Foreword |
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ix | |
Preface |
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xi | |
Acknowledgments |
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xiii | |
Author |
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xv | |
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SECTION I Classical Methods for Design of New Weave Patterns |
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Chapter 1 Brief History of Weave Patterns |
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3 | (8) |
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Chapter 2 Elementary Weaves |
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11 | (10) |
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2.1 Fabric Construction and Specifics of the Weave Pattern |
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11 | (2) |
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2.1.1 Warp and Weft Overlaps |
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11 | (1) |
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2.1.2 Warp and Weft Floats |
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11 | (2) |
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2.1.3 Characteristics of the Weaves |
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13 | (1) |
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13 | (7) |
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14 | (1) |
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15 | (2) |
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2.2.3 Sateen and Satin Weaves |
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17 | (3) |
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20 | (1) |
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Chapter 3 Derivatives of the Elementary Weaves |
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21 | (18) |
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21 | (1) |
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3.2 Derivatives of the Plain Weave |
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21 | (4) |
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21 | (2) |
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23 | (2) |
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3.3 Derivatives of the Twill Weave |
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25 | (9) |
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25 | (1) |
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25 | (2) |
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27 | (3) |
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30 | (1) |
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30 | (4) |
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3.4 Derivatives of Satin and Sateen Weaves |
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34 | (5) |
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3.4.1 Strengthened Satin or Strengthened Sateen Weaves |
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34 | (3) |
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3.4.2 Shadowed Sateen Weave |
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37 | (2) |
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Chapter 4 New Weave Patterns Based on Patterns Merge |
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39 | (8) |
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4.1 Weave Patterns for Stripe Effects |
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39 | (3) |
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4.1.1 Vertical Stripes of Miscellaneous Weave Patterns |
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39 | (2) |
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4.1.2 Horizontal Stripes of Miscellaneous Weave Patterns |
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41 | (1) |
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4.2 Weave Patterns for Cell-Like Effects |
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42 | (5) |
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42 | (1) |
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4.2.2 Fancy Basket Weaves |
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43 | (4) |
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Chapter 5 New Weave Patterns Based on Motifs |
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47 | (16) |
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5.1 Weave Patterns for Cell-Like Effecte |
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47 | (6) |
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5.1.1 Weaves Based on Basket Motifs |
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47 | (1) |
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48 | (3) |
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51 | (2) |
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5.2 Weave Patterns for Diagonal Effects |
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53 | (3) |
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53 | (2) |
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55 | (1) |
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5.3 Weave Patterns for Zig-Zag Effects |
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56 | (2) |
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56 | (2) |
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58 | (1) |
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58 | (5) |
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5.4.1 Crepe Weaves Based on Threads Rearrangement |
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59 | (2) |
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5.4.2 Crepe Weaves Based on a Motif and a Composition |
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61 | (2) |
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Chapter 6 New Weave Patterns Based on Patterns Insertion |
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63 | (12) |
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6.1 Weave Patterns for Rib-Like Effects |
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63 | (6) |
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6.1.1 Tightened Rib with Additional Overlaps |
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63 | (2) |
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6.1.2 Tightened Rib with Additional Threads |
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65 | (1) |
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6.1.3 Tightened Twill with Additional Weft Threads |
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65 | (2) |
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6.1.4 Tightened Satin or Sateen with Additional Weft Threads |
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67 | (2) |
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6.2 Weave Patterns for Diagonal Effects |
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69 | (2) |
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6.2.1 Fancy Diagonal Twill by Warp Insertion |
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69 | (1) |
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6.2.2 Fancy Diagonal Twill by Weft Insertion |
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69 | (2) |
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71 | (4) |
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6.3.1 Crepe Weave by Inserting Additional Overlaps |
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71 | (1) |
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6.3.2 Crepe Weave by Inserting One Weave over Another |
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72 | (1) |
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6.3.3 Crepe Weave by Inserting the Threads of Two Weaves in a Given Relationship |
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72 | (3) |
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Chapter 7 New Weave Patterns Based on the Change of the Displacement Number |
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75 | (12) |
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7.1 Weave Patterns for Diagonal Effects |
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75 | (3) |
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77 | (1) |
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77 | (1) |
