Craft Communities addresses the social groups, old and new, which have developed around craft production and consumption, exploring the social and cultural impact of contemporary practices of making. Addressing a wide range of crafting practice, from yarnbombs to Shetlands shawls, brassware to paper crafting, in a variety of regional and national contexts, the contributors consider how craft practices operate collectively in the home, communities, businesses, workshops, schools, social enterprises, and online. It further identifies how social media has emerged as a key driver of the 'Third Wave' of craft. From Etsy to Instagram, Twitter to Pinterest, online communities of the handmade are changing the way people buy and sell, make and meet.
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Craft Communities brings together an exciting and international array of writers whose ideas and examples are of central importance for thinking about craft as a collective, generative experience. The themes and chapters provide much-needed explorations and insights to help readers think through and unravel some of the complexities of decolonising craft. * Professor Juliette MacDonald, Director of Faculty at Edinburgh College of Art, Scotland * Craft Communities gathers in one publication is a breadth of particular case studies that reveal the dynamism, but also the sheer complexity, of crafts place in contemporary community building. * Jessica Hemmings. University of Gothenburg, Professor of Craft, Sweden *
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Craft Communities explores the social groups that have developed around craft production, circulation and consumption, focusing on social media as a key driver of the 'Third Wave' of craft.
Introduction - Craft Communites: Continuity and discontinuity across
time and place, Susan Luckman.
The commercial entanglements of craft communities
1. Do it yourself, with me: Workshops as a site of interaction between
professional and amateur makers, Amy Twigger Holroyd.
2. Out of time and out of money: How handicraft tourism micro-entrepreneurs
in Greece negotiate gender and economic roles in an economic crisis, Fiona
Bakas
3. The Pleasures of Feminine Paper Crafting, Kathleen McCollough
4. Commodification, collection and community: Negotiating craft consumption
and craft capitalism, Richard Yarwood
Craft communities in place
5. Innovation or preservation?: Crafts post-capitalist identity crisis,
Joanna Mann
6. A place-based approach to regional fiber economies, Oona Morrow
7. Walking as sisters: The social dimension of group-based craft production
in the Peruvian Andes, Kathrin Forstner
8. Sri Lankan artistic brassware industry: A manifestation of local community
values, Sri Rohana Rathnayake and Carl Grodach
9. Recognising craft and creativity as political governance innovation:
Activating people and place through civic activism and creative enterprise,
Clare Mouat and Bronwyn Adams
10. Make, do and mend: A patchwork economy of UK crafting for health, Sarah
Desmarais
Activist craft communities
11. Better together: Co-creating living heritage, community assets and
enterprise, Fiona Hackney, Deirdre Figueiredo and Mary Loveday
12. Material girls: The intangible and tangible of womens weaving groups in
Australia, Kirsten McGavin and Hannah Swee
13. Crafting employment for marginalized women: The remaking of social
enterprise, Mia Hunt
14. The craft of reuse: Making communities at charity secondhand shops,
Melisa Duque and Aneta Podkalicka
15. Crafting asylum: Text, textiles and asylum seekers in detention, Margaret
Mayhew
Craft communities online
16. Disposition and taste: DIY craft's star system, cultural intermediaries
and the influence of Etsy, Jacqueline Wallace
17. New geographies of domesticity: Work, space and community in the virtual
arts and crafts, Shannon Black, Chloe Fox Miller and Deborah Leslie
18. Media practices and social arrangements on DaWanda: Reflections on the
appropriation of a social commerce platform, Dagmar Hoffmann and Wolfgang
Reißmann
List of Figures
List of Contributors
Nicola Thomas is Associate Professor in Cultural Historical Geography at the University of Exeter, UK.
Susan Luckman is Professor in Cultural Studies at the University of South Australia, Australia.
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