Muutke küpsiste eelistusi

E-raamat: Creative Jazz Improvisation

(The City College of the City University of New York, USA), (Jacobs School of Music, Indiana University, USA)
  • Formaat: 384 pages
  • Ilmumisaeg: 19-Aug-2022
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781000575590
  • Formaat - EPUB+DRM
  • Hind: 70,19 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: 384 pages
  • Ilmumisaeg: 19-Aug-2022
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781000575590

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

The leading textbook in jazz improvisation, Creative Jazz Improvisation, Fifth Edition represents a compendium of knowledge and practice resources for the university classroom, suitable for all musicians looking to develop and sharpen their soloing skills.



The leading textbook in jazz improvisation, Creative Jazz Improvisation, Fifth Edition represents a compendium of knowledge and practice resources for the university classroom, suitable for all musicians looking to develop and sharpen their soloing skills. Logically organized and guided by a philosophy that encourages creativity, this book presents practical advice beyond the theoretical, featuring exercises in twelve keys, ear training and keyboard drills, a comprehensive catalog of relevant songs to learn, and a wide range of solo transcriptions, each transposed for C, Bb, Eb, and bass clef instruments. Chapters highlight discussions of jazz theory · covering topics such as major scale modes, forms, chord substitutions, melodic minor modes, diminished and whole-tone modes, pentatonic scales, intervallic improvisation, free improvisation, and more · while featuring updated content throughout on the nuts and bolts of learning to improvise.

New to the Fifth Edition:

• Co-author Tom Walsh
• Additional solo transcriptions featuring the work of female and Latino jazz artists
• A new chapter, “Odd Meters”
• A robust companion website featuring additional exercises, ear training, play-along tracks, tunes, call and response tracks, keyboard voicings, and transcriptions, alongside Spotify and YouTube links to many of the featured solos

Rooted in an understanding that there is no one right way to learn jazz, Creative Jazz Improvisation, Fifth Edition explores the means and methods for developing one’s jazz vocabulary and improvisational techniques.

Detailed Contents vi
Preface ix
Part 1 The Art of Improvisation
1(12)
Chapter 1 Practicing and Performing Jazz
3(10)
Part 2 Diatonic Chords and the Modes in the Major Scale
13(106)
Chapter 2 Major Scales and Major 7th Chords
15(15)
Chapter 3 Dorian Scales and Minor 7th Chords
30(14)
Chapter 4 Mixolydian and Dominant Bebop Scales, and Dominant 7th Chords
44(15)
Chapter 5 The ii V I Progression and Functional Harmony
59(26)
Chapter 6 Locrian and Aeolian Scales, and the iiø7 V7b9 i Progression
85(18)
Chapter 7 Lydian and Phrygian Scales, and Major 7b5 Chords
103(16)
Part 3 Chord Substitutions, Harmonic Structures, and Forms
119(60)
Chapter 8 The Blues Scale, the Blues Form, and Chord Substitutions
121(24)
Chapter 9 Sectional Forms and Rhythm Changes
145(18)
Chapter 10 Harmonic Structures and Coltrane Substitutions
163(16)
Part 4 Altered Chords, Diminished Modes, Whole-Tone Scales, and Harmonic Minor and Melodic Minor Modes
179(84)
Chapter 11 Diminished Scales, Fully Diminished Chords, and Dominant 7b9 Chords
181(16)
Chapter 12 Whole-Tone Scales and Augmented Chords
197(12)
Chapter 13 Melodic and Harmonic Minor Scales, and Minor/Major 7th Chords
209(19)
Chapter 14 Locrian #2 and Altered Scales, and Minor ii07 V7#9 Progressions
228(21)
Chapter 15 Lydian Augmented and Lydian Dominant Scales, and Major 7th #5 and Dominant 9th #11 Chords
249(14)
Part 5 Beyond Functional Harmony
263(103)
Chapter 16 Free Improvisation
265(16)
Chapter 17 Pentatonic Scales
281(23)
Chapter 18 Four-Note Groupings Derived from Pentatonic Scales
304(16)
Chapter 19 Intervallic Improvisation
320(18)
Chapter 20 Odd Meters
338(28)
Appendix I Intervals 366(1)
Appendix II Modes in the Major Scale 367(1)
Appendix III Modes in the Melodic Minor Scale 368(1)
Appendix IV Diatonic 7th Chords in Major Keys 369(1)
Appendix V Diatonic 7th Chords in Minor Keys 370(1)
Appendix VI Chords and Their Relationship to Scales 371(1)
Appendix VII Upper Structure or "Slash" Chords 372(1)
Appendix VIII Creativity and an Overview of Kenny Werner's Effortless Mastery Method 373(2)
Index 375
Scott Reeves is Professor Emeritus at The City College of the City University of New York.

Tom Walsh is Professor of Saxophone and Chair of the Department of Jazz Studies in the Jacobs School of Music at Indiana University.