreyer, Yasujiro Ozu and Roberto Rossellini. His research is focussed on the following areas: film interpretation, film style, film storytelling and film aesthetics. He wrote his PhD and first book on realism and politics in Ken Loachs films and since then he has written about Terrence Malick, Eric Rohmer and Claude Chabrol.
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