Abbreviations |
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xiii | |
Figures and Tables |
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xv | |
Acknowledgements |
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xvii | |
Note to the Readers |
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xix | |
Chapter 1 Introduction: Challenges for Copyright in the Online Environment |
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1 | (20) |
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1.1 Background and Problem Definition |
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1 | (8) |
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9 | (2) |
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11 | (5) |
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1.4 Scientific and Societal Relevance |
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16 | (1) |
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17 | (4) |
Chapter 2 Copyright Rewind: Precedents for Compensation Systems |
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21 | (64) |
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21 | (1) |
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22 | (8) |
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2.2.1 Copyright Rule or Scheme |
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23 | (1) |
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2.2.2 Regulation of Large-Scale or Mass Use |
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24 | (1) |
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2.2.3 Non-voluntary Licences |
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25 | (2) |
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2.2.4 Equitable Remuneration or Fair Compensation |
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27 | (3) |
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2.2.5 Selection of Precedents |
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30 | (1) |
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2.3 Statutory Licensing for Private Copying |
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30 | (25) |
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2.3.1 A German Legal Creation |
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31 | (8) |
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2.3.1.1 Pre-1965: The GEMA Litigation that Shaped the Act |
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32 | (4) |
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2.3.1.2 The 1965 German Copyright Act and Its 1985 Amendment |
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36 | (3) |
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2.3.2 A Legal Chronology of International Developments |
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39 | (7) |
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2.3.2.1 Berne Convention: The 1967 Stockholm Revision Conference |
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39 | (4) |
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2.3.2.2 Post-Stockholm: From 1967 to the 1990s |
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43 | (1) |
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2.3.2.3 Preparatory Works for the 1996 WIPO Treaties |
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44 | (2) |
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2.3.3 Manifestations in the Acquis |
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46 | (6) |
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2.3.4 Conclusions on Statutory Licensing for Private Copying |
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52 | (3) |
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2.4 Compulsory Licensing for Broadcasting and Communication to the Public |
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55 | (25) |
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2.4.1 The Early Days of Broadcasting |
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56 | (5) |
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2.4.2 Compulsory Licensing for Broadcasting and Communication to the Public in the Berne Convention |
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61 | (9) |
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61 | (4) |
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65 | (5) |
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2.4.3 Compulsory Licensing for Related Rights: Brief Reference |
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70 | (2) |
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2.4.4 Manifestations in the Acquis |
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72 | (5) |
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2.4.5 Conclusions on Compulsory Licensing for Broadcasting and Communication to the Public |
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77 | (3) |
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80 | (5) |
Chapter 3 Alternative Compensation Systems: Taxonomy of Legalisation Proposals |
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85 | (66) |
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85 | (3) |
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88 | (6) |
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3.3 Types of Alternative Compensation System |
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94 | (44) |
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3.3.1 Some Basics on Collective Rights Management |
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95 | (5) |
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3.3.2 Voluntary Collective Licensing |
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100 | (6) |
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3.3.2.1 Characterisation and Legal Framework |
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100 | (4) |
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3.3.2.2 Legalisation Proposals |
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104 | (2) |
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3.3.3 Extended Collective Licensing |
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106 | (7) |
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3.3.3.1 Characterisation and Legal Framework |
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106 | (5) |
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3.3.3.2 Legalisation Proposals |
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111 | (2) |
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3.3.4 Mandatory Collective Management |
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113 | (13) |
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3.3.4.1 Characterisation and Legal Framework |
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113 | (5) |
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3.3.4.2 Theories on Mandatory Collective Management |
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118 | (6) |
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3.3.4.2.1 Limited Applicability to Exclusive Rights |
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118 | (2) |
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3.3.4.2.2 Broader Applicability to Exclusive Rights |
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120 | (3) |
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3.3.4.2.3 The Impact of Soulier and Doke |
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123 | (1) |
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3.3.4.3 Legalisation Proposals |
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124 | (2) |
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3.3.5 Legal Licences: Statutory and Compulsory |
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126 | (6) |
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3.3.5.1 Characterisation and Legal Framework |
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126 | (4) |
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3.3.5.2 Legalisation Proposals |
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130 | (2) |
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132 | (6) |
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3.3.6.1 Characterisation and Legal Framework |
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132 | (4) |
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3.3.6.2 Legalisation Proposals |
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136 | (2) |
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3.4 Attributes of Alternative Compensation Systems |
