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xi | |
| Acknowledgements |
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xiii | |
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PART I Theorising the arts and literacy in schools |
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1 | (84) |
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1 The state of the arts and literacy in schools |
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3 | (14) |
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3 | (2) |
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5 | (1) |
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5 | (2) |
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7 | (1) |
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The marginalisation of the arts in schools: a dissonant relationship |
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7 | (4) |
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Arts-literacies: initiating a harmonious partnership |
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11 | (2) |
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13 | (1) |
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14 | (3) |
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2 Being literate in the 21st century and beyond |
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17 | (11) |
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17 | (1) |
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17 | (1) |
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18 | (2) |
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Classroom practices related to literacy education |
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20 | (1) |
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The importance of arts-literacies |
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21 | (3) |
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What does it mean to be literate in the 21st century? |
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24 | (1) |
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24 | (1) |
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24 | (4) |
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3 Multimodality, semiotics and meaning-making |
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28 | (13) |
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28 | (1) |
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28 | (1) |
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29 | (4) |
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33 | (2) |
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Social, cultural semiotics and meaning-making |
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35 | (2) |
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37 | (1) |
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37 | (4) |
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4 The arts and literacy are synchronous: Exploring a model of theory and practice |
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41 | (14) |
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41 | (1) |
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(Re)defining literacy for the future |
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42 | (1) |
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Why do these definitions matter? |
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43 | (1) |
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Considering a model of theory and practice for the arts and literacy: a dichotomic view |
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44 | (3) |
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Arts experiences and encounters |
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47 | (3) |
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Developing a model of arts-literacies |
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50 | (1) |
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51 | (1) |
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52 | (3) |
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5 Literacy demands, and reading and writing in the arts |
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55 | (15) |
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55 | (1) |
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What are curriculum or content area literacies? |
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55 | (2) |
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Literacy demands in the arts |
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57 | (2) |
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Reading and writing in the arts: the Context-to-Text model |
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59 | (2) |
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61 | (5) |
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66 | (1) |
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67 | (3) |
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6 How the arts support diverse learners in literacy |
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70 | (15) |
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70 | (1) |
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Arts-literacies for social justice |
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70 | (2) |
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Arts-literacies for a culturally creative world |
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72 | (2) |
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Research to practice: arts-literacies in schools for a socially-just and creative world |
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74 | (6) |
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80 | (1) |
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80 | (5) |
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PART II Classroom practice in the arts and literacy |
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85 | (82) |
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7 Dance-literacies as embodied and expressive aesthetics |
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87 | (15) |
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87 | (1) |
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Dance education and curriculum |
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88 | (1) |
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Literacies and literacy demands in dance |
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89 | (2) |
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Classroom practice in dance |
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91 | (5) |
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Relating the dance lessons to the model of arts-literacies |
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96 | (2) |
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98 | (1) |
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99 | (3) |
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8 Drama-literacies: Exploring self, space and time |
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102 | (14) |
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102 | (1) |
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Drama education and curriculum |
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103 | (1) |
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Literacies and literacy demands in drama |
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104 | (1) |
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Classroom practice in drama |
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105 | (7) |
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Relating the drama lessons to the model of arts-literacies |
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112 | (1) |
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112 | (1) |
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113 | (3) |
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9 Music-literacy: An aural art |
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116 | (15) |
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116 | (1) |
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Music education and curriculum |
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117 | (1) |
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Music-literacies and literacy demands |
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118 | (3) |
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Classroom practice in music |
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121 | (5) |
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Relating the music lessons to the model of arts-literacies |
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126 | (1) |
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127 | (1) |
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127 | (4) |
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10 Visual art literacies: `Seeing' through the modes |
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131 | (15) |
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131 | (1) |
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Visual art education and curriculum |
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132 | (1) |
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Literacies and literacy demands in visual art |
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133 | (1) |
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Classroom practice in visual art |
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134 | (8) |
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Relating the visual art lessons to the model of arts-literacies |
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142 | (1) |
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143 | (1) |
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144 | (2) |
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11 Creative and multimodal writing across the school years |
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146 | (21) |
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146 | (1) |
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Multimodality in the curriculum |
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146 | (2) |
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Comprehending and composing multimodal texts: planning and assessment |
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148 | (3) |
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Classroom practice related to the teaching of multimodal texts |
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151 | (12) |
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Relating the creative and multimodal writing to the model of arts-literacies |
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163 | (1) |
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164 | (1) |
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165 | (2) |
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PART III Arts-literacies matter |
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167 | (10) |
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12 Conclusion: Arts-literacies matter |
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169 | (8) |
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169 | (1) |
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Why arts-literacies matter |
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170 | (1) |
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What did the arts classroom practices tell us? |
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171 | (2) |
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Ways to implement the arts-literacies model of theory and practice: recommendations for educators and schools |
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173 | (2) |
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175 | (2) |
| Index |
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177 | |