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E-raamat: Devotional Refrains in Medieval Latin Song

(University of Pennsylvania)
  • Formaat: PDF+DRM
  • Ilmumisaeg: 31-Mar-2022
  • Kirjastus: Cambridge University Press
  • Keel: eng
  • ISBN-13: 9781009050180
  • Formaat - PDF+DRM
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 31-Mar-2022
  • Kirjastus: Cambridge University Press
  • Keel: eng
  • ISBN-13: 9781009050180

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Throughout medieval Europe, male and female religious communities attached to churches, abbeys, and schools participated in devotional music making outside of the chanted liturgy. Newly collating over 400 songs from primary sources, this book reveals the role of Latin refrains and refrain songs in the musical lives of religious communities by employing novel interdisciplinary and analytical approaches to the study of medieval song. Through interpretive frameworks focused on time and temporality, performance, memory, inscription, and language, each chapter offers an original perspective on how refrains were created, transmitted, and performed. Arguing for the Latin refrain's significance as a marker of form and meaning, this book identifies it as a tool that communities used to negotiate their lived experiences of liturgical and calendrical time; to confirm their communal identity and belonging to song communities; and to navigate relationships between Latin and vernacular song and dance that emerge within their multilingual contexts.

Arvustused

'What does the medieval refrain do in Latin song?, asks Mary Channen Caldwell at the opening of her engaging new study. A very great deal, as it turns out. Throughout Devotional Refrains, she argues for refrains as carrying multivalent musical and cultural meanings, beautifully demonstrating their often overlapping devotional, temporal, structural, and performative implications.' Rachel May Golden, University of Tennessee

Muu info

This book reveals the importance of sung refrains in the musical lives of religious communities in medieval Europe.
List of Figures
ix
List of Tables
xi
List of Music Examples
xii
Acknowledgments xiii
List of Abbreviations
xviii
Introduction: Latin Song and Refrain 1(23)
Defining the Latin Refrain
4(6)
Manuscript Sources
10(3)
Theorizing the Refrain
13(5)
Creating and Performing the Latin Refrain Song
18(6)
1 Latin Song and Refrain in the Medieval Year
24(41)
Calendrical Song: Thematic Distribution and Manuscript Ordering
26(7)
The Plurality of Time: Easter and Springtime
33(6)
Reforming Festivity: Disciplining Time Through Song and Refrain
39(6)
Pious Substitutes in the Moosburger Graduale and Red Book of Ossory
45(3)
New Songs and Refrains for the New Year
48(15)
Conclusion: Contexts for the Latin Refrain Song
63(2)
2 Refrains and the Time of Song: Singing Religious Narrative
65(39)
Song, Refrain, and Narrative Time
66(4)
The Nativity Story Two Ways: Ecce mundi gaudium and Congaudeat turba fidelium
70(15)
Narrating Easter in In hac die Dei
85(5)
Saints' Time: Narrating Miracles, Singing Refrains
90(3)
Singing Saints' Lives in a Parisian Miscellany
93(9)
Conclusion: Repeating sine termino
102(2)
3 Singing the Refrain: Shaping Performance and Community Through Form
104(44)
Song, Refrain, and Singing with One Voice
106(3)
A Grammar of Performance and Plurality
109(12)
All as One and Many Together: Musical Settings of Refrain Songs
121(10)
Shaping Performance: Strophic Refrain Songs and Rondelli
131(7)
Reimagining the Clerical Dance Song
138(7)
Singing the Refrain: Form, Performance, and Community
145(3)
4 Remembering Refrains: Composition, Inscription, and Performance
148(42)
Reworking Text and Music: Chant and the Latin Refrain
150(7)
Recycling Refrains and Signaling Performance
157(8)
Cueing Refrains in an Austrian Abbey
165(10)
Sharing, Adding, and Subtracting Refrains
175(12)
Conclusion: Refrains in Song, Memory, and Text
187(3)
5 Retexting Refrains: Latin and Vernacular Refrains in Contact
190(41)
Contrafacture and the Latin Refrain Song
192(4)
French Refrains as Rubrics in a Parisian Miscellany
196(11)
German Song in the Margins in the Engelberg Codex
207(8)
Multilinguality in the Red Book of Ossory
215(14)
Refrains Across Language
229(2)
6 Conclusion
231(5)
Further Contexts
233(1)
Afterlives
234(2)
Appendix Latin Refrain Songs 236(18)
Bibliography 254(25)
Index of Works 279(3)
General Index 282
Mary Channen Caldwell is Assistant Professor of Music at the University of Pennsylvania. Her research, which focuses on medieval song, liturgy, pedagogy, and intertextuality, has been published in the Journal of the American Musicological Society, Music & Letters, the Journal of the Royal Musical Association, Plainsong & Medieval Music, and Early Music History.