"The observation that Richard Drake made in 1982 seems more pertinent than ever, now that decadence has gained a secure place as the object of scholarly investigation. But the concept is no longer solely confined to the domain of "nineteenth-century European cultural history"--
"Decadence and Literature explains how the concept of decadence developed since Roman times into a major cultural trope with broad explanatory power. No longer just a term of opprobrium for mannered art or immoral behaviour, decadence today describes complex cultural and social responses to modernity in all its forms. From the Roman emperor's indulgence in luxurious excess as both personal vice and political control, to the Enlightenment libertine's rational pursuit of hedonism, to the nineteenth-centurydandy's simultaneous delight and distaste with modern urban life, decadence has emerged as a way of taking cultural stock of major social changes. These changes include the role of women in forms of artistic expression and social participation formerly reserved for men, as well as the increasing acceptance of LGBTQ+ relationships, a development with a direct relationship to decadence. Today, decadence seems more important than ever to an informed understanding of contemporary anxieties and uncertainties"--
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Shows how the concept of decadence has evolved into a major cultural trope with broad explanatory power.
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Acknowledgements |
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xvi | |
Introduction |
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1 | (12) |
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13 | (118) |
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1 Decadence in Ancient Rome |
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15 | (15) |
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2 Decadence and Roman Historiography |
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30 | (17) |
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3 Nineteenth-Century Literary and Artistic Responses to Roman Decadence |
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47 | (19) |
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4 Decadence and the Enlightenment |
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66 | (16) |
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5 Decadence and the Urban Sensibility |
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82 | (16) |
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6 Decadence and the Critique of Modernity |
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98 | (17) |
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7 Decadence and Aesthetics |
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115 | (16) |
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131 | (134) |
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8 Decadence and the Visual Arts |
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133 | (19) |
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152 | (17) |
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10 Decadence, Parody, and New Women's Writing |
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169 | (15) |
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11 The Philosophy of Decadence |
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184 | (16) |
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12 The Sexual Psychology of Decadence |
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200 | (16) |
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13 The Theology of Decadence |
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216 | (16) |
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14 The Science of Decadence |
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232 | (16) |
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15 The Sociology of Decadence |
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248 | (17) |
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265 | (135) |
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16 Decadence and Urban Geography |
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267 | (16) |
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17 Socio-aesthetic Histories: Vienna 1900 and Weimar Berlin |
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283 | (17) |
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300 | (16) |
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19 Transnational Decadence |
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316 | (16) |
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20 Decadence and Modernism |
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332 | (15) |
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21 Modern Prophetic Poetry and the Decadence of Empires: From Kipling to Auden |
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347 | (15) |
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22 The Gender of Decadence: Paris-Lesbos from the Fin de Siecle to the Interwar Era |
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362 | (17) |
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23 Decadence and Popular Culture |
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379 | (21) |
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Select Bibliography |
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400 | (5) |
Index |
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405 | |
Jane Desmarais is Professor of English and Director of the Decadence Research Unit in the Department of English and Comparative Literature at Goldsmiths, University of London. She has written numerous essays on the theme of decadence and has co-edited several works, including Decadence: An Annotated Anthology (with Chris Baldick, 2012), Arthur Symons: Selected Early Poems (with Chris Baldick, 2017), and Decadence and the Senses (with Alice Condé, 2017). Her monograph, Monsters under Glass: A Cultural History of Hothouse Flowers, 1850 to the Present was published in 2018. David Weir is Professor Emeritus of Comparative Literature at The Cooper Union for the Advancement of Science and Art in New York City, where he taught literature, linguistics, and cinema. He has published books on Jean Vigo, James Joyce, William Blake, orientalism, and anarchism, as well as three books on decadence. Those books have had a major role in the development of decadence as an academic field of study, beginning with Decadence and the Making of Modernism (1995), Decadent Culture in the United States (2007), and, most recently, Decadence: A Very Short Introduction (2018).