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E-raamat: Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians

4.50/5 (7 hinnangut Goodreads-ist)

R.J. Miller (Metropolitan State College of Denver, USA)

Formaat: 484 pages
Ilmumisaeg: 17-Dec-2014
Kirjastus: Routledge
ISBN-13: 9781317806257

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Formaat: 484 pages
Ilmumisaeg: 17-Dec-2014
Kirjastus: Routledge
ISBN-13: 9781317806257

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Contemporary Orchestration: A Practical Guide to Instruments, Ensembles, and Musicians teaches students how to orchestrate for a wide variety of instruments, ensembles, and genres, while preparing them for various real-world professional settings ranging from the concert hall to the recording studio. Unlike most orchestration texts, it includes coverage of contemporary instruments and ensembles alongside traditional orchestra and chamber ensembles.

Features

Practical considerations: Practical suggestions for choosing a work to orchestrate, and what to avoid when writing for each instrument.

Pedagogical features

In the Profession: Professional courtesies, considerations and expectations.

Building the Score: Step-by-step construction of an orchestration.

Scoring Examples: Multiple scoring examples for each instrument.

Exercises: Analyzing, problem solving, and creating orchestration solutions.

Critical Thinking: Alternate approaches and solutions.

List of Musical Examples

xvi

Preface

xix

1 Preliminary Considerations

(12)

The Physics of Sound

(1)

The Overtone Series

(4)

Implied Fundamental

(3)

Instrumental Balances

(1)

Instrumental Combinations

(3)

2 Scores, Parts and Notation

(34)

Score Preparation

(6)

Score Order

(2)

Concert, Transposed and Condensed Scores

(2)

Preparation of Instrumental Parts

(4)

Preparation of Recording-studio Scores

(1)

Preparation of Hybrid Studio Scores

(1)

Recording-studio Parts

(3)

Instrument Transposition Guide

(2)

Instruments and Abbreviations

(1)

General Notation Considerations

(1)

Traditional Terminology

(8)

Rhythmic Subdivisions within the Measure

(2)

Notes

(1)

3 Practical Problem Solving

(10)

Measures One and Two

(1)

Measures Three, Four and Five

(2)

Measures Six, Seven, Eight and Nine

(1)

Completed Revoking

(3)

4 The Violin Family

(50)

THE ESSENTIALS

(1)

The Bridge

(1)

The Bow

(1)

Rosin

(1)

Basic Bowing Terms and Descriptions

(8)

THE INSTRUMENTS

(1)

Violin

(4)

Viola

(5)

Violoncello

(4)

Double Bass

(3)

THE ENSEMBLES

(1)

String Quartet

(1)

Chamber Strings

(1)

Orchestral Strings

(1)

Symphony Orchestra Strings

(7)

PRACTICAL CONSIDERATIONS

(1)

IN THE PROFESSION

(1)

BUILDING THE SCORE

(6)

SCORING EXAMPLES

(1)

Scoring Examples for String Quartet

(4)

Scoring Examples for Orchestral Strings

(8)

SUGGESTED EXERCISES

102

(1)

Scoring Exercise for String Quartet

102

(2)

Scoring Exercise for Orchestral Strings

104

(3)

5 The Brass Family

107

(58)

THE ESSENTIALS

107

(1)

Cylindrical and Conical Classifications

107

(1)

Whole-tube Brass Instruments

107

(1)

Half tube Brass Instruments

108

(1)

Single-tonguing

108

(1)

Double-tonguing

108

(1)

Triple-tonguing

108

(1)

Slurs

108

(1)

Flutter-tonguing

108

(1)

Trills

108

(1)

Shakes

109

(1)

Brass Glissandi

109

(1)

1/2-valve Glissando

109

(1)

Trombone Glissando

109

(1)

Valve Tremolo

109

(1)

Mutes

110

(1)

Brass Embouchure Considerations

111

(1)

THE INSTRUMENTS

111

(1)

Trumpet

111

(2)

Cornet

113

(1)

Flugelhorn

114

(1)

Trumpet in D

115

(1)

Piccolo Trumpet

115

(2)

Eb Soprano Cornet

117

(1)

Bass Trumpet

117

(1)

Horn

118

(3)

Tenor Trombone

121

(1)

Bass Trombone

122

(1)

Valve Trombone

123

(1)

Alto Trombone

123

(1)

Cimbasso

124

(1)