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138 | (10) |
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3.4.1 Subject Matter Scope |
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139 | (1) |
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3.4.2 Substantive Rights Scope: Authorised Use |
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140 | (3) |
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143 | (1) |
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144 | (2) |
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3.4.5 Compensation Targets |
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146 | (1) |
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3.4.6 Burden of Compensation |
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147 | (1) |
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148 | (3) |
Chapter 4 Between Rights and Limitations: Mapping the Space for the Legalisation of the Online Use of Copyright Works |
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151 | (94) |
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151 | (1) |
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4.2 Typology of Online Uses |
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152 | (6) |
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153 | (1) |
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153 | (1) |
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154 | (1) |
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4.2.4 Stream Capture or Ripping |
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155 | (1) |
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155 | (1) |
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156 | (1) |
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4.2.7 Digital Adaptations |
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157 | (1) |
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4.3 How Does the Bundle of Exclusive Rights in the Acquis Apply to Mass Online Use of Works by Individuals? |
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158 | (33) |
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4.3.1 Uses Covered by the Right of Reproduction |
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161 | (3) |
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161 | (2) |
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4.3.1.2 Application to Activities of Internet Users |
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163 | (1) |
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4.3.2 Uses Covered by the Right of Communication to the Public |
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164 | (27) |
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164 | (19) |
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4.3.2.1.1 An 'Act of Communication' |
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167 | (3) |
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4.3.2.1.2 Communication to the 'Public' |
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170 | (1) |
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4.3.2.1.3 Specific Technical Means |
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171 | (2) |
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4.3.2.1.4 New Public and Online Use |
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173 | (1) |
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4.3.2.1.4.1 Initial Application in Svensson |
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174 | (1) |
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4.3.2.1.4.2 The Issue of Unauthorised Sources and GS Media |
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176 | (6) |
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4.3.2.1.5 Profit-Making Nature of the Communication |
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182 | (1) |
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4.3.2.2 Application to Activities of Internet Users |
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183 | (8) |
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4.4 What limitations Apply to Uses Covered by Exclusive Rights? |
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191 | (47) |
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4.4.1 General Framework, Objectives and Interpretation of Copyright Limitations |
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191 | (16) |
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4.4.1.1 General Framework |
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191 | (3) |
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4.4.1.2 Relationship with Technological Protection Measures |
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194 | (4) |
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198 | (1) |
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4.4.1.4 The Court's Case Law: From Strict Interpretation to Restricted Flexibility |
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199 | (6) |
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4.4.1.5 Interim Conclusions |
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205 | (2) |
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4.4.2 Temporary and Transient Copying |
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207 | (5) |
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212 | (15) |
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213 | (1) |
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214 | (1) |
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4.4.3.3 Fair Compensation |
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215 | (2) |
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4.4.3.4 Rights Holders' Authorisation |
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217 | (2) |
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4.4.3.5 Application of Technological Protection Measures |
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219 | (1) |
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4.4.3.6 Lawfulness of Source |
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220 | (3) |
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4.4.3.7 Third Party Devices Used for Copying |
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223 | (2) |
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4.4.3.8 Application to Activities of Internet Users |
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225 | (2) |
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4.4.4 Limitations Susceptible of Application to Digital Adaptations |
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227 | (88) |
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230 | (3) |
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4.4.4.2 Incidental Inclusion |
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233 | (1) |
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4.4.4.3 Caricature, Parody and Pastiche |
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234 | (2) |
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4.4.4.4 Interim Conclusions |
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236 | (2) |
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238 | (7) |
Chapter 5 Copyright Reform: Admissibility of Legalisation under the Three-Step Test and the Objectives of EU Copyright Law |
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245 | (120) |
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245 | (2) |
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5.2 Analytical Framework of the Three-Step Test |
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247 | (16) |
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5.2.1 Variants and Interpretation |
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247 | (11) |
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5.2.1.1 The Berne Convention and Its Relationship to Other Treaties |
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250 | (3) |
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5.2.1.2 The WIPO Treaties and the Agreed Statements |
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253 | (1) |
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5.2.1.3 The Agreement on Trade-Related Aspects of Intellectual Property Law |
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254 | (1) |
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5.2.1.4 EU Copyright Law and Its Relationship to International Law |
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255 | (3) |
