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E-raamat: D. W. Griffith: Interviews

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D. W. Griffith (1875-1948) is one of the most influential figures in the history of the motion picture. As director of The Birth of a Nation, he is also one of the most controversial. He raised the cinema to a new level of art, entertainment, and innovation, and at the same time he illustrated, for the first time, its potential to influence an audience and propagandize a cause.

Collected together here are virtually all of the "interviews" given by D. W. Griffith from the first in 1914 to the last in 1948. Some of the interviews concentrate on specific films, including The Birth of a Nation, Intolerance, and, most substantially, Hearts of the World, while others provide the director with an opportunity to expound on topics of personal interest, including the importance of proper exhibition of his and other's films, and his search for truth and beauty on screen.

The interviews are taken from many sources, including leading newspapers, trade papers, and fan magazines. They are often marked by humor and by a desire to please the interviewer and thus the reader. Griffith may not have been particularly enthusiastic about giving interviews, but he seems always determined to put on a good show.

Ultimately, D. W. Griffith: Interviews provides the reader with a unique insight into the mind and filmmaking techniques of a director whose work and philosophy is as relevant today as it was when he was at the height of his fame in the 1910s and 1920s.

Introduction xi
Chronology xvii
Filmography xxv
At the Sign of the Flaming Arcs
3(3)
George Blaisdell
David W. Griffith Speaks
6(5)
Robert E. Welsh
A Poet Who Writes on Motion Picture Films
11(5)
Theatre Magazine
Editorials in Films
16(2)
New York Dramatic Mirror
D. W. Griffith Answers Two Vital Questions
18(2)
Robert Grau
D. W. Griffith Producer of the World's Biggest Picture
20(3)
New York American
Five Dollar Movies Prophesied
23(5)
Richard Barry
Interviews with Prominent Directors: "And the Greatest of These Is"---David W. Griffith
28(3)
Roberta Courtlandt
The Story of David Wark Griffith: Part One
31(6)
Henry Stephen Gordon
The Story of David Wark Griffith: Part Two
37(9)
Henry Stephen Gordon
The Story of David Wark Griffith: Part Three
46(6)
Henry Stephen Gordon
The Story of David Wark Griffith: Part Four
52(6)
Henry Stephen Gordon
The Story of David Wark Griffith: Part Five
58(5)
Henry Stephen Gordon
The Real Story of Intolerance
63(7)
Henry Stephen Gordon
The Making of a Masterpiece
70(3)
Edward Weitzel
The Film World's Greatest Achievement
73(6)
Pictures and Picturegoer
D. W. Griffith Champions England's Natural Light
79(1)
Moving Picture World
Took Scenes in the Trenches
80(1)
New York Times
Griffith Returns from the Front with Official Pictures Made under Fire---Will Use Them in a Film Spectacle of War
81(4)
Exhibitors Trade Review
Griffith---and the Great War
85(7)
Paul H. Dowling
Griffith, Maker of Battle Scenes, Sees Real War
92(6)
Harry C. Carr
Pictures and Projectiles
98(2)
New York Times
Life and the Photodrama
100(4)
Harry C. Carr
How Griffith Picks His Leading Women
104(4)
Harry C. Carr
Humanity's Language
108(3)
New York Times
Griffith Points Out Need of Tragedy on the Screen; Likes San Francisco
111(2)
Moving Picture World
The Poet-Philosopher of the Photoplay
113(4)
Hazel Simpson Naylor
Exhibitor Is a Co-Artist, Says D. W. Griffith, Returns from Los Angeles to Open Eastern Studio
117(4)
Exhibitors Trade Review
The Filming of Way Down East
121(8)
Charles Gatchell
The Moral and the Immoral Photoplay
129(3)
Frederick James Smith
The Greatest Moving Picture Producer in the World
132(1)
Mary B. Mullett
Griffith Reveals Sartorial Secrets
133(2)
Los Angeles Times
D. W. Griffith's Screen Version of The Two Orphans Would Fill Its Author with Awe
135(5)
Edward Weitzel
An Intimate Closeup of D. W. Griffith
140(3)
Movie Weekly
Griffith: Maker of Pictures
143(8)
Harry C. Carr
The Genius of a Masterpiece
151(1)
Shadowland
Griffith Film Stirs Anger of Parisians
152(3)
New York Times
Stereoscopic Films
155(2)
New York Times
In and Out of Focus: D. W. Griffith
157(3)
Louella Parsons
What Are the Chances of a Beginner
160(2)
Photoplay
D. W. Griffith Is Struggling to Pay His Debts
162(6)
Sara Redway
How Do You Like the Show?
168(7)
Myron M. Stearns
Don't Blame the Movies! Blame Life!
175(5)
Selma Robinson
He Might Be the Richest Man in the World
180(4)
Frederick James Smith
His Best Pictures Were the Least Expensive, Says "D. W."
184(1)
Tom Waller
D. W. Griffith Addresses the Academy of Motion Picture Arts and Sciences
185(2)
AMPAS Bulletin
Walter Huston Interviews D. W. Griffith
187(2)
Walter Huston
David Wark Griffith Tells 'Em
189(3)
Motion Picture Herald
The Star-Maker Whose Dreams Turned to Dust
192(5)
Mildred Mastin
Film Master Is Not Proud of Films: "They Do Not Endure"
197(1)
Daily Express
D. W. Griffith Tells Plans Which Include Picture Making
198(3)
Grace Kingsley
Return of a Master
201(3)
Herb Sterne
Griffith Back to Live Here "for Half Century"
204(2)
James Warnak
"Cinema's Fullest Scope Still Ahead"---D. W. Griffith
206(3)
Fred W. Fox
Forty-Seven Questions from Seymour Stern to D. W. Griffith
209(3)
Seymour Stern
Flash-Back to Griffith
212(7)
Ezra Goodman
The Writings of D. W. Griffith
219(2)
Index 221
Anthony Slide is the author of seventy-five books, including The Griffith Actress and The Films of D. W. Griffith, co-authored with Edward Wagenknecht. In 1990, he received an honorary doctorate of letters from Bowling Green University, at which time he was hailed by Griffith's most famous actress, Lillian Gish, as ""our preeminent historian of the silent film.