Eb Alto Horn (Tenor Horn)

125

(1)

Euphonium

126

(1)

Baritone

126

(1)

Tuba

127

(1)

Sousaphone

128

(1)

THE ENSEMBLES

129

(1)

Brass Quintet

129

(1)

Chamber Ensembles

129

(1)

Orchestral Brass

130

(1)

Wind Ensemble and Concert Band Brass

130

(1)

British-style Brass Band

131

(16)

PRACTICAL CONSIDERATIONS

140

(1)

IN THE PROFESSION

140

(1)

BUILDING THE SCORE

141

(6)

SCORING EXAMPLES

147

(1)

Scoring Examples for Brass Quintet

147

(3)

Scoring Examples for Orchestral Brass

150

(4)

Scoring Examples for Wind Ensemble/Concert Band Brass

154

(4)

Scoring Examples for British-style Brass Band

158

(4)

SUGGESTED EXERCISES

162

(1)

Scoring Exercise for Brass Quintet

162

(1)

Scoring Exercise for Orchestral or Wind Ensemble Brass

163

(2)

6 The Woodwind Family

165

(72)

THE ESSENTIALS

165

(1)

Cylindrical and Conical Classifications

165

(1)

Edge-blown Aerophones

166

(1)

Single Reed Instruments

166

(1)

Double Reed Instruments

166

(1)

Saxophone Mouthpieces

166

(1)

Single-tonguing

166

(1)

Double-tonguing

167

(1)

Triple-tonguing

167

(1)

Flutter-tonguing

167

(1)

Slurs

167

(1)

Trills

167

(1)

Tremolos

168

(1)

Glissandi (Portamenti)

168

(1)

Saxophone Subtone

169

(1)

THE INSTRUMENTS

169

(1)

THE FLUTE FAMILY

169

(1)

Flute

169

(1)

Piccolo

170

(1)

Alto Flute

171

(1)

Bass Flute

172

(1)

Contra-Alto Flute

173

(1)

Contrabass Flute

173

(1)

Subcontrabass Flutes

174

(1)

Db Piccolo

175

(1)

THE SINGLE REED FAMILY

176

(1)

Clarinets

176

(1)

Eb Clarinet

176

(1)

Bb Clarinet

177

(1)

Clarinet in A

178

(1)

Eb Alto Clarinet

178

(1)

Bb Bass Clarinet

179

(1)

Eb Contralto Clarinet

180

(1)

Bb Contrabass Clarinet

180

(1)

THE SAXOPHONE FAMILY

181

(1)

Bb Soprano Saxophone

181

(1)

Eb Alto Saxophone

182

(1)

Bb Tenor Saxophone

183

(1)

Eb Baritone Saxophone

184

(1)

Eb Sopranino Saxophone

184

(1)

Bb Bass Saxophone

185

(1)

Eb Contrabass Saxophone

186

(1)

THE DOUBLE REED FAMILY

186

(1)

Oboe

186

(1)

English Horn

187

(1)

Oboe d'amore

188

(1)

Baritone (Bass) Oboe

188

(1)

Bassoons

189

(1)

Contrabassoons

190

(1)

THE ENSEMBLES

191

(1)

Flute Choir

191

(1)

Flute Orchestra

191

(1)

Clarinet Choir

192

(1)

Wind Quintet

193

(1)

Chamber Woodwinds

194

(1)

Orchestral Woodwinds

195

(1)

Wind Ensemble and Concert Band Woodwinds

195

(12)

PRACTICAL CONSIDERATIONS

196

(1)

IN THE PROFESSION

196

(1)

BUILDING THE SCORE

196

(11)

SCORING EXAMPLES

207

(1)

Scoring Example for Flute Choir

207

(1)

Scoring Example for Flute Orchestra

208

(5)

Scoring Examples for Clarinet Choir

213

(2)

Scoring Examples for Wind Quintet

215

(5)

Scoring Examples for Orchestral Woodwinds

220

(7)

Scoring Examples for Wind Ensemble/Concert Band Woodwinds

227

(5)

SUGGESTED EXERCISES

232

(1)

Scoring Exercise for Wind Quintet

232

(2)

Scoring Exercise for Orchestral Woodwinds or Wind Ensemble Woodwinds

234

(3)

7 The Percussion Family

237

(58)

Instruments Classifications

237

(1)

Synthetic and Sampled Sounds

237

(1)

