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viii | |
| Acknowledgments |
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| Introduction |
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1 | (22) |
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3 | (4) |
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7 | (9) |
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16 | (4) |
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20 | (3) |
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23 | (8) |
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Stephen to Athene, June 8, 1939 |
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23 | (1) |
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24 | (3) |
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27 | (1) |
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Concepts: revue comedy, non-comic acting, comic foundation, comic spirit, distorted truth, comic state of mind |
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27 | (1) |
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Exercises: Comic perspective, Adding delight |
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28 | (3) |
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31 | (12) |
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Stephen to Athene, June 17, 1939 |
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31 | (3) |
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34 | (5) |
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39 | (1) |
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Concepts: comedy through situation, comedy through character, comedy of being out of character, lack of balance, distortion, tight-rope walking, over-statement, over-emphasis, under-statement, shared secret, spiritual comprehension, personality, technique |
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39 | (1) |
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Exercises: Personal tendencies, All out of proportion, Both sides now |
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40 | (3) |
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43 | (14) |
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Stephen to Athene, July 20, 1939 |
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43 | (3) |
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46 | (7) |
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53 | (1) |
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Concepts: comedy essentials, national humor, farce, high comedy, comedy vein |
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53 | (1) |
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Exercises: Delicate to broad, Sitting in fear, Bubbling with pleasure |
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54 | (3) |
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57 | (12) |
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Stephen to Athene, November 19, 1939 |
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57 | (4) |
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61 | (4) |
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65 | (1) |
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Concepts: confidence, taking the audience in, topping |
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66 | (1) |
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Exercises: Assurance and creativity, Tricks of the trade |
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66 | (3) |
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69 | (18) |
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Stephen to Athene, January 15, 1940 |
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69 | (5) |
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74 | (10) |
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84 | (1) |
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Concepts: double take, breaking, rhythm, emphasis, business, breaking up the scene |
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84 | (1) |
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Exercises: Scarfing, Opposition, Max and Anatol |
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85 | (2) |
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87 | (10) |
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Stephen to Athene, February 10, 1940 |
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87 | (3) |
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90 | (4) |
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94 | (1) |
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Concepts: leading up to a laugh, trodding on a laugh, antimodal comedy, three kinds of dramatic expression (poetic drama, straight drama or comedy, artificial or high comedy), leveling of emotion |
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94 | (1) |
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Exercises: Period physical lives, Walk the walks |
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95 | (2) |
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97 | (16) |
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Stephen to Athene, April 18, 1940 |
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97 | (1) |
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98 | (12) |
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110 | (1) |
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Concepts: interest, manners without morals, line delivery, types |
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110 | (1) |
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Exercises: Character distinctions, Relish and detail |
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111 | (2) |
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113 | (8) |
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Stephen to Athene, May 6, 1940 |
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113 | (2) |
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115 | (2) |
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Stephen to Athene, May 31, 1940 |
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117 | (2) |
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119 | (1) |
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Concepts: professional prerequisites, pursuing stardom, career pitfalls, career compensations |
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120 | (1) |
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120 | (1) |
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A Seyler's second thoughts |
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121 | (6) |
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123 | (1) |
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Concepts: spiritual antiseptic, two kinds of comedy, power of an audience, final enunciation, feed line |
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123 | (1) |
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Exercises: Line or character?, Endings, Post mortem |
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124 | (3) |
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127 | (8) |
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Applications: training, rehearsal, homework |
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133 | (2) |
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C Plays referenced and scenes for practice |
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135 | (2) |
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137 | (2) |
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137 | (1) |
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138 | (1) |
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E Tribute by Prunella Scales |
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139 | (4) |
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F Additional sources - comedy books |
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143 | |