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E-raamat: Displaying Art in the Early Modern Period: Exhibiting Practices and Exhibition Spaces

Edited by (École Supérieure d'Art et Design Toulon)
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From aesthetic promenades in noble palaces to the performativity of religious apparatus, this edited volume reconsiders some of the events, habits and spaces that contributed to defining exhibition practices and shaping the imagery of the exhibition space in the early modern period.

From aesthetic promenades in noble palaces to the performativity of religious apparatus, this edited volume reconsiders some of the events, habits and spaces that contributed to defining exhibition practices and shaping the imagery of the exhibition space in the early modern period.



From aesthetic promenades in noble palaces to the performativity of religious apparatus, this edited volume reconsiders some of the events, habits and spaces that contributed to defining exhibition practices and shaping the imagery of the exhibition space in the early modern period.

The contributors encourage connections between art history, exhibition studies, and architectural history, and explore micro-histories and long-term changes in order to open new perspectives for studying these pioneering exhibition-making practices. Aiming to understand what spaces have done and still do to art, the book explores an underdeveloped area in the field that has yet to trace its interdisciplinary nature and understand its place in the history of art.

The book will be of interest to scholars working in art history, museum studies, exhibition history, and architectural history.

PART
1. Introduction

1. Reason for a Research

Pamela Bianchi

PART
2. Public Spaces

2. Trading Spaces: the display practices of an early modern auction in
Edinburgh

Antonia Laurence-Allen

3. The Discourse of the Salon

Isabelle Piquet

4. Royal Spectacles & Social Networks: Early 18th-Century Salon Exhibition
Practices

Mandy Paige-Lovingood

PART
3. Domestic Spaces

5. Exhibition Design, Display Strategies, and Aesthetic Promenades to the
Court of Gonzaga

Pamela Bianchi

6. A Treasure of Riches and Curiosities Politics of Display at the
Garde-meuble de la Couronne, 1680-1789

Barbara Lasic

7. The Display of Metalwork in North European Domestic Spaces in the
Fifteenth and Sixteenth Centuries

Hila Manor

PART
4. Religious and Political Spaces

8. Displaying Art in a Sacred Space: The Artworks for the Triunfo of St.
Ferdinand in Seville Cathedral (1671)

Carmen González-Román

9. The Ephemeral Façade of Cardinal de Soliss Palace: Aesthetics and
Politics in 18th Century Rome

Ginevra Odone
Pamela Bianchi is an art historian and a professor in history of art and design at the ESAD in Toulon. Since 2013, Pamela has been an affi liated researcher of the lab AI- AC at the Paris 8 University.
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