"Through discussion with cutting-edge designers and thinkers and with international examples, the authors explain how we need an expanded aesthetic, critical and ethical awareness on the part of designers willing to act with sensitivity and understandingtowards the people they design for. Included are interviews with leading practitioners and clear explanations of high-level concepts"--
Are digital interfaces controlling more than we realise? Can designers take responsibility, and should they?
From domestic appliances like Siri and Amazon Echo, to large scale Facebook manipulation and Google search prediction, digital interfaces are ubiquitous in everyday life and their influences affect how people live, feel and behave. As they grow in complexity and increase integration into our lives we need to address the social, ethical, political and aesthetic responsibilities of those designing and creating the computer systems all around us.
Through discussion with cutting-edge designers and thinkers and with international examples, the authors explain how we need an expanded aesthetic, critical and ethical awareness on the part of designers willing to act with sensitivity and understanding towards the people they design for and with.
This critical take on the process and implications of interface design looks beyond the mechanics of making, and into the techno-political realm of deliberate and unintended consequences.
Arvustused
Design and Digital Interfaces is reader-friendly by module, chapter, or jumping to the color-coded content most relevant to the readers interests ... [ an] elegantly designed, innovative, and powerful book. * Society for Technical Communication *
Muu info
A timely text looking at digital interfaces from the perspective of the social, ethical, political and aesthetic responsibilities of contemporary designers - taking the conversation around interfaces to the next level.
|
|
|
6 | (4) |
|
|
|
8 | (2) |
| Preface |
|
10 | (6) |
| Introduction: What are digital interfaces? |
|
16 | (10) |
|
|
|
17 | (1) |
|
|
|
18 | (1) |
|
|
|
19 | (2) |
|
What does an interface designer do? |
|
|
21 | (2) |
|
Theoretical perspectives and frameworks |
|
|
23 | (3) |
|
Chapter 1 Complexity and fragmentation |
|
|
26 | (14) |
|
|
|
29 | (2) |
|
|
|
31 | (2) |
|
|
|
33 | (1) |
|
|
|
33 | (2) |
|
|
|
35 | (2) |
|
|
|
37 | (3) |
|
Chapter 2 Social interfaces |
|
|
40 | (18) |
|
|
|
42 | (2) |
|
Soft interfaces: healthcare and loneliness |
|
|
44 | (2) |
|
Accessibility: democratization of tools |
|
|
46 | (2) |
|
Collaborative interfaces: beyond western-centrism |
|
|
48 | (3) |
|
|
|
51 | (3) |
|
Constructing social identities |
|
|
54 | (4) |
|
Chapter 3 Legal and political interfaces |
|
|
58 | (18) |
|
|
|
59 | (2) |
|
|
|
61 | (2) |
|
The political action of interfaces |
|
|
63 | (2) |
|
A history of critical practice |
|
|
65 | (2) |
|
|
|
67 | (3) |
|
Inscrutability and opacity |
|
|
70 | (2) |
|
|
|
72 | (4) |
|
Chapter 4 Ethical interfaces |
|
|
76 | (16) |
|
|
|
78 | (2) |
|
|
|
80 | (1) |
|
|
|
81 | (1) |
|
|
|
82 | (3) |
|
|
|
85 | (1) |
|
Futuring ethical principles |
|
|
86 | (2) |
|
|
|
88 | (4) |
|
Chapter 5 Aesthetic interfaces |
|
|
92 | (16) |
|
Aesthetics and the senses |
|
|
94 | (4) |
|
Cultural aesthetics and meaning |
|
|
98 | (3) |
|
Design patterns and behaviours |
|
|
101 | (4) |
|
|
|
105 | (1) |
|
|
|
106 | (2) |
|
Chapter 6 Uncertainty, deviance and futures |
|
|
108 | (16) |
|
|
|
111 | (1) |
|
Science fiction and design |
|
|
112 | (3) |
|
|
|
115 | (3) |
|
|
|
118 | (3) |
|
|
|
121 | (3) |
|
|
|
124 | (24) |
|
|
|
125 | (4) |
|
|
|
129 | (7) |
|
|
|
136 | (5) |
|
|
|
141 | (7) |
| Glossary |
|
148 | (6) |
| References |
|
154 | (11) |
| Acknowledgements |
|
165 | (1) |
| Index |
|
166 | |
Ben Stopher is Programme Director: Interactive & Visual Communication at the London College of Communication, University of the Arts London. He has extensive experience as a practitioner and creative consultant in communication and digital design.
John Fass has been a designer and art director for fifteen years working in photography, information architecture, user experience design, interaction design and design research. He is course leader for Information and Interface Design at the London College of Communication, and PhD Researcher at the Royal College of Art, London.
Tobias Revell holds an MA in Design Interactions at the Royal College of Art from which he graduated in July 2012. He is one of the course leaders for BA Information & Interface Design at the London College of Communication.
Dr Eva Verhoeven was awarded her PhD in Digital Creative Practice from Wimbledon School of Art/University. She is Course Leader of MA Interaction Design Communication at the London College of Communication
Lisainfo e-raamatute kohta