The Costume Supervisor’s Toolkit Second Edition explores the multifaceted array of responsibilities of a Costume Supervisor within a theatrical, opera or dance production company.
Delving deeper into the nuances of this craft, Pride's updated exploration provides invaluable insights into the evolving landscape of costume design and management. Through detailed case studies, practical advice, and expert guidance, this edition underscores the dynamic nature of costume supervision and its enduring significance in the realm of visual storytelling. With insightful anecdotes and practical advice, this practical guide highlights the importance of effective communication and problem-solving skills in navigating the complexities of costume production. From sourcing fabrics and collaborating with directors and designers, to managing budgets and coordinating fittings, Pride's book illuminates the indispensable role of costume supervision in bringing characters to life on stage and screen. The second edition has been fully updated to include:
- Expanded common terminology
- Information on Period costumes
- Additional ideas for styling costume
- New and enlarged images throughout
- Updated information on processes and technology throughout
Aspiring costume supervisors and seasoned professionals alike will find this an invaluable resource for mastering the art of costume supervision and elevating the overall quality of their productions.
The Costume Supervisor’s Toolkit Second Edition explores the array of responsibilities of a Costume Supervisor within a theatrical, opera or dance production company. Delving deeper into the nuances of this craft, Pride's updated exploration provides invaluable insights into the evolving landscape of costume design and management.
1. What Does a Costume Supervisor Do?
2. Different Types and Genres of
Production
3. Developing Good Communication Skills
4. Setting Up Your Team
5.
Budgeting
6. First Rehearsal and Creating the Costume Bible
7. Sourcing:
Construct, Hire or Buy?
8. Managing the Rehearsal Process and Fitting
Protocols
9. Tech Week
Rebecca Pride has worked at Arts University Bournemouth since 2005, first as senior lecturer and then course leader for the BA (Hons) Costume and Performance Design and MA Historical Costume courses. She is the editor of Drawing Theatre: Pamela Howard, which was longlisted for Best Performance Design and Scenography Publication Prize at the Prague Quadrennial (2019). In recognition of the quality of work of the staff and students during her time as course leader for the BA Costume and Performance Design course, Rebecca was presented by HM King Charles III in the 12th Round Queen's Anniversary Prize for "Distinguished degree level education in Costume Design for the leading UK creative industries 201618".
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