| Foreword |
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xi | |
| Preface |
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xii | |
| Acknowledgments |
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xiv | |
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Chapter 1 Introduction/Overview |
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2 | (12) |
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5 | (7) |
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12 | (2) |
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Chapter 2 Analog and Digital Rendering Comparisons |
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14 | (6) |
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Editability and Efficiency |
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14 | (2) |
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Commonalities and Parallels |
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16 | (1) |
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17 | (3) |
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Chapter 3 Basic Overview of Digital Concepts |
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20 | (28) |
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20 | (1) |
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Resolution in Raster Images |
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21 | (1) |
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Upsampling and Downsampling |
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22 | (4) |
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26 | (1) |
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Using Raster Images in Vector-Based Programs |
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26 | (1) |
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26 | (3) |
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29 | (1) |
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29 | (3) |
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Editing Adjustment Layers |
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32 | (1) |
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33 | (1) |
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33 | (4) |
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37 | (1) |
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37 | (1) |
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37 | (2) |
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39 | (1) |
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40 | (8) |
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Chapter 4 Digital Drawings in the Design Process |
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48 | (5) |
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Applications for Specific Tasks |
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48 | (2) |
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Moving between Analog and Digital Techniques |
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50 | (3) |
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Chapter 5 Setting up the Document |
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53 | (4) |
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Drawings at Multiple Sizes |
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53 | (1) |
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How Drawings Move through the Digital Workflow |
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54 | (1) |
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54 | (3) |
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Chapter 6 Base Imagery and Scaling |
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57 | (21) |
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58 | (1) |
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Obtaining the Aerial Photograph |
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58 | (1) |
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Tiling Aerial Photographs in Photoshop |
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58 | (1) |
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59 | (2) |
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Tiling Photographs with Photomerge |
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61 | (3) |
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Scaling the Aerial Photograph |
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64 | (5) |
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Adjusting the Hue, Saturation, and Lightness of Base Imagery |
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69 | (5) |
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Using CAD Linework as a Base |
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74 | (4) |
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Chapter 7 Source Imagery/Entourage |
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78 | (14) |
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78 | (1) |
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79 | (1) |
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79 | (13) |
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Chapter 8 Managing Large Files |
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92 | (3) |
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92 | (1) |
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Saving Layer Groups for Flattening |
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93 | (1) |
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94 | (1) |
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95 | (18) |
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Recording Actions in Photoshop |
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96 | (2) |
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Playing Actions in Photoshop |
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98 | (2) |
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Batch Processing in Adobe Bridge |
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100 | (1) |
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101 | (12) |
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Chapter 10 Setting up an Illustrator Drawing |
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113 | (4) |
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113 | (1) |
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Based Programs for Design Diagrams |
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113 | (1) |
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Importing an Aerial Photo into Illustrator |
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114 | (1) |
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114 | (3) |
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Chapter 11 Linework in Illustrator |
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117 | (11) |
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117 | (1) |
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118 | (2) |
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120 | (2) |
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Appearance of Lines and Shapes |
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122 | (3) |
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Stroke Weight and Dashed Lines |
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125 | (1) |
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126 | (1) |
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126 | (2) |
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Chapter 12 Custom Linework |
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128 | (9) |
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Creating a Pattern Brush from Shapes |
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128 | (6) |
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Altering the Pattern Brush |
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134 | (1) |
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Updating the Pattern Brush with New Shapes |
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135 | (2) |
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Chapter 13 Additional Diagramming Tools |
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137 | (6) |
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137 | (1) |
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138 | (2) |
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140 | (1) |
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141 | (2) |
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143 | (8) |
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Creating Symbols from Custom Artwork |
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143 | (2) |
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Updating/Replacing Symbols |
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145 | (3) |
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148 | (1) |
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Creating Clipping Masks for Image Symbols |
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148 | (3) |
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Chapter 15 Text, Leaders, and Page Layout |
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151 | (12) |
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151 | (1) |
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151 | (1) |
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151 | (1) |
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Differences between Point Text and Paragraph Text |
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152 | (1) |
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153 | (2) |
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155 | (1) |
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Creating Text with a Clipping Mask |
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156 | (2) |
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158 | (2) |
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160 | (3) |
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Chapter 16 Exploded Axonometric Diagrams |
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163 | (4) |
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Creating an Exploded Axonometric Diagram |
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163 | (4) |
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Chapter 17 Time-Based Imagery |
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167 | (14) |
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Loading an Image Sequence |
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167 | (3) |
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Tweening between Layer States |
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170 | (1) |
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171 | (10) |
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Part 4 Plan/Section Renderings |
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Chapter 18 Importing PDF Linework |
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181 | (14) |
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181 | (10) |
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Adjusting the Appearance of Linework |
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191 | (4) |
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Chapter 19 Applying Color to a Plan Rendering |
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195 | (21) |
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Technique 1: Applying Color with the Paint Bucket Tool |
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195 | (9) |
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Technique 2: Applying Color Using Adjustment Layers |
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204 | (11) |
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215 | (1) |
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Chapter 20 Shading Techniques |
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216 | (8) |
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216 | (1) |
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Saving Selections and Manual Shading |
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217 | (5) |
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Automating the Shading of Edges |
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222 | (2) |
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Chapter 21 Creating Textures |
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224 | (11) |
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Creating a Texture from an Existing Photograph |
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224 | (3) |
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Creating a Seamless Pattern Using the Offset Filter |
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227 | (2) |
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Creating the Pattern and Applying It to the Rendering |
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229 | (1) |
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Paint Bucket and Pattern Stamp |
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230 | (1) |
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231 | (1) |
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232 | (1) |
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232 | (3) |
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235 | (12) |
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235 | (8) |
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243 | (4) |
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Chapter 23 Plan Symbols with Smart Objects |
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247 | (6) |
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247 | (1) |
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Duplicating and Editing Smart Objects |
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248 | (3) |
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251 | (1) |
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252 | (1) |
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Chapter 24 Creating a Section Elevation |
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253 | (9) |
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253 | (9) |
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Chapter 25 Perspective Drawings |
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262 | (21) |
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263 | (1) |
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264 | (6) |
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270 | (1) |
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271 | (1) |
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271 | (2) |
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273 | (1) |
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273 | (1) |
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Two-Dimensional Photoshop Adjustment Layers, Opacity, and Screening |
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274 | (5) |
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Two-Dimensional/Three-Dimensional Z-Depth |
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279 | (2) |
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Three-Dimensional Atmosphere/Environment |
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281 | (1) |
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Understanding Level of Detail |
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282 | (1) |
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Chapter 26 Camera Match Three-Dimensional Object to Site Photo |
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283 | (8) |
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Camera Match with 3ds Max 2014 |
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284 | (4) |
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Match Photo with Tremble SketchUp |
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288 | (3) |
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Chapter 27 Create a Photoshop Perspective Collage |
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291 | (6) |
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291 | (6) |
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Chapter 28 Developing a Perspective Image in Photoshop from a Three-Dimensional Model |
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297 | (15) |
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297 | (1) |
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298 | (6) |
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304 | (2) |
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306 | (3) |
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309 | (3) |
| Bibliography |
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312 | (1) |
| Index |
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313 | |
Lisainfo e-raamatute kohta