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E-raamat: Digital Connectivity and Music Culture: Artists and Accomplices

  • Formaat: PDF+DRM
  • Ilmumisaeg: 02-Oct-2017
  • Kirjastus: Springer International Publishing AG
  • Keel: eng
  • ISBN-13: 9783319682914
  • Formaat - PDF+DRM
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  • Formaat: PDF+DRM
  • Ilmumisaeg: 02-Oct-2017
  • Kirjastus: Springer International Publishing AG
  • Keel: eng
  • ISBN-13: 9783319682914

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This book explores how the rise of widely available digital technology impacts the way music is produced, distributed, promoted, and consumed, with a specific focus on the changing relationship between artists and audiences. Through in-depth interviewing, focus group interviewing, and discourse analysis, this study demonstrates how digital technology has created a closer, more collaborative, fluid, and multidimensional relationship between artist and audience. Artists and audiences are simultaneously engaged with music through technology—and technology through music—while negotiating personal and social aspects of their musical lives. In light of consistent, active engagement, rising co-production, and collaborative community experience, this book argues we might do better to think of the audience as accomplices to the artist.

1 Introduction
1(20)
Popular Music Culture and Digital Technology Overview
3(3)
Innovation and Technological Change
6(2)
Theoretical Underpinnings: Digital Technology, Culture, and Consumption
8(6)
Overview of the
Chapters
14(2)
Rationale and Conclusion
16(1)
Bibliography
17(4)
2 Artist
21(24)
Kristin Hersh: Background and Strategy
21(2)
The CASH Music Philosophy
23(2)
Developing Artist Strategy
25(3)
Engaging the Active Listener
28(13)
Organic Community Building Through Interactivity
41(3)
Bibliography
44(1)
3 Audience
45(30)
The Logistics of Music Consumption: Who, What, When
Where, and How Do People Consume?
45(3)
Social and Personal Music Negotiation
48(7)
Meaning-Making Through Medium
55(8)
New Music Discovery
63(3)
Obtaining Music
66(7)
Bibliography
73(2)
4 Music Culture and Digital Technology
75(28)
Music Culture and Digital Technology: A Review of Primary Findings
75(1)
Reception and Negotiation: Audience Response
76(14)
Technology's Role in the Artist-Audience Relationship
90(10)
Bibliography
100(3)
5 Artists and Accomplices
103(16)
Artists and Accomplices in Fair Trade Music Culture
103(6)
Opportunities and Challenges in Digitally Mediated Music Culture
109(3)
Experiencing Musical Lives Together: Conclusion
112(4)
Bibliography
116(3)
Index 119
Mary Beth Ray is Assistant Professor of Communication & Media Studies at Plymouth State University in Plymouth, NH, USA.