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E-raamat: Disciplining the Arts: Teaching Entrepreneurship in Context

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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 16-Dec-2010
  • Kirjastus: Rowman & Littlefield Education
  • Keel: eng
  • ISBN-13: 9781607092018
  • Formaat - EPUB+DRM
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  • Formaat: EPUB+DRM
  • Ilmumisaeg: 16-Dec-2010
  • Kirjastus: Rowman & Littlefield Education
  • Keel: eng
  • ISBN-13: 9781607092018

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Increasingly, the availability of entrepreneurship education is becoming a factor in college choice as fine arts students demand training that helps them create an arts-based career after graduation. For too long, the arts academy has ignored the long-term career outcomes of its graduates and has only recently begun to meaningfully address how students can earn a living as working artists and arts entrepreneurs. Written to address this challenge, Disciplining the Arts explores the policy, programming, and curricular issues in the emerging field of arts entrepreneurship. By articulating the need, purpose and outcomes for arts entrepreneurship education, listening to graduates and identifying models, this essay collection begins an important conversation on preparing students for arts self-employment.

Arvustused

The book as a whole is an interesting thought piece. . . It should lead to interesting conversations among those who are concerned about the future of music in degrees higher education. * American Music Teacher * Disciplining the Arts provides a powerful case for making arts entrepreneurship an educational prerogative and lays out specific implementation strategies. Students, the arts community, and world at large will be well served by educators who embrace these lessons. -- David Cutler, author,The Savvy Musician Though Americas collegiate schools and departments of fine arts are producing many more professional artists than our current ecosystem for the arts can possibly support, young people continue to flock to arts majors in increasing numbers. Disciplining the Arts examines a number of potential approaches to an improved balance between the supply and demand for young artists, including a careful consideration of the role a more entrepreneurial approach to an artists education might entail. This is a book of real importance, enthusiastically recommended to young people in music, art, theater, and dance, and to their teachers as well. -- Robert Freeman, Susan Menefee Ragan Regents Professor of Fine Arts, The University of Texas at Austin There are no jobs in the arts, only opportunities. Disciplining the Arts demonstrates a significant change in how arts disciplines help artists live what they love through the essays of university arts administrators, educators, and the students arts entrepreneurship education is meant to impact. -- Joseph S. Roberts, Coleman Foundation Professor of Arts Entrepreneurship & Small Business Management, Columbia College, Chicago

Acknowledgments ix
Introduction xi
Elliot McGucken
Part I Articulating Need and Developing Policy
1 Some Immodest Proposals (and Hunches) for Conservatory Education
3(14)
Douglas Dempster
2 Why Music Entrepreneurship and Why in College Music Training?
17(8)
C. Taylor Harding
3 Disciplining Arts Entrepreneurship Education: A Call to Action
25(10)
Gary D. Beckman
4 Art and Innovation: Claiming a New and Larger Role in the Modern Academy
35(8)
Joseph Squier
5 Can Too Many Know Too Much? The Ethics of Education in Music Entrepreneurship
43(10)
Andrew Pinnock
Part II Where the Rubber Meets the Road...
6 An Overnight Success in Only Twenty Short Years: A Commentary from the Green Room
53(8)
Anjan Shah
7 Venturing Outward: A Graduate Student Advocates for the Study of Arts Entrepreneurship
61(8)
Bonnie E. Brookby
Part III Models, Curricula, and Purposes
8 Teaching Entrepreneurship by Conservatory Methods
69(14)
Jerry Gustafson
9 Making Connections: Music Education and Arts Entrepreneurship
83(12)
Douglas T. Owens
10 The Compleat Pianist: Leveraging Entrepreneurial Mentorship to Foster a Renewed Vision of Piano Pedagogy
95(22)
Jonathan Kuuskoski
11 Entrepreneurial Thinking in the PreK-12 Music Classroom: Examining the Relevancy of Twenty-First-Century Music Education and Its Potential to Meet the Needs of Students, Communities, and the Creative Economy
117(14)
Michelle H. Snow
12 Music and Entrepreneurship in the Liberal Arts: A Model for an Interdisciplinary Minor to Augment Current Music Curricula
131(8)
James Ian Nie
13 Entrepreneurship and Career Services in Context: Issues, Challenges, and Strategies
139(12)
Angela Myles Beeching
14 I'mART: A Framework for Artists to Evaluate Opportunities
151(10)
Kevin Woelfel
15 The Importance of Case Studies in Arts Entrepreneurship Curricula
161(6)
Kelland Thomas
16 Real-World Musicology: Integrating Entrepreneurship throughout the Music Curriculum and Beyond
167(10)
Mark Clague
17 So What's the Point? An Introductory Discussion on the Desired Outcomes of Arts Entrepreneurship Education
177
Gary D. Beckman
A proud New Englander, Gary D. Beckman received degrees in music at the Universities of Southern Maine and New Hampshire before earning his Ph.D. in Musicology at The University of Texas at Austin. Currently, he is a visiting professor at the University of South Carolina's School of Music where he teaches music history, world music, and music entrepreneurship.