Notation and Score Order

238

(4)

THE ESSENTIALS

242

(1)

Rudiments

242

(11)

THE INSTRUMENTS

253

(1)

MEMBRANOPHONES

253

(1)

Timpani

253

(2)

Snare Drum

255

(1)

Bass Drum

256

(1)

Tambourine

257

(1)

Tenor Drum

258

(1)

Tom-toms

258

(1)

Bongos

259

(1)

Conga

259

(1)

Timbales

260

(1)

Drum Set

261

(2)

IDIOPHONES OF DEFINITE PITCH

263

(1)

Orchestra Bells

263

(1)

Crotales

263

(1)

Xylophone

264

(1)

Marimba

265

(1)

Vibraphone

266

(1)

Chimes

267

(1)

IDIOPHONES OF INDEFINITE PITCH

268

(1)

Triangle

268

(1)

Hand Cymbals (Piatti)

268

(1)

Suspended Cymbal

268

(1)

Sizzle Cymbal

269

(1)

Finger Cymbals

269

(1)

Tam-tam

270

(1)

Woodblocks

270

(1)

Temple Blocks (Tempo Blocks)

270

(1)

Ratchet

271

(1)

Shakers

271

(1)

Sleigh Bells

271

(1)

Mark Tree

271

(1)

Wind Chimes

272

(1)

Bell Tree

272

(1)

Flexatone

272

(1)

Vibraslap

273

(1)

Anvil

273

(1)

Brake Drum

273

(1)

Thunder Sheet

274

(1)

Cowbells and Agogo Bells

274

(1)

Claves

275

(1)

Maracas

275

(1)

Cabasa and Afuche-Cabasa

275

(1)

Guiro

276

(1)

Castanets

276

(1)

Rainstick

276

(1)

AEROPHONES

211

(66)

Slide Whistle

277

(1)

Coach's Whistle

277

(1)

Samba Whistle

277

(1)

Siren

278

(1)

CHORDAPHONES

278

(1)

Celesta

278

(1)

Piano

278

(2)

THE ENSEMBLES

280

(1)

Percussion Ensemble

280

(1)

Orchestral (and Wind Ensemble/Concert Band) Percussion

280

(10)

PRACTICAL CONSIDERATIONS

281

(1)

IN THE PROFESSION

281

(1)

BUILDING THE SCORE

282

(3)

SCORING EXAMPLES

285

(5)

SUGGESTED EXERCISES

290

(1)

Scoring Exercise for Membranophones and Idiophones

290

(1)

Scoring Exercise for Mallet Instruments

291

(4)

8 Voices

295

(18)

THE ESSENTIALS

295

(1)

Vocal Notation

295

(1)

Vocal Ranges

296

(1)

Vowel Considerations

297

(1)

Difficult Intervals

298

(1)

Voicings

298

(1)

PRACTICAL CONSIDERATIONS

299

(1)

THE ENSEMBLES

299

(1)

Unaccompanied Choir

299

(1)

Choir with Keyboard Accompaniment

300

(1)

Choir with Orchestra (or Wind Ensemble)

300

(3)

IN THE PROFESSION

300

(1)

BUILDING THE SCORE

301

(2)

SCORING EXAMPLES

303

(1)

Scoring Examples for Adult Choir

303

(2)

Scoring Examples for Choir and Orchestra

305

(4)

Scoring Example for Children's Choir

309

(4)

SUGGESTED EXERCISE

310

(3)

9 Pedal Harp

313

(24)

THE ESSENTIALS

313

(1)

The Grand Staff

314

(1)

Playing Position and Range of Hands

314

(1)

Pedals

315

(1)

Pedal Diagrams

316

(1)

Pedal Changes

316

(1)

Enharmonics

317

(1)

Arpeggios

317

(1)

Sustain

318

(1)

Glissandi

318

(1)

Repeated Notes

319

(1)

Harmonics

319

(18)

PRACTICAL CONSIDERATIONS

332

(1)

IN THE PROFESSION

332

(1)

BUILDING THE SCORE

332

(3)

SUGGESTED EXERCISE

335

(2)

10 Guitar

337

(26)

THE ESSENTIALS

337

(1)

Tuning

337

(1)

Guitar Range and Transposition

337

(1)

Guitar Notation

338

(1)

Sample Chords in C

339

(1)

Sample Chords in C

340

(1)

Sample Chords in Db

340

(1)

