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E-raamat: Creator of Nightmares: Henry Fuseli's Art and Life

3.75/5 (8 hinnangut Goodreads-ist)
  • Formaat: EPUB+DRM
  • Ilmumisaeg: 13-Dec-2024
  • Kirjastus: Reaktion Books
  • Keel: eng
  • ISBN-13: 9781789149678
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Creator of Nightmares: Henry Fuseli's Art and LifeSuurem pilt
  • Formaat: EPUB+DRM
  • Ilmumisaeg: 13-Dec-2024
  • Kirjastus: Reaktion Books
  • Keel: eng
  • ISBN-13: 9781789149678
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A critical biography of the eighteenth-century painter.
 
Henry Fuseli (1741–1825) was one of the eighteenth century’s most provocative and inventive artists. He is best known for his painting The Nightmare, which channeled a new form of gothic imagery for the Romantic age. This engaging study of the artist’s career unveils Fuseli’s complexities, navigating contradictions between literary and painted works, sacred and secular themes, and traditional patronage versus competitive exhibitions. Plotting Fuseli’s trajectory from Zurich to Paris, Rome, and ultimately London, Creator of Nightmares paints an image of Fuseli as an astute marketer and self-proclaimed genius who transformed himself from a priest to an Enlightenment writer, a mercurial force in the art world, and finally a revered teacher.

Arvustused

A highly readable representation, richly illustrated and wonderfully well balanced. * Werner Busch, Professor of Art History, Freie Universität Berlin * The Nightmare (1781) is one of the most recognisable paintings in art history, but, Baker notes, its creator is more of a mystery. Here, he makes a case for Fuseli being one of the most provocative, inventive and fascinating artists of the late 18th century. * Apollo *

Introduction
1 Origins in Zurich
2 A European Man of Letters
3 The Impact of Rome
4 The Nightmare
5 The Vagaries of Fame
6 Creative Friendships
7 Legacies
References
Select Bibliography
Acknowledgements
Photo Acknowledgements
Index
Christopher Baker is Editor of the Burlington Magazine and an Honorary Professor at the University of Edinburgh. He was previously a Director at the National Galleries of Scotland and has published and lectured widely on eighteenth- and nineteenth-century British and European art.
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