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E-raamat: Contemporary Music and Spirituality

Edited by (University of Amsterdam, The Netherlands), Edited by (Royal Academy of Music, UK)
  • Formaat: PDF+DRM
  • Ilmumisaeg: 12-Aug-2016
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781317160663
  • Formaat - PDF+DRM
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 12-Aug-2016
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781317160663

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The flourishing of religious or spiritually-inspired music in the late twentieth and early twenty-first centuries remains largely unexplored. The engagement and tensions between modernism and tradition, and institutionalized religion and spirituality are inherent issues for many composers who have sought to invoke spirituality and Otherness through contemporary music.

Contemporary Music and Spirituality provides a detailed exploration of the recent and current state of contemporary spiritual music in its religious, musical, cultural and conceptual-philosophical aspects. At the heart of the book are issues that consider the role of secularization, the claims of modernity concerning the status of art, and subjective responses such as faith and experience.

The contributors provide a new critical lens through which it is possible to see the music and thought of Cage, Ligeti, Messiaen, Stockhausen as spiritual music. The book surrounds these composers with studies of and by other composers directly associated with the idea of spiritual music (Harvey, Gubaidulina, MacMillan, Pärt, Pott, and Tavener), and others (Adams, Birtwistle, Ton de Leeuw, Ferneyhough, Ustvolskaya, and Vivier) who have created original engagements with the idea of spirituality.

Contemporary Music and Spirituality is essential reading for humanities scholars and students working in the areas of musicology, music theory, theology, religious studies, philosophy of culture, and the history of twentieth-century culture.
List of music examples
ix
Notes on contributors xiii
Introduction: What is a contemporary spiritual music? 1(14)
Robert Sholl
Sander Van Maas
PART I Passions
15(94)
1 For whom the bells toll: Arvo Part's Passio, metamodernism and the appealing promise of tintinnabulation
17(20)
Andrew Shenton
2 Sacrificial passions: The influence of Wagner and Scruton in James MacMillan's The Sacrifice and St John Passion
37(17)
Dominic Wells
3 Kenosis in contemporary music and postmodern philosophy
54(27)
Peter Bannister
4 Synoptic passions: Gubaidulina's St John Passion in the post-Jungian era
81(28)
Anna McCready
PART II Composer studies
109(118)
5 Canon as an agent of revelation in the music of Ligeti
111(19)
Amy Bauer
6 Music and belief: The figure of singularity in Galina Ustvolskaya's work
130(17)
Rokus De Groot
7 `Zen' in the art of Toru Takemitsu: Listening as vehicle for inner discovery
147(21)
Peter Burt
8 John Cage's journey into silence
168(17)
James Pritchett
9 Stockhausen's spirituality
185(19)
Konrad Boehmer
10 Claude Vivier at the end
204(23)
Jonathan Goldman
PART III Perspectives and `prospectives'
227(100)
11 Searching for the elusive obvious: Memory, forgiveness, catharsis, and transcendence in contemporary spiritual music
229(29)
Robert Sholl
12 The curvatures of salvation: Messiaen, Stockhausen, and Adams
258(17)
Sander Van Maas
13 In defence of complexity: The new spiritual music's farewell to modernism
275(14)
Burcht Pranger
14 An awkward reverence: Composing oneself in the twenty-first-century Anglican church
289(22)
Francis Pott
15 Spiritual music: `Positive' negative theology?
311(16)
Jonathan Harvey
Bibliography 327(14)
Index 341
Robert Sholl teaches at the Royal Academy of Music and at the University of West London. He has published on a wide range of twentieth-century music. He was editor of Messiaen Studies, and has recently written on Arvo Pärt, Stravinskys Le Sacre du Printemps, Messiaen and Berio. As an organist Robert has given recitals at St Paul's Cathedral, Westminster Abbey, Notre-Dame de Paris, and at the Madeleine, and he will perform all of Messiaen's organ music in 2016-17. Sander van Maas is Assistant Professor of Musicology at the University of Amsterdam, previously Endowed Full Professor of Dutch Contemporary Composed Music at Utrecht University, and he has held visiting positions at Boston University, Harvard and the University of West London. He is author of The Reinvention of Religious Music: Olivier Messiaen's Breakthrough Toward The Beyond and editor of Thresholds of Listening: Sound, Technics, Space.