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E-raamat: Digital Genres in Academic Knowledge Production and Communication: Perspectives and Practices

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"This book presents an overview of the wide variety of digital genres used by researchers to produce and communicate knowledge, perform new identities and evaluate research outputs. The book explores what researchers can do with these genres, what meanings they can make and what language(s) they deploy in carrying out all these practices"--

This book presents an overview of the wide variety of digital genres used by researchers to produce and communicate knowledge, perform new identities and evaluate research outputs. The book explores what researchers can do with these genres, what meanings they can make and what language(s) they deploy in carrying out all these practices.



This book presents an overview of the wide variety of digital genres used by researchers to produce and communicate knowledge, perform new identities and evaluate research outputs. It explores the role of digital genres in the repertoires of genres used by local communities of researchers to communicate both locally and globally, both with experts and the interested public, and sheds light on the purposes for which researchers engage in digital communication and on the semiotic resources they deploy to achieve these purposes. The authors discuss the affordances of digital genres but also the challenges that they pose to researchers who engage in digital communication. The book explores what researchers can do with these genres, what meanings they can make, who they interact with, what identities they can construct and what new relations they establish, and, finally, what language(s) they deploy in carrying out all these practices.

Arvustused

Bringing together multiple genre traditions, this timely book offers critical insights into how online platforms influence how science is communicated to a range of audiences, affords multimodal expressions, and can be more engaging through multilingual genre-ing activities. Expansive, generative, and smart, this is an important contribution to genre studies. Science communicators, too, will benefit from the detailed and thoughtful analyses in this essential book. * Ashley Rose Mehlenbacher, University of Waterloo, Canada * Finally a definitive guide to academic genres online! Covering an impressive range of digital practices, this insightful and inspiring book masterfully demonstrates the connection between the affordances of digital media and the exigences of scientific communication. * Christoph A. Hafner, City University of Hong Kong, Hong Kong * This highly readable and constantly stimulating book makes a landmark contribution to our understanding of the profound changes taking place in scholarly communication practices in the digital era. The excellent balance between critical syntheses of current research and original case-studies of specific digital genres makes it essential reading for all scholars and students of digital genres and academic communication. * Elizabeth Rowley-Jolivet, University of Orleans, France * One of Luzón and PérezLlantadas most valuable contributions to the conversation on digital research genres is their systematic integration of the global, multilingual perspective in every dimension of their ambitious analysis [ ...] I suspect their work will inspire researchers of academic writing and scholarly genres for years to come. Likewise, teachers and practitioners of academic writing will find Luzón and Pérez-Llantadas work useful for attending to a wider range of scholarly genres and communication practices and for better understanding our research ecosystem as a whole. * Gwendolynne Reid, Oxford College of Emory University, USA, ESP Today, Vol. 11(2) (2023) *

Muu info

Provides the first detailed examination of the impact of technology on research activity and communication
Figures
ix
Tables
x
Acknowledgments xi
1 Introduction: Why Focus on Digital Genres?
1(10)
1.1 Introduction
1(2)
1.2 Why this Book?
3(2)
1.3 Why Digital Genres?
5(2)
1.4 Outline of the Book and Audience
7(4)
2 Genre as a Framework for the Analysis of Digital Communication
11(17)
2.1 Introduction
11(1)
2.2 Genre as a Theoretical Framework
11(5)
2.3 Digital Genres: Developing Languages of Description
16(10)
2.4 Concluding Remarks: `Genre' in this Book
26(2)
3 Knowledge Communication in the Digital Era
28(16)
3.1 Introduction
28(1)
3.2 The Changing Context for Knowledge Production and Communication
28(3)
3.3 Open Science: Demands for Participation and Transparency
31(5)
3.4 The Impact of Digital Media on Scholarly Communication
36(4)
3.5 The Question of Language(s) in Online Knowledge Communication
40(3)
3.6 Concluding Remarks
43(1)
4 Performing Multiple Identities and Enhancing Academic Visibility
44(18)
4.1 Introduction
44(1)
4.2 The Discursive Construction of Academic Identity Online
45(8)
4.3 Multilingualism, Language Choice and Identity in Online Environments
53(1)
4.4 Research Case Study: Identity Construction in Research Group Blogs Written by Multilingual Scholars
54(6)
4.5 Concluding Remarks
60(2)
5 Sharing Research in Progress with Peers: Online Laboratory Notebooks
62(17)
5.1 Introduction
62(1)
5.2 Open Laboratory Notebooks: Tools for Collaborative Knowledge Production
62(4)
5.3 Research Case Study: An Analysis of OLNs on the openlabnotebooks.org Site
66(12)
5.4 Concluding Remarks
78(1)
6 Interacting in Academic Social Networking Sites
79(16)
6.1 Introduction
79(1)
6.2 Academic Social Networking Sites
80(6)
6.3 Research Case Study: ResearchGate Q&A as a Digital Genre for Intercultural Informal Interaction
86(7)
6.4 Concluding Remarks
93(2)
7 Disseminating Knowledge to Diversified Audiences
95(18)
7.1 Introduction
95(1)
7.2 Science/Academic Blogging and Microblogging to Reach Diverse Audiences
96(9)
7.3 Research Case Study: Networked Language Practices of Research Groups on Twitter
105(6)
7.4 Concluding Remarks
111(2)
8 Engaging the Public in Research
113(20)
8.1 Introduction
113(1)
8.2 Digital Genres and the Participation of the Public
113(3)
8.3 Platforms that Facilitate Public Engagement in Research
116(6)
8.4 Research Case Study: Prompting Micropatronage in a Crowdfunding Proposal
122(9)
8.5 Concluding Remarks
131(2)
9 `Showing' Research through Audiovisual Genres
133(18)
9.1 Introduction
133(1)
9.2 (Audio)visual Genres for Knowledge Communication Online
134(7)
9.3 Research Case Study: An Analysis of Online Popular Videos to Attract the Local Audience
141(8)
9.4 Concluding Remarks
149(2)
10 Assessing Research and Participating in Research Discussions Online
151(20)
10.1 Introduction
151(1)
10.2 Open Review: Emerging Genres for Open Review and Post-Publication Evaluation
152(8)
10.3 Blogs and Social Media to Evaluate Published Research
160(4)
10.4 Research Case Study: Engaging in Scientific Controversies in Blog Comments
164(5)
10.5 Concluding Remarks
169(2)
11 Final Considerations and Future Directions
171(14)
11.1 How Academic Communication is Changing: New Affordances, New Discourse Practices and New Challenges
171(6)
11.2 Implications for Genre Theory and Genre Analysis
177(3)
11.3 Pedagogical Implications: Widening Scholars' Genre-Based Practices
180(1)
11.4 Areas for Future Research
181(4)
References 185(22)
Index 207
María José Luzón is Senior Lecturer at the University of Zaragoza, Spain. Her research interests include genre analysis, digital genres, academic discourse, and English for Academic Purposes.





Carmen Pérez-Llantada is Professor of English Linguistics at the University of Zaragoza, Spain. Her research interests include genre analysis, English for Academic Purposes, academic writing, and rhetoric and composition.