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E-raamat: Crime Watching: Investigating Real Crime TV

(University of Roehampton, UK)
  • Formaat: 224 pages
  • Ilmumisaeg: 27-Oct-2006
  • Kirjastus: I.B. Tauris
  • Keel: eng
  • ISBN-13: 9780857711724
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  • Formaat: 224 pages
  • Ilmumisaeg: 27-Oct-2006
  • Kirjastus: I.B. Tauris
  • Keel: eng
  • ISBN-13: 9780857711724
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In recent years reality TV formats have proliferated on television. One of the most significant and controversial strands within this has been the growth of ‘real crime TV’. Encapsulating everything from crime appeal shows to reconstruction programmes and actuality footage shows, real crime TV now plays a major role in our television schedules, filling countless hours of air-time every week.Crime Watching examines the spectacular growth of real crime TV, arguing that the birth of the BBC’s Crimewatch UK in 1984 was a key transitional moment in the emergence, expansion and subsequent popularity of these programs both in the UK and internationally. Looking closely at the social and political context of the period in which Crimewatch UK first appeared and examining the aesthetics, address and appeal of a range of other shows appearing in its wake, including Police Camera Action, America’s Most Wanted and World’s Wildest Police Videos, this book investigates the conditions that have enabled and advanced the ubiquity of real crime programming on contemporary television and the anxieties that surround it. Examining critiques that real crime TV has increased fear of crime while legitimising a surveillance culture, and that it serves to stifle debate about criminality and policing, 'Crime Watching' also reflects on the pleasures of these programmes and the enduring nature of our culture’s seemingly endless fascination with real crime stories.


In recent years reality TV formats have proliferated on television. One of the most significant and controversial strands within this has been the growth of ‘real crime TV’. Encapsulating everything from crime appeal shows to reconstruction programmes and actuality footage shows, real crime TV now plays a major role in our television schedules, filling countless hours of air-time every week.Crime Watching examines the spectacular growth of real crime TV, arguing that the birth of the BBC’s Crimewatch UK in 1984 was a key transitional moment in the emergence, expansion and subsequent popularity of these programs both in the UK and internationally. Looking closely at the social and political context of the period in which Crimewatch UK first appeared and examining the aesthetics, address and appeal of a range of other shows appearing in its wake, including Police Camera Action, America’s Most Wanted and World’s Wildest Police Videos, this book investigates the conditions that have enabled and advanced the ubiquity of real crime programming on contemporary television and the anxieties that surround it. Examining critiques that real crime TV has increased fear of crime while legitimising a surveillance culture, and that it serves to stifle debate about criminality and policing, 'Crime Watching' also reflects on the pleasures of these programmes and the enduring nature of our culture’s seemingly endless fascination with real crime stories.

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Looking at the social and political context of the period in which "Crimewatch UK" appeared and examining the aesthetics, address and appeal of a range of other shows appearing in its wake, this book investigates the conditions that have enabled the ubiquity of real crime programming on contemporary television and the anxieties that surround it.
Acknowledgements vii
Introduction 1
1 The Birth of Crimewatch UK
Contextualising the rise of real crime TV
19
2 From 'Public Service' to 'Fear of Crime'
Television, anxiety and crime appeal programming
49
3 The Persistence of Vision
Photography, temporality and the TV crime appeal
81
4 Someone to Watch Over Me
CCTV and surveillance in real crime TV
109
5 Pleasure, Fear and Fortitude
Women watching Crimewatch UK
141
Conclusion
Negotiating boundaries in real crime and reality TV
171
Works Cited 181
Index 195


Former New Scotland Yard Press Officer, now Senior Lecturer in Film and TV at Roehampton University. Co editor of 'The Audience Studies Reader' and 'Understanding Reality Television'.