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Democracy, Secrecy and Dissidence in Contemporary Fiction in English

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This volume explores the relationship between democracy, secrecy, and transparency in contemporary English literature. It focuses on how fiction engages with the tension between secrecy and disclosure, central to debates about freedom in information societies. Drawing on theorists like Derrida, Birchall, Horn, and Han, among others, the essays examine secrecy as a form of resistance against hegemonic transparency, framing it as a political act of dissent. Scholars on Secrecy Studies argue that secrecy challenges dominant ideologies and creates space for contestation, rather than aligning with oppressive systems. Literature is positioned as an ideal realm to articulate these ideas, showcasing how secrecy functions both thematically and formally. On one level, literature reflects dissidence, freedom of expression, and censorship; on another, it underscores the impossibility of full disclosure, with texts retaining interpretive openness. This collection analyzes how secrecy operates as a structuring device, shaping narrative form, and explores its connections to resistance, democracy, and transparency in cultural and political contexts.



The chapter Posthumanism, Secrecy, and Transparency: From Jennifer Egan's Black Box (2012) to Lulu the Spy, 2032 in The Candy House by Sonia Baelo-Allué is a Gold Open Access chapter with a CC-BY 4.0 licence. It can be downloaded here.
TABLE OF CONTENTS - Introduction: Democracy, Secrecy, Dissidence - Juan
L. Pérez-de-Luque and Paula Martín-Salván - Post-Truth Secrets - Clare
Birchall - The Political is the Psychological: Hauntology, Autoimmunity and
the Construction and Fragmentation of Secrets and Crypts in Anna Burns
Little Constructions - Felicity Smith - Secrecy, Politics and Ethics in
Ishiguros The Buried Giant - María Luisa Pascual Garrido - Teju Coles
Poetics of Secrecy and Revelation - Kai Wiegandt - (In)sanity is Her Alibi:
on Silence, Secrecy, and (in)Sanity as Chinese American Epistemology in The
Woman Warrior - Luna Chung - "Begin with the assumption that you dont know
anything about being Black": Cultural Opacity in Jonathan Franzens
Crossroads - Jesús Blanco Hidalga - "The Noir Rhetoric of Irelands Rule of
Secrecy in Benjamin Blacks Elegy for April and April in Spain" - Auxiliadora
Pérez-Vides - Dissent and Secrecy in the Works of Shirley Jackson - Samantha
Landau - The Private and the Public in Mason & Dixon - Sascha Pöhlmann -
"Thinking Positive / Saying Positive": Transparency, Solidarity, and Failure
in George Saunders' Pastoralia- Ed Smith - Posthumanism, Secrecy, and
Transparency: From Jennifer Egans "Black Box" (2012) to "Lulu the Spy, 2032"
in The Candy House - Sonia Baelo-Allué
Juan L. Pérez-de-Luque is Associate Professor of English at the University of Córdoba. His research focuses on ideological approaches to popular culture in English, particularly within the genres of horror, science-fiction and fantasy.



Paula Martín-Salván is Professor of English at the University of Córdoba. Her research focuses on representations of community, secrecy and transparency in contemporary fiction.