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Wallpapers spread across trades, class and gender is charted in this first full-length study of the materials use in Britain during the long eighteenth century. It examines the types of wallpaper that were designed and produced and the interior spaces it occupied, from the country house to the homes of prosperous townsfolk and gentry, showing that wallpaper was hung by Earls and merchants as well as by aristocratic women. Drawing on a wide range of little known examples of interior schemes and surviving wallpapers, together with unpublished evidence from archives including letters and bills, it charts wallpapers evolution across the century from cheap textile imitation to innovative new decorative material. Wallpapers growth is considered not in terms of chronology, but rather alongside the categories used by eighteenth-century tradesmen and consumers, from plains to flocks, from China papers to papier mâché and from stucco papers to materials for creating print rooms. It ends by assessing the ways in which eighteenth-century wallpaper was used to create historicist interiors in the twentieth century. Including a wide range of illustrations, many in colour, the book will be of interest to historians of material culture and design, scholars of art and architectural history as well as practicing designers and those interested in the historic interior.

Arvustused

Finalist for the Historians of British Art book award

"The book is geared to historians of material culture and design scholars. ... [ Taylor] reaches her target audience by addressing and examining areas of greatest interest as the book is informative and packed with detailed information. This book would be of interest to anyone interested in wallpaper history, eighteenth-century industry or period interiors. Illustrations are plentiful, numerous endnotes follow each chapter, and there is an extensive bibliography."

--Journal of Design History

List of figures
ix
List of plates
xiii
Preface xvi
Introduction 1(18)
1 `Paper Hangings for Rooms': the arrival of wallpaper
19(19)
2 A contested trade
38(25)
3 Imitation and the cross-cultural encounter: `India' and `mock India' papers, pictures and prints
63(25)
4 In search of propriety: flocks and plains
88(18)
5 Challenging the high arts: papier mache, stucco papers and `landskip' papers
106(26)
6 `Our modern paper hangings': in search of the fashionable and the new
132(23)
Epilogue: `Pleasing decay' - the rediscovery of eighteenth-century wallpapers 155(10)
Appendix 1 List of principal wallpapered rooms discussed, c.1714--c. 1795 165(7)
Appendix 2 List of eighteenth-century London paper hangings tradesmen discussed 172(16)
Bibliography 188(15)
Index 203
Clare Taylor is Senior Lecturer in Art History, The Open University.