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E-raamat: Edinburgh Companion to First World War Periodicals

Edited by (Vrije Universiteit Brussel), Edited by (Ghent University), Edited by (University of Brussels (VUB))
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While literary scholars and historians often draw on the press as a source of information, First World War periodicals have rarely been studied as cultural artefacts in their own right. However, as this volume shows, the press not only played a vital role in the conflict, but also underwent significant changes due to the war. This Companion brings together leading and emerging scholars from various fields to reassess the role and function of the periodical press during the so-called 'Greater War'. It pays specific attention to the global aspects of the war, as well as to different types of periodicals that existed during the conflict, ranging from trench, hospital and camp journals to popular newspapers, children's magazines and avant-garde journals in various national and cultural contexts.


While literary scholars and historians often draw on the press as a source of information, First World War periodicals have rarely been studied as cultural artefacts in their own right. However, as this volume shows, the press not only played a vital role in the conflict, but also underwent significant changes due to the war. This Companion brings together leading and emerging scholars from various fields to reassess the role and function of the periodical press during the so-called ‘Greater War’. It pays specific attention to the global aspects of the war, as well as to different types of periodicals that existed during the conflict, ranging from trench, hospital and camp journals to popular newspapers, children’s magazines and avant-garde journals in various national and cultural contexts.



The first reference book on First World War newspapers and magazines from the home front to the front lines 

Arvustused

This volume is a pathbreaking global history of the press in the period of the First World War. The contributors range is remarkable. They survey publications of many different kinds in Europe, Asia and Africa, and offer readers a host of new perspectives on the political, social and cultural history of the Great War. -- Jay Winter, Yale University

List of Figures and Tables
viii
Acknowledgements xi
Introduction 1(16)
Marysa Demoor
Cedric Van Dijck
Birgit Van Puymbroeck
Part I Critical Approaches
1 Materiality
17(15)
Jane Potter
2 Networks
32(19)
Edmund G. C. King
3 (Digital) Archives
51(15)
Jeffrey Drouin
4 Affect and Emotion
66(15)
Fionnuala Dillane
5 Memory
81(14)
Hanna Tetchier
6 Popular Culture
95(20)
Maaheen Ahmed
Part II Contributors
7 Authors
115(15)
Argha Kumar Banerjee
8 Artists
130(16)
Selena Daly
9 Editors
146(15)
Christophe Declercq
10 Journalists
161(14)
Sara Prieto
11 War Correspondents
175(15)
Andrew Griffiths
12 Photographers
190(21)
Jan Baetens
Part III Events
13 Beginnings
211(16)
Samuel Foster
14 Battles
227(17)
Vincent Trott
15 Alliances
244(14)
Mauro Porno
16 The Armenian Genocide
258(15)
Claire Mouradian
17 Revolutions
273(13)
Irina Zhdanova
18 The Influenza Pandemic
286(19)
Jane Fisher
Part IV Types of Periodicals
19 Trench Journals
305(14)
Robert L. Nelson
20 Prisoner-of-War Camp Journals
319(19)
Anne Schwan
21 Hospital Journals
338(14)
Jessica Meyer
22 Pacifist Journals
352(16)
Grace Brockington
Sarah Hellawell
Daniel Laqua
23 Women's Suffrage and Labour Journals
368(16)
Maria DiCenzo
24 Avant-garde Journals
384(17)
Andrew Thacker
Part V Global Perspectives
25 German Colonial Africa
401(14)
Daniel Steinbach
26 India
415(18)
Santanu Das
27 Australia and New Zealand
433(16)
Patricia Thomas
28 China
449(12)
Elisabeth Forster
29 Canada
461(13)
Tim Cook
30 The Ottoman Empire
474(27)
Mustafa Aksakal
M. Talha Cicek
Aimee Genell
Dimitris Kamouzis
Janet Klein
Airmen Manuk-Khaloyan
Devi Mays
Notes on Contributors 501(8)
Index 509
Marysa Demoor is Professor Emerita at Ghent University. Demoor is the author of A Cross-Cultural History of Britain and Belgium, 1815-1918 Mudscapes and Artistic Entanglements (Palgrave, 2022). With Ingo Berensmeyer and Gert Buelens she has co-edited the Cambridge Handbook to Literary Authorship (Cambridge, 2019). With Laurel Brake, she edited The Lure of Illustration in the Nineteenth Century (Palgrave, 2009) and the Dictionary of 19C Journalism (British Library & Academia Press, 2009). She is the editor of Marketing the Author: Authorial Personae, Narrative Selves and Self-Fashioning, 18801930 (Palgrave, 2004) and the author of Their Fair Share: Women, Power and Criticism in the Athenaeum, 18701920 (Ashgate, 2000). Cedric Van Dijck is a postdoctoral fellow in English Literature at the University of Brussels (VUB). He is a co-editor of the Edinburgh Companion to First World War Periodicals (2023) and The Intellectual Response to the First World War (2017). His research on modernism and war has appeared in PMLA, TSLL, Modernism/modernity, Times Literary Supplement and Modernist Cultures. Birgit Van Puymbroeck is Lecturer in the Department of Linguistics and Literary Studies at Vrije Universiteit Brussel. She is the author of Modernist Literature and European Identity (Routledge, 2020).