Sample Chords in D

341

(1)

Sample Chords in D

341

(1)

Sample Chords in Eb

342

(1)

Sample Chords in E

342

(1)

Sample Chords in F

343

(1)

Sample Chords in F

343

(1)

Sample Chords in Gb

344

(1)

Sample Chords in G

344

(1)

Sample Chords in G

345

(1)

Sample Chords in Ab

345

(1)

Sample Chords in A

346

(1)

Sample Chords in Bb

346

(1)

Sample Chords in B

347

(1)

Harmonics

347

(2)

THE ENSEMBLES

349

(1)

Guitar Ensemble

349

(1)

Guitar Orchestra

349

(6)

IN THE PROFESSION

349

(1)

BUILDING THE SCORE

349

(6)

SCORING EXAMPLES

355

(1)

Scoring Example for Solo Guitar

355

(1)

Scoring Examples for Guitar in an Orchestral Setting

356

(7)

SUGGESTED EXERCISE

360

(3)

11 Scoring for Orchestral Tutti

363

(20)

PRACTICAL CONSIDERATIONS

363

(1)

BUILDING THE SCORE

363

(17)

SCORING EXAMPLES

380

(2)

SUGGESTED EXERCISE

382

(1)

12 Scoring for the Wind Ensemble/Concert Band Tutti

383

(14)

Wind Ensemble

383

(1)

Concert Band

384

(3)

PRACTICAL CONSIDERATIONS

385

(2)

BUILDING THE SCORE

387

(1)

Scoring for Wind Ensemble/Concert Band Tutti

387

(10)

SCORING EXAMPLES

392

(3)

SUGGESTED EXERCISE

395

(2)

13 Scoring for Musical Theater

397

(16)

Attrition

397

(1)

Bandstation

397

(1)

Books

398

(1)

Conductor's Score

398

(1)

Instrumentation

398

(2)

Alternate Instrumentation

400

(3)

PRACTICAL CONSIDERATIONS

402

(1)

BUILDING THE SCORE

402

(1)

Scoring the Chorus

403

(1)

Creating the Piano/Vocal Part

404

(1)

Scoring the Rhythm Section

405

(1)

Scoring the Brass Section

406

(1)

Scoring the Woodwind Section

407

(1)

Scoring the String Section

407

(1)

Piano/Conductor's Score

408

(1)

Piano/Vocal Part

409

(1)

Two-piano Arrangement

409

(1)

Full Score

409

(4)

SUGGESTED EXERCISE

411

(2)

14 Instrument Substitution and Quick Reference Guides

413

(16)

Practical Ranges and Registers for the Orchestral String Family

416

(3)

Practical Ranges and Registers for Brass Quintet

419

(2)

Practical Ranges and Registers for Wind Quintet

421

(2)

Practical Ranges and Registers for Saxophones

423

(3)

Practical Ranges and Registers for the Orchestral Percussion Family

426

(2)

Practical Ranges and Tessitura for Voices

428

(1)

15 Suggested Listening and Analysis

429

(10)

16 Parting Thoughts

439

(8)

Common Sense

439

(1)

Step One

439

(1)

Awareness of Acoustical Balances

439

(1)

Scoring for Orchestral Tutti

439

(1)

Cross-voicing of like Timbres

440

(1)

Cover the Seams

441

(1)

Passing Melodies from Instrument to Instrument

441

(1)

Not Everyone Needs to Play all the Time

442

(1)

Avoid Exact Repeats

442

(1)

Importance of Voice-leading and Rhythmic Interest within Parts

442

(1)

Importance of Clear/Clean Notation

443

(1)

Know the Capabilities and Limitations of Every Instrument

443

(1)

Ask a Player

443

(1)

Think Like a Player

444

(1)

Know What to Avoid

444

(1)

Learn from Your Mistakes

444

(1)

Find Your Voice

444

(1)

Seven Traits of a Great Orchestrator

444

(3)

Credits

447

(4)

Index

451

RJ Miller has composed, orchestrated, arranged, conducted, and/or produced recordings with the London Philharmonic and the St. Petersburg Philharmonic, and for such films as the digital re-release of the original The Last of the Mohicans and The Lost World. His credits appear on over 300 CDs, videos, film and television productions. His courses at the Metropolitan State University of Denver include Arranging and Orchestration, Arranging for Music Educators, and Scoring for Film and Television.

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