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E-raamat: Curating Deviance: Programming the Queer Film Canon

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  • Sari: A Camera Obscura Book
  • Ilmumisaeg: 09-Jan-2026
  • Kirjastus: Duke University Press
  • Keel: eng
  • ISBN-13: 9781478061847
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  • Formaat: PDF+DRM
  • Sari: A Camera Obscura Book
  • Ilmumisaeg: 09-Jan-2026
  • Kirjastus: Duke University Press
  • Keel: eng
  • ISBN-13: 9781478061847

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In Curating Deviance, Marc Francis rekindles queer utopian imaginaries by studying how, from the 1960s through the 1980s, a cadre of programmers and art house theaters brought together a dizzying array of deviant films to create a queer repertory film canon.

In Curating Deviance, Marc Francis scavenges film history for signs of vibrant, wayward life in the film programming of US art house and repertory cinemas between 1968 and 1989. Francis examines how creative and savvy programmers screened films by the likes of John Waters, Pier Paolo Pasolini, Russ Meyer, Rainer Werner Fassbinder, and a bevy of others in major cities across the United States, forming intertextual constellations in their repertory calendars. These programs allied a dizzying range of sexual and gendered outlaws, including stigmatized practices often overlooked by LGBT-focused queer theory. Curating Deviance reveals how repertory and art cinemas built a coalition of outcasts stigmatized for their taboo desires or identities, rekindling queer utopian imaginaries.

Arvustused

In Marc Franciss well-researched and robustly imagined Curating Deviance, art-house revival has found both a cultural history and curatorial rationale that goes beyond nostalgia. With a theorists acuity and a cinephiles affection, Francis reframes stories of imaginative curators and programmers who transformed the movie calendar into a renegade syllabus of maverick desire.Tavia Nyong'o, William Lampson Professor of American Studies, Yale University

Witty, theoretically astute, and rigorously researched, Curating Deviance opens new theories of intertextual signification through close reading of promiscuous programming in late-twentieth-century repertory and art houses. Franciss prose is accessible enough for undergraduates, and his arguments will satisfy and surprise seasoned exhibition and queer cinema historians alike.Caetlin Benson-Allott, author of The Stuff of Spectatorship: Material Cultures of Film and Television

Acknowledgments ix
Introduction 1
1. Promiscuous Programming: Filmic Eclecticism in Post-1968 Art House Cinema
23
2. Deviant Repertories: The Queer Typologies and Taxonomies of Art House
Curating 57
3. Erotic Intertextuality: On the Programmatic Forms of Desire 97
4. Repertory Time: Double Features and the Temporality of Queer
Spectatorship 143
5. For Shame! On the History of Programming Queer Bad Objects 181
Afterword. Curating Queer Cinema After 1989 207
Notes 215
Bibliography 267
Index 281
Marc Francis is Manager of Film Programming in Faculty of Arts and Sciences at Yale University and has worked at HBO, Warner Bros, and Paramount.