About the Author |
|
xvii | |
About the Technical Reviewer |
|
xix | |
Acknowledgments |
|
xxi | |
Introduction |
|
xxiii | |
Part I: What Are Wearables, |
|
1 | (20) |
|
Chapter 1 A Brief History of Wearables |
|
|
3 | (8) |
|
|
3 | (2) |
|
Wearables to Help You Win |
|
|
5 | (1) |
|
|
6 | (1) |
|
|
7 | (1) |
|
|
7 | (2) |
|
|
9 | (1) |
|
|
10 | (1) |
|
Chapter 2 Wearable Fictions |
|
|
11 | (10) |
|
|
11 | (1) |
|
|
12 | (1) |
|
|
12 | (4) |
|
|
12 | (1) |
|
|
13 | (2) |
|
|
15 | (1) |
|
Superheroes and Super-Wearables |
|
|
16 | (3) |
|
|
16 | (1) |
|
|
17 | (1) |
|
|
17 | (1) |
|
|
17 | (2) |
|
|
19 | (2) |
Part II: Methods and Techniques |
|
21 | (98) |
|
Chapter 3 From Textiles to Wearables |
|
|
23 | (10) |
|
|
23 | (2) |
|
|
23 | (1) |
|
|
24 | (1) |
|
Economic and Social Implications |
|
|
25 | (1) |
|
|
25 | (3) |
|
|
28 | (2) |
|
|
28 | (1) |
|
Higher Education: Tech vs. Textiles |
|
|
29 | (1) |
|
|
30 | (1) |
|
|
30 | (2) |
|
|
30 | (2) |
|
|
32 | (1) |
|
|
32 | (1) |
|
Chapter 4 Cutting and Sewing |
|
|
33 | (12) |
|
|
33 | (3) |
|
|
36 | (1) |
|
|
36 | (4) |
|
|
37 | (1) |
|
|
38 | (1) |
|
|
39 | (1) |
|
|
40 | (1) |
|
|
40 | (2) |
|
|
42 | (1) |
|
|
43 | (1) |
|
|
44 | (1) |
|
Chapter 5 Making Electronics Sewable |
|
|
45 | (14) |
|
|
45 | (5) |
|
|
45 | (4) |
|
|
49 | (1) |
|
|
50 | (1) |
|
How to Sew a Light Circuit |
|
|
50 | (4) |
|
|
54 | (4) |
|
|
54 | (1) |
|
|
55 | (1) |
|
|
56 | (1) |
|
|
56 | (1) |
|
|
57 | (1) |
|
|
58 | (1) |
|
|
59 | (14) |
|
|
59 | (2) |
|
|
61 | (4) |
|
Creating a Printed Circuit Shirt |
|
|
65 | (1) |
|
Assembling an E-textiles Toolkit |
|
|
66 | (6) |
|
|
72 | (1) |
|
Chapter 7 Materials That Matter |
|
|
73 | (12) |
|
|
73 | (4) |
|
Conductive Ribbon and Tape |
|
|
74 | (1) |
|
|
75 | (2) |
|
|
77 | (1) |
|
|
78 | (2) |
|
|
79 | (1) |
|
|
79 | (1) |
|
|
80 | (2) |
|
|
81 | (1) |
|
|
81 | (1) |
|
|
81 | (1) |
|
|
82 | (1) |
|
|
82 | (1) |
|
|
82 | (1) |
|
Quantum Tunneling Composite |
|
|
83 | (1) |
|
|
83 | (1) |
|
|
83 | (1) |
|
|
84 | (1) |
|
|
84 | (1) |
|
|
84 | (1) |
|
Chapter 8 Digital Design for Wearables |
|
|
85 | (14) |
|
Software for Digital Design |
|
|
85 | (3) |
|
|
85 | (1) |
|
|
86 | (2) |
|
|
88 | (9) |
|
|
88 | (6) |
|
|
94 | (3) |
|
|
97 | (2) |
|
Chapter 9 Digital Fabrication for Wearables |
|
|
99 | (12) |
|
|
99 | (3) |
|
|
100 | (1) |
|
|
101 | (1) |
|
|
101 | (1) |
|
|
102 | (5) |
|
|
103 | (2) |
|
|
105 | (1) |
|
|
106 | (1) |
|
|
107 | (2) |
|
|
107 | (1) |
|
|
107 | (1) |
|
|
108 | (1) |
|
|
109 | (1) |
|
|
109 | (2) |
|
Chapter 10 Designing for the Body, on the Body |
|
|
111 | (8) |
|
|
112 | (1) |
|
|
113 | (1) |
|
|
114 | (1) |
|
|
114 | (1) |
|
Intuitive Gestures, Precise Geometry |
|
|
115 | (1) |
|
|
116 | (1) |
|
|
117 | (1) |
|
|
117 | (2) |
Part III: Fashion and Product |
|
119 | (78) |
|
Chapter 11 Wearable Wellness |
|
|
121 | (12) |
|
|
121 | (2) |
|
|
123 | (2) |
|
|
123 | (1) |
|
|
