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E-raamat: Distributed Cognition in Medieval and Renaissance Culture

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This collection brings together 14 essays by international specialists in Medieval and Renaissance culture and provides a general and a period-specific introduction to distributed cognition and the cognitive humanities. The essays bring recent insights in cognitive science and philosophy of mind to bear on how cognition is seen as distributed across brain, body and world. The volume includes essays on law, history, drama, literature, art, music, philosophy, science and medicine, covering topics such as the mind, life and soul; the body and environment; the emotions; language and linguistic theories; theory of mind and interaction theory; the self and subjectivity; social, material and conceptual environments; the memory arts, orality and literacy; and literature and the arts.
List of Illustrations
vii
Series Preface ix
1 Distributed Cognition and the Humanities
1(17)
Miranda Anderson
Michael Wheeler
Mark Sprevak
2 Distributed Cognition in Medieval and Renaissance Studies
18(26)
Miranda Anderson
3 Medieval Icelandic Legal Treatises as Tools for External Scaffolding of Legal Cognition
44(22)
Werner Schqfke
4 Horse-Riding Storytellers and Distributed Cognition in Chaucer's Canterbury Tales
66(20)
Guillemette Bolens
5 Cognitive Ecology and the Idea of Nation in Late-Medieval Scotland: The Flyting of William Dunbar and Walter Kennedy
86(13)
Elizabeth Elliott
6 The Mead of Poetry: Old Norse Poetry as a Mind-Altering Substance
99(21)
Hannah Burrows
7 Enculturated, Embodied, Social: Medieval Drama and Cognitive Integration
120(18)
Clare Wright
8 Ben Jonson and the Limits of Distributed Cognition
138(15)
Raphael Lyne
9 Masked Interaction: The Case for an Enactive View of Commedia dell Arte (and the Italian Renaissance)
153(18)
Jan Sqffner
10 Thinking with the Hand: The Practice of Drawing in Renaissance Italy
171(19)
Cynthia Houng
11 The Medieval (Music) Book: A Multimodal Cognitive Artefact
190(15)
Kate Maxwell
12 Distributed Cognition, Improvisation and the Performing Arts in Early Modern Europe
205(24)
Julie E. Cumming
Evelyn Tribble
13 Pierced with Passion: Brains, Bodies and Worlds in Early Modern Texts
229(21)
Daniel T. Lochman
14 Metaphors They Lived By: The Language of Early Modern Intersubjectivity
250(19)
Hannah Chapelle Wojciehowski
15 `Le Sigh': Enactive and Psychoanalytic Insights into Medieval and Renaissance Paralanguage
269(17)
L. O. Aranye Fradenburgjoy
16 `The adding of artificial organs to the natural': Extended and Distributed Cognition in Robert Hooke's Methodology
286(18)
Pieter Present
Notes on Contributors 304(4)
Bibliography 308(47)
Index 355