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E-raamat: Developing Creative Thinking in Beginning Design

Edited by (University of Texas San Antonio, San Antonio, Texas, USA)
  • Formaat: 306 pages
  • Ilmumisaeg: 03-Oct-2018
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781317224464
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  • Formaat: 306 pages
  • Ilmumisaeg: 03-Oct-2018
  • Kirjastus: Routledge
  • Keel: eng
  • ISBN-13: 9781317224464

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Learning to think and act creatively is a requisite fundamental aspect of design education for architectural and interior design as well as industrial and graphic design. Development of creative capacities must be encountered early in design education for beginning students to become self-actualized as skillful designers.

With chapters written by beginning design instructors, Developing Creative Thinking in Beginning Design addresses issues that contribute to deficiencies in teaching creativity in contemporary beginning design programs. Where traditional pedagogies displace creative thinking by placing conceptual abstractions above direct experiential engagement, the approaches presented in this book set forth alternative pedagogies that mitigate student fears and misconceptions to reveal the potency of authentic encounters for initiating creative transformational development.

These chapters challenge design pedagogy to address such issues as the spatial body, phenomenological thinking, making as process, direct material engagement and its temporal challenges, creative decision making and the wickedness of design, and the openness of the creative design problem. In doing so, this book sets out to give greater depth to first design experiences and more effectively enable the breadth and depth of the teacher–student relationship as a means of helping your students develop the capacity for long-term self-transformation.

Arvustused

This book is an excellent survey of the challenges and opportunities of beginning design pedagogy in the 21st century. The diverse group of authors are academics who offer innovative delivery of content from theory to application while simultaneously understanding todays beginning design student. Brian Kelly, Associate Professor of Architecture, University of Nebraska