124 | (1) |
|
|
124 | (1) |
|
|
125 | (1) |
|
|
126 | (1) |
|
|
127 | (1) |
|
Posture Suspenders Project |
|
|
127 | (4) |
|
|
131 | (2) |
|
|
133 | (12) |
|
|
133 | (4) |
|
|
133 | (1) |
|
|
134 | (2) |
|
|
136 | (1) |
|
|
137 | (1) |
|
Dermatology and Technology |
|
|
138 | (2) |
|
|
140 | (1) |
|
|
140 | (3) |
|
|
141 | (1) |
|
Steps to Make a Temporary Light Tattoo |
|
|
142 | (1) |
|
|
143 | (2) |
|
Chapter 13 Superhumans and Cyborgs |
|
|
145 | (16) |
|
|
145 | (6) |
|
|
146 | (2) |
|
|
148 | (1) |
|
|
149 | (2) |
|
|
151 | (3) |
|
|
152 | (1) |
|
|
153 | (1) |
|
|
154 | (5) |
|
|
154 | (2) |
|
|
156 | (3) |
|
|
159 | (2) |
|
Chapter 14 Activated Garments |
|
|
161 | (14) |
|
|
161 | (3) |
|
To Safely Reach Your Destination |
|
|
162 | (1) |
|
|
163 | (1) |
|
|
163 | (1) |
|
|
164 | (5) |
|
|
164 | (1) |
|
|
165 | (1) |
|
|
166 | (1) |
|
|
167 | (1) |
|
|
167 | (2) |
|
|
169 | (1) |
|
|
169 | (1) |
|
|
170 | (1) |
|
|
170 | (1) |
|
|
170 | (3) |
|
|
170 | (1) |
|
|
171 | (1) |
|
|
171 | (1) |
|
|
172 | (1) |
|
|
172 | (1) |
|
|
172 | (1) |
|
|
173 | (2) |
|
Chapter 15 Wearable Costumes |
|
|
175 | (8) |
|
What Kinds of Wearables Are Found in Performance? |
|
|
176 | (1) |
|
|
176 | (2) |
|
Actuation, Haptics, and Performance |
|
|
178 | (2) |
|
|
180 | (1) |
|
Technology vs. Performance |
|
|
181 | (1) |
|
How to Design Wearable Sensors for Performance |
|
|
181 | (1) |
|
|
181 | (1) |
|
|
181 | (1) |
|
3 Decide What the Sensor Will Control |
|
|
181 | (1) |
|
4 Devising and Choreographing the Sensor |
|
|
182 | (1) |
|
|
182 | (1) |
|
|
182 | (1) |
|
Chapter 16 Speculations on Wearable Futures |
|
|
183 | (14) |
|
|
183 | (3) |
|
|
183 | (2) |
|
|
185 | (1) |
|
Future Fabric and Fabrication |
|
|
186 | (3) |
|
|
187 | (1) |
|
|
188 | (1) |
|
|
188 | (1) |
|
|
189 | (1) |
|
|
189 | (4) |
|
Lifestyles and Experiences |
|
|
190 | (2) |
|
|
192 | (1) |
|
|
193 | (2) |
|
|
193 | (1) |
|
|
193 | (1) |
|
|
194 | (1) |
|
|
195 | (2) |
Appendix: Cyborg "Fingercaps" and Resources |
|
197 | (12) |
|
Recipe for Cyborg Fingercaps |
|
|
198 | (5) |
|
|
203 | (6) |
|
Chapter 1: A Brief History of Wearables |
|
|
203 | (1) |
|
Chapter 2: Wearable Fictions |
|
|
203 | (1) |
|
Chapter 3: From Textiles to Wearables |
|
|
203 | (1) |
|
Chapter 4: Cutting and Sewing |
|
|
203 | (1) |
|
Chapter 5: Making Electronics Sewable |
|
|
204 | (1) |
|
|
204 | (1) |
|
Chapter 7: Materials That Matter |
|
|
204 | (1) |
|
Chapter 8: Digital Design for Wearables |
|
|
204 | (1) |
|
Chapter 9: Digital Fabrication for Wearables |
|
|
205 | (1) |
|
Chapter 10: Designing for the Body, on the Body |
|
|
205 | (1) |
|
Chapter 11: Wearable Wellness |
|
|
205 | (1) |
|
|
205 | (1) |
|
Chapter 13: Superhumans and Cyborgs |
|
|
206 | (1) |
|
Chapter 14: Activated Garments |
|
|
206 | (1) |
|
Chapter 15: Wearable Costumes |
|
|
206 | (1) |
|
Chapter 16: Speculations on Wearable Futures |
|
|
207 | (2) |
Index |
|
209 | |