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7.2 Weave Patterns for Curved Effects |
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78 | (4) |
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7.2.1 Longitudinally Curved Twill Weave |
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78 | (1) |
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7.2.2 Transversally Curved Twill Weave |
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79 | (3) |
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7.3 Weave Patterns for Zig-Zag Effects |
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82 | (5) |
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82 | (1) |
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7.3.2 Curved Zig-Zag Twill Weave |
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82 | (5) |
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SECTION II New Methods for Design of New Weave Patterns |
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Chapter 8 New Weave Patterns Based on Boolean Operations |
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87 | (18) |
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8.1 The Concept of the Method |
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87 | (1) |
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8.2 The Boolean Operations in Weave Patterns' Design |
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88 | (8) |
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8.3 Features of the Implementation of the Method |
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96 | (2) |
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8.3.1 Effect of the Basic Weave Designation |
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96 | (1) |
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8.3.2 Effect of the Basic Weave Commence |
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97 | (1) |
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8.4 Assessment of the New Weave |
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98 | (1) |
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99 | (5) |
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8.6 Application of the Method |
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104 | (1) |
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104 | (1) |
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Chapter 9 New Weave Patterns Based on Musical Scores |
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105 | (10) |
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9.1 The Concept of the Method |
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105 | (1) |
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105 | (2) |
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9.2.1 Specifics of the Weave Patterns |
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105 | (1) |
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9.2.2 Transformation Method |
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105 | (2) |
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9.2.3 Warp and Weft Repeats |
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107 | (1) |
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9.3 Assessment of the New Weave |
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107 | (1) |
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108 | (5) |
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9.4.1 Weave Pattern "Happy Birthday to You" |
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108 | (1) |
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9.4.2 Weave Pattern "Summer Time" |
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108 | (2) |
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9.4.3 Weave Pattern "The Moonlight Sonata" |
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110 | (1) |
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9.4.4 Weave Pattern "Toccata and Fugue in D Minor" |
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110 | (3) |
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9.5 Application of the Method |
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113 | (1) |
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114 | (1) |
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114 | (1) |
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Chapter 10 New Weave Patterns Based on Text Interpretations |
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115 | (22) |
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10.1 The Concept of the Method |
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115 | (1) |
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10.2 Transformation Approaches |
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115 | (6) |
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115 | (2) |
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10.2.2 Application of Different Transformation Matrices |
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117 | (4) |
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10.3 Possible Variations of the Method |
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121 | (1) |
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10.3.1 Variations, Based on the Size of the Transformation Matrix from Letters to Digits |
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121 | (1) |
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10.3.2 Variations Based on the Direction of the Transformation |
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121 | (1) |
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10.3.3 Variations Based on the View of the Weave Pattern |
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121 | (1) |
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10.3.4 Variations Based on the Number of Overlaps over a Single Thread |
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121 | (1) |
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122 | (12) |
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10.4.1 Weave Pattern "All you need is love" |
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122 | (5) |
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10.4.2 Weave Pattern "Shakespeare" |
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127 | (1) |
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10.4.3 Weave Pattern "Last Christmas" |
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127 | (3) |
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10.4.4 Weave Pattern "Let it be" |
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130 | (4) |
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10.5 Assessment of the New Weave |
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134 | (1) |
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10.6 Application of the Method |
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135 | (2) |
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Chapter 11 New Weave Patterns Based on the Braille Alphabet |
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137 | (14) |
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137 | (1) |
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11.2 Possible Variations of the Method |
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137 | (6) |
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11.2.1 The Use of the Image |
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137 | (1) |
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11.2.2 The Use of the Number of Dots |
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138 | (5) |
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143 | (6) |
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11.3.1 Weave Pattern "Bulgaria" |
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143 | (1) |
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11.3.2 Weave Pattern "Better late than never" |
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143 | (6) |
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11.4 Assessment of the New Weave |
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149 | (1) |
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11.5 Application of the Method |
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150 | (1) |
Index |
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151 | |