List of Illustrations
xii
Foreword xv
Tim McGinty
Preface xviii
Acknowledgments xxiii
Notes on Contributors xxv
Introduction 1(1)
Stephen Temple
Creativity and Design Thinking 2(2)
Research in Creativity and Development of the Creator 4(3)
Challenges to Readiness for Creativity 7(2)
Personal Development Is Necessary to Beginning Design Education 9(2)
The
Chapters of This Book
11(2)
The Structure of the Book 13(14)
Part I Creative Traditions in the Contemporary Design Educational Context
27(24)
1 Beginning Design: Seven Points
29(10)
Michael Benedikt
2 Blurry Target
39(12)
Thomas Sofranko
Progenitors of Creativity in Beginning Design
40(6)
Resolving a Pedagogy of Creativity and Structure
46(2)
Conclusion
48(3)
Part II Transformative Development Through Learning Creativity
51(56)
3 The Touch of Hands and the Awakening of Sensibility: A Creative Thought at the Beginning Level in Architecture
53(12)
Rafael Urbina
The Creative Instinct
53(1)
Creativity
54(2)
The Treasures Students Bring to Design School
56(2)
The Ritual Touch: Exercises for Beginners
58(1)
Pedagogy for Beginners in Design: The Awakening of Desire
59(3)
Final Commentaries
62(3)
4 The Structure of Knowledge and Beginning Design Education
65(9)
James Sullivan
Creativity and the Structure of Knowledge
65(1)
Knowledge Domains and Their Structure
66(1)
Intellectual Development in the College Years
67(2)
Cognitive Load Theory
69(1)
Cognitive Flexibility Theory
70(2)
Conclusion
72(2)
5 Threshold of Uncertainty and Design Education
74(16)
Michael Tovey
Introduction
74(1)
Threshold Concepts and Liminal Spaces
75(1)
The Toleration of Design Uncertainty Threshold Concept
76(2)
Designerly Thinking and Creativity
78(1)
Designerly Knowing
78(1)
Design Thinking as Dual Processing
79(2)
Parallel Lines of Thought
81(1)
Dual Processing and the Threshold of Design Uncertainty
82(1)
Teaching Design
82(3)
Developments at Coventry
85(3)
Conclusion
88(2)
6 Zen and/in Beginning Design Education
90(17)
Julio Bermudez
Introduction
90(2)
Beginner's Mind: When Design Mind Meets Zen Mind
92(2)
No Achievement
94(10)
Conclusion
104(3)
Part III Creative Decision Making, Uncertainty, Failure, and Openness
107(56)
7 Uncertainty and Creative Decision Making in Beginning Design Experiences
109(14)
Stephen Temple
Encountering the "Wickedness" of Design Problems
109(3)
Ambiguous Choices
112(7)
Beginning Design via "Wicked" Problems
119(4)
8 A Temporal Attitude
123(12)
Brian Dougan
An Awareness of Time
125(6)
Technological Scrutiny
131(2)
Conclusion Time
133(2)
9 Dashed Hopes: Lessons in the Failure of Best Intentions
135(13)
Greg Watson
The Behavior of Beginning
135(1)
The Skill of Seeking and Seeing Error
136(1)
Risk
137(1)
Awareness
138(1)
Projects
139(1)
Dashed Hopes
140(1)
Corpus Delicti
141(2)
Outcomes and Observations
143(2)
Conclusion
145(3)
10 The Open Project: Field Notes for an Investigation
148(15)
Mark A. Blizard
Preamble
148(1)
Introduction: Openness
148(3)
The Brief
151(4)
Outlining the Field of Investigation
155(2)
Operation of the Brief---Distance and Engagement
157(2)
The Presence of the Blank
159(1)
Conclusion
160(3)
Part IV Embodied and Phenomenological Approaches in Beginning Design
163(50)
11 The Spatial Body in the Proto-Architectural Phase of Design
165(19)
Mirjana Lozanovska
Introduction
165(1)
Architecture and Space
166(2)
Body and Architecture Relations
168(2)
Building Acts on Human Bodies
170(1)
Spatial Bodies
171(2)
Learning Architecture
173(7)
Conclusion
180(4)
12 Violet Light Under a Saffron Sky: Creativity, Phenomenology, and Speculative Realism in Beginning Design
184(15)
Michael Lucas
Getting Real
184(1)
A Late Afternoon in Early Spring---Saffron Sky
185(1)
Fall Embodiment: Seeing Slowly
186(2)
Fall Embodiment: Making: UFO (Uninhibited Formal Operations)
188(1)
Fall Embodiment in Materiality: Resistance
189(1)
Behind the Fall: Embodiment Crossing Three Phenomenologies
189(4)
Spring: Intervention in Vibrant Flow: paraSITE
193(1)
Spring: Givenness, Eco-phenomenology, Hyperobjects
194(1)
Spring Projection: Speculative Realism
195(2)
Coda: Care, Passion for the Hunt, and Constructing Time
197(2)
13 In the Making: Creative Thinking in the Architectural Design Studio
199(14)
Judy O'Buck Gordon
Beginnings
199(1)
The Value of Ambiguity in Thinking
200(2)
Seeing and Making
202(2)
In the Studio
204(1)
"Speculative Thinking---Imagined Spaces"
205(5)
Creative Thinking Within the Design Studio
210(3)
Part V Creativity and Making
213(54)
14 Where Do Ideas Come From? A Hands-On Strategy for Designing and Building Architecture
215(10)
Nils Gore
Introduction: Establishing an Attitude Toward "Craft"
215(1)
Developing a Critical Approach to Craft
216(3)
Developing Achievable Expectations Through Hands-On
219(1)
Experience and Learning Through Serious Play
220(1)
The Success of Failure
221(2)
Discovering Design Solutions That Couldn't Possibly Emerge in the Absence of Such Experimentation
223(2)
15 Oculata Manus: On the Role of the Body in the Making of Creative Minds
225(14)
Bradley Walters
Lisa Huang
Introduction: Conceptual Challenges
225(5)
Material Matters
230(6)
Remoteness and Immediacy
236(3)
16 DESIGN-BUILD Build/Design: An Inquiry-Based Approach to Teaching Beginning Design Students
239(17)
Natalija Subotincic
Introduction
239(1)
Building a Bridge Between the World of Ideas and the Physical World
239(1)
A Critical Examination of the Predominant Design Studio Methodology
240(2)
Design-Build Studios as a Recognition of These Methodological Problems
242(1)
Rethinking How to Teach an Inquiry-Based Beginning Architectural Design Studio
243(2)
From the Nine-Square Grid to Build/Design
245(6)
Implications of Integrating Concrete and Abstract Ways of Thinking and Making
251(3)
Conclusion
254(2)
17 Think>Make and Make/Think: Beginning Steps in Architectural Design
256(11)
Matthew Brehm
Making in the Design Process
257(2)
Thinking in the Design Process
259(1)
Think>Make vs. Make/Think
260(2)
Speculations on Student Predilections Toward Particular Ways of Working
262(3)
In Summary
265(2)
Index 267
Stephen Temple teaches beginning design and theory at the University of Texas at San Antonio, USA. He studies philosophy and psychology as a precursor to creative thinking and builds to explore theory. His recent book, Making Thinking: Beginning Architectural Design Education (2011) supports making as a foundation experience for design education.