Muutke küpsiste eelistusi

E-raamat: Creative Writing Studies: Practice, Research and Pedagogy

Edited by , Edited by
  • Formaat: 200 pages
  • Sari: New Writing Viewpoints
  • Ilmumisaeg: 10-Dec-2007
  • Kirjastus: Multilingual Matters
  • Keel: eng
  • ISBN-13: 9781847696793
  • Formaat - EPUB+DRM
  • Hind: 17,55 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: 200 pages
  • Sari: New Writing Viewpoints
  • Ilmumisaeg: 10-Dec-2007
  • Kirjastus: Multilingual Matters
  • Keel: eng
  • ISBN-13: 9781847696793

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

The chapters in this book range across all three areas of its subtitle practice, research and pedagogy testifying to the integrated nature of creative writing as a university discipline. Writers from the USA, the UK and Australia concentrate on the most critical issues facing this popular, fast-developing and sometimes embattled area of study: practice-led research in creative writing; the nature of higher degrees; the place of critical/theoretical discourse in the discipline; the best teaching methods at undergraduate and postgraduate levels; and the challenge of creative writers who are also university teachers. These exciting essays, thus, chart creative writings evolution as a site of knowledge in the contemporary university.

Arvustused

"This is a great book, and perfect for anyone interested in creative writing - whether you're a creative writer teaching creative writing or you are a student creative writer This book is readable, thought-provoking and innovative. Wonderful!" -- Liam Browne, novelist and Programme Director, Dublin Writers Festival; Books & Debate Programmer, Brighton Festival.

The Contributors vii
Introduction
Graeme Harper and Jeri Kroll
xi
1 Creative Writing in the University
Graeme Harper and Jeri Kroll
1
2 The Novel and the Academic Novel
Nigel Krauth
10
3 Let Stones Speak: New Media Remediation in the Poetry Writing Classroom
Jake Adam York
21
4 That Was the Answer: Now What Was the Question? The PhD in Creative and Critical Writing: A Case Study
Nessa O'Mahony
36
5 Six Texts Prefigure a Seventh
Inez Baranay
48
6 Sleeping With Proust vs. Tinkering Under the Bonnet: The Origins and Consequences of the American and British Approaches to Creative Writing in Higher Education
Stephanie Vanderslice
66
7 Workshopping the Workshop and Teaching the Unteachable
Kevin Brophy
75
8 Creating an Integrated Model for Teaching Creative Writing: One Approach
Nigel McLoughlin
88
9 Gonzo-Formalism: A Creative Writing Meta-Pedagogy for Non-Traditional Students
Nat Hardy
101
10 Acting, Interacting and Acting Up: Teaching Collaborative Creative Practice
Jen Webb
117
11 Writer as Teacher, Teacher as Writer
Aileen La Tourette
130
12 The Ladies and the Baggage: Raymond Carver's Suppressed Research and the Apologetic Short Story
Rob Mimpriss
141
13 A Translator's Tale
Gregory Fraser
152
Afterword
David Fenza
165
Index 168


Graeme Harper is Professor of Creative Writing at Bangor University and Director of the National Institute for Excellence in the Creative Industries. Editor-in-Chief of the journal New Writing: the International Journal forthe Practice and Theory of Creative Writing, his most recent creative works are:Small Maps of the World (Parlor, 2006), and Moon Dance (Parlor, 2007). His most recent critical book in the field of creative writing is Teaching Creative Writing (Ed. Continuum, 2006). In the wider academic community, he is the Creative Writing member of Great Britain's Arts and Humanities Research Council (AHRC) Steering Committee on Practice-led Research and an honorary Visiting Professor of Creative Writing at the University of Bedfordshire. A Fellow of the Royal Geographical Society (RGS) and of Royal Society for the Encouragement of Arts, Manufactures and Commerce) (RSA), he holds such awards as the NBCAward for New Fiction (Aust.), among others.





Born in New York City, Jeri Kroll completed her Ph D at Columbia University and taught in the U.S. and England before moving to Australia. She is Professor of English and Program Coordinator of Creative Writing at Flinders University as well as immediate past President of the Australian Association of Writing Programs. On the editorial boards of NEW WRITING and TEXT, among other journals, her critical publications cover children's literature, Samuel Beckett, contemporary poetry and the pedagogy and theory of creative writing. She has published over twenty books for adults and young people, including poetry, picture books (two Children's Book Council Notable Awards), novels and anthologies, released both in Australia and overseas. Her most recent are Mickey's Little Book of Letters (novel/audiobook) and The Mother Workshops (poetry and prose).