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5.2.2 Spectrum of Readings |
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258 | (1) |
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5.2.2.1 Strict Interpretation |
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258 | (2) |
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5.2.2.2 Flexible Interpretation |
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260 | (3) |
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5.3 The Space for an Alternative Compensation System in the Three-Step Test |
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263 | (52) |
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5.3.1 Certain Special Cases |
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263 | (5) |
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264 | (1) |
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5.3.1.2 Special Cases: Qualitative and Quantitative Considerations |
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264 | (4) |
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5.3.2 Conflict with the Normal Exploitation of Works |
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268 | (17) |
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5.3.2.1 The Traditional View of Normal Exploitation |
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268 | (4) |
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5.3.2.2 Objections to the Traditional View of Normal Exploitation |
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272 | (3) |
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5.3.2.3 A Flexible Interpretation of Normal Exploitation |
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275 | (1) |
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5.3.2.3.1 Normal Exploitation and Non-commercial Use of Works |
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276 | (1) |
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5.3.2.3.2 Indirect Effect on Commercial Exploitation |
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278 | (1) |
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5.3.2.3.3 Normal Exploitation and Compensation |
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284 | (1) |
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5.3.3 Unreasonable Prejudice to Legitimate Interests |
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285 | (25) |
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5.3.3.1 Unreasonable Prejudice |
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287 | (1) |
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5.3.3.2 Legitimate Interests of Rights Holders and the Public Interest |
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288 | (3) |
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5.3.3.3 The Interests of Rights Holders and Fair Compensation |
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291 | (3) |
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5.3.3.4 The Conflicting Interests of Creators and Exploiters |
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294 | (2) |
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5.3.3.5 Public Interest in the Promotion of Creativity and Circulation of Works |
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296 | (2) |
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5.3.3.6 Public Interest in the Respect of Fundamental Rights and Freedoms |
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298 | (1) |
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5.3.3.6.1 Freedom of Expression and Information |
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298 | (1) |
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5.3.3.6.2 Protection of Privacy and Personal Data |
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304 | (1) |
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5.3.3.6.3 Intermediaries and Freedom to Conduct a Business |
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306 | (4) |
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5.3.4 Summary: Application of the Three-Step Test |
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310 | (5) |
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5.4 Overcoming Conflicts with the Normal Exploitation of Works |
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315 | (11) |
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315 | (3) |
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318 | (8) |
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5.4.2.1 Opt-Out Rules and Alternative Compensation Systems |
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319 | (4) |
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5.4.2.2 Are Opt-Out Rules Prohibited Formalities? |
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323 | (3) |
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5.5 The Normative Choice Between Exclusivity and Remunerated Access |
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326 | (31) |
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5.5.1 Copyright Theories, Exclusivity and Remuneration |
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327 | (14) |
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332 | (4) |
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336 | (5) |
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5.5.2 The Access and Remuneration Dimensions of Copyright |
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341 | (8) |
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5.5.3 Normative Consistency with EU Copyright Law |
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349 | (8) |
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357 | (8) |
Chapter 6 Summary and Conclusions: Towards Access and Remuneration |
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365 | (44) |
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366 | (20) |
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6.1.1 The Case for Reform of EU Copyright Law |
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366 | (3) |
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6.1.2 Lessons from the Past |
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369 | (2) |
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6.1.3 A Taxonomy of Alternative Compensation Systems |
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371 | (3) |
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6.1.4 The Legal Space for Non-commercial Online Use of Works in EU Copyright Law |
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374 | (4) |
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6.1.5 The Admissibility of a Limitation-Based Statutory Licence for Non-commercial Online Use under the Three-Step Test and Its Consistency with the Objectives of EU Copyright Law |
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378 | (8) |
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6.2 A Blueprint for Reform: A Limitation-Based Statutory Licence for Non-commercial Online Use of Works by Individuals |
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386 | (20) |
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6.2.1 Beneficiaries (and Intermediaries) |
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386 | (1) |
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6.2.2 Subject Matter Scope |
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387 | (4) |
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6.2.3 Substantive Rights Scope: Authorised Non-commercial Online Use of Works |
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391 | (3) |
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394 | (3) |
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6.2.5 Agreed Contractual Terms |
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397 | (1) |
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398 | (4) |
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6.2.7 Scaling Down Reform: Adaptability of the Proposal to Collective Licensing |
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402 | (4) |
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406 | (3) |
Bibliography |
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409 | (38) |
Primary Sources: Legal Texts |
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447 | (8) |
Secondary Sources |
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455 | (8) |
Table of Cases |
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463 | (10) |
Index |
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473 | |