Muutke küpsiste eelistusi

E-raamat: Critical Approaches to Comics: Theories and Methods

Edited by (Henderson State University, USA), Edited by (Radford University, USA)
  • Formaat: 328 pages
  • Ilmumisaeg: 22-Mar-2012
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781136884733
  • Formaat - EPUB+DRM
  • Hind: 63,69 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: 328 pages
  • Ilmumisaeg: 22-Mar-2012
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781136884733

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

Critical Approaches to Comics offers students a deeper understanding of the artistic and cultural significance of comic books and graphic novels by introducing key theories and critical methods for analyzing comics. Each chapter explains and then demonstrates a critical method or approach, which students can then apply to interrogate and critique the meanings and forms of comic books, graphic novels, and other sequential art. The authors introduce a wide range of critical perspectives on comics, including fandom, genre, intertextuality, adaptation, gender, narrative, formalism, visual culture, and much more.

As the first comprehensive introduction to critical methods for studying comics, Critical Approaches to Comics is the ideal textbook for a variety of courses in comics studies.

Contributors: Henry Jenkins, David Berona, Joseph Witek, Randy Duncan, Marc Singer, Pascal Lefevre, Andrei Molotiu, Jeff McLaughlin, Amy Kiste Nyberg, Christopher Murray, Mark Rogers, Ian Gordon, Stanford Carpenter, Matthew J. Smith, Brad J. Ricca, Peter Coogan, Leonard Rifas, Jennifer K. Stuller, Ana Merino, Mel Gibson, Jeffrey A. Brown, Brian Swafford

Arvustused

"In this volume, ably edited by Randy Duncan and Matthew J. Smith, some of the brightest and best international comics critics have joined forces to apply a variety of theoretical approaches to selected major texts to elucidate their appeal for the modern reader. The result is a user-friendly guide for professors, students, and general readers alike. Criticism has seldom been more fun." M. Thomas Inge, Blackwell Professor of Humanities, Randolph-Macon College

"The strength of this overview is in its truly admirable breadththe broad range of objects it analyzes along with the various methodologies it brings to bear on comics. This volume is a valuable introduction to the lexicon of what many are now calling comics studies that usefully seeks to enlarge the emerging field as opposed to fixing it down." Hillary Chute, Neubauer Family Assistant Professor, English, University of Chicago 'In this volume, ably edited by Randy Duncan and Matthew J. Smith, some of the brightest and best international comics critics have joined forces to apply a variety of theoretical approaches to selected major texts to elucidate their appeal for the modern reader. The result is a user-friendly guide for professors, students, and general readers alike. Criticism has seldom been more fun.' M. Thomas Inge, Blackwell Professor of Humanities, Randolph-Macon College

'The strength of this overview is in its truly admirable breadththe broad range of objects it analyzes along with the various methodologies it brings to bear on comics. This volume is a valuable introduction to the lexicon of what many are now calling comics studies that usefully seeks to enlarge the emerging field as opposed to fixing it down.' Hillary Chute, Neubauer Family Assistant Professor, English, University of Chicago

'Despite the increasingly broad academic interest in and published studies of comic books, until now there has not been a single-volume handbook to methods in the field... If there is to be a discipline of 'comics studies,' this is the sort of book necessary for the conversation.' - D. Orcutt, CHOICE magazine

'Editors Matthew J. Smith and Randy Duncan deserve applause for their meticulous editing of Critical Approaches to Comics.' - Kirsten Mollegaard, University of Hawai'i at Hilo

Introduction: Should We Discipline the Reading of Comics? Henry
JenkinsI. Form
1. Wordless Comics: The Imaginative Appeal of Peter Kuper's
The SystemDavid Berona
2. Comics Modes: Caricature and Illustration in the
Crumb Family's Dirty LaundryJoseph Witek
3. Image Functions: Shape and Color
as Hermeneutic Images in Asterios Polyp Randy Duncan
4. Time and Narrative:
Unity and Discontinuity in The InvisiblesMarc Singer
5. Mise en scene and
Framing: Visual Storytelling in Lone Wolf and CubPascal Lefevre
6. Abstract
Form: Sequential Dynamism and Iconostasis in Abstract Comics and Steve
Ditko's Amazing Spider-ManAndrei MolotiuII. Content
7. Philosophy: "The
Triumph of the Human Spirit" in X-MenJeff McLaughlin
8. Journalism: Drawing
on Words to Picture the Past in Safe Area GorazdeAmy Kiste Nyberg
9.
Propaganda: The Pleasures of Persuasion in Captain AmericaChristopher
MurrayIII. Production
10. Political Economy: Manipulating Demand and "The
Death of Superman" Mark Rogers
11. Culture of Consumption: Commodification
through Superman: Return to KryptonIan Gordon
12. Ethnography of Production:
Editor Axel Alonso and the Sale of Ideas Stanford Carpenter
13. Auteur
Criticism: The Re-Visionary Works of Alan Moore Matthew J. Smith
14. History:
Discovering the Story of Jerry Siegel and Joe Shuster Brad J. RiccaIV.
Context
15. Genre: Reconstructing the Superhero in All Star Superman Peter
Coogan
16. Ideology: The Construction of Race and History in Tintin in the
CongoLeonard Rifas
17. Feminism: Second Wave Feminism in the Pages of Lois
LaneJennifer K. Stuller
18. Intertextuality: Surrealist Intertextualities in
Max's Bardin Ana MerinoV. Reception
19. Cultural Studies: British Girls'
Comics, Readers and Memories Mel Gibson
20. Ethnography: Wearing One's Fandom
Jeffrey A. Brown
21. Critical Ethnography: The Comics Shop as Cultural
Clubhouse Brian Swafford
Matthew J. Smith is Professor of Communication at Wittenberg University. He regularly teaches "Graphic Storytelling" and leads an annual field study at Comic-Con International. Recent books include The Power of Comics: History, Form and Culture (with Randy Duncan) and Online Communication: Linking Technology, Culture, and Identity (with Andrew F. Wood).

Randy Duncan is Professor of Communication at Henderson State University. He is co-author of The Power of Comics: History, Form and Culture (with Matthew J. Smith). Duncan is a co-founder (with Peter Coogan) of the Comics Arts Conference, and serves on the Editorial Board of the International Journal of Comic Art and the Board of Directors of the Institute for Comics Studies. He was recently presented the Inkpot Award for Achievement in Comic Arts during the Pioneers of Comics Scholarship panel at Comic-Con International in San Diego.