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E-raamat: The Dead City: Urban Ruins and the Spectacle of Decay

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Cities are imagined not just as utopias, but also as ruins. In literature, film, art and popular culture, urban landscapes have been submerged by floods, razed by alien invaders, abandoned by fearful inhabitants and consumed in fire. The Dead City unearths meanings from such depictions of ruination and decay, looking at representations of both thriving cities and ones which are struggling, abandoned or simply in transition. It reveals that ruination presents a complex opportunity to envision new futures for a city, whether that is by rewriting its past or throwing off old assumptions and proposing radical change. Seen in a certain light, for example, urban ruin and decay are a challenge to capitalist narratives of unbounded progress. They can equally imply that power structures thought to be deeply ingrained are temporary, contingent and even fragile. Examining ruins in Chernobyl, Detroit, London, Manchester and Varosha, this book demonstrates that how we discuss and depict urban decline is intimately connected to the histories, economic forces, power structures and communities of a given city, as well as to conflicting visions for its future.

Arvustused

`The Dead City is an elegantly argued and lacerating insight into our contemporary collective ruin lust. The book binds together stunning images and carefully crafted prose in an elegy to ruin aesthetics, moving adroitly between critical commentary to personal experience and propelling the reader into unexpected introspection. Bradley L. Garrett, University of Sydney

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Cities are imagined not just as utopias, but also as ruins. In literature, film, art and popular culture, urban landscapes have been submerged by floods, razed by alien invaders, abandoned by fearful inhabitants and consumed in fire.
Illustrations
viii
Acknowledgements xiii
Introduction: urban ruins, imagination and exploration 1(22)
Imagining the dead city
3(5)
Ruin aesthetics
8(4)
Ruin exploration
12(4)
The sites
16(7)
I Histories
1 Post-apocalyptic Londons: imagining the death of a city
23(30)
The empty city
27(9)
The destroyed city
36(7)
The submerged city
43(10)
2 Remnants of disaster: ruins in post-industrial Manchester
53(42)
Ruins below
57(1)
Remaindered flows: the Irk culvert
58(5)
Remaindered space: the Manchester and Salford Junction Canal
63(5)
The ruins of industry
68(1)
Demolition: Royd Mill
69(4)
Dereliction and decay: Hartford Mill
73(5)
Salvage: Royal Mills and Brunswick Mill
78(3)
The ruins of work
81(2)
The persistence of ruins
83(5)
The politics of ruins
88(3)
Conclusion
91(4)
II Explorations
3 Fantasy and experience: ruin gazing in Varosha
95(24)
Urbicide
97(9)
The last witness
106(5)
The world without us
111(6)
The future of ruins
117(2)
4 Disaster and memory: the ruins of Chernobyl and Pripyat
119(30)
Into the zone
122(2)
Sarcophagus/shelter: monument as ruin
124(9)
Pripyat: ruins as monuments
133(12)
Ruins as voids
145(4)
III Futures
5 Urban futures, art and the imagination of Detroit
149(40)
The imagination of Detroit
153(2)
Dystopian imaginaries
155(2)
Utopian imaginaries
157(3)
Cutting/pasting
160(10)
Covering
170(6)
Melding
176(6)
Mouldering
182(7)
6 Suspended futures: urban ruins in reverse
189(25)
Abandoned futures
192(6)
Suspended futures
198(6)
Incomplete futures
204(7)
The future of ruins
211(3)
Notes 214(41)
Bibliography 255(21)
Filmography 276(2)
Index 278
Paul Dobraszczyk is a visiting lecturer at the Bartlett School of Architecture in London. His research focuses on visual culture and the built environment from the nineteenth century onwards, and he is author of Iron, Ornament and Architecture in Victorian Britain (2014) and London's Sewers (2014), as well as co-editor of Global Undergrounds: Exploring Cities Within (2016) and Function and Fantasy: Iron Architecture in the Long Nineteenth Century (2016).