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E-raamat: Edinburgh Companion to Romanticism and the Arts

Edited by (Bangor University), Edited by (Toronto Metropolitan University)
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From the birth of the museum to the explosion of mass-produced illustrated books, the Romantic period (c. 1770-1840) was a moment of rapid change and fruitful experimentation in the fields of art and literature alike. New advances in print production encouraged a wider range of readers to engage with literary forms that opened a path into the once aristocratic field of the visual arts. This Companion captures the way recent engagements with visual studies have reshaped how we approach and understand the boundaries between print and visual culture in the period. It brings together 27 research-led chapters that offer a detailed account of the productive, if sometimes tense, interactions between emergent forms of intermedial expression that were redefining culture in the Romantic period -- as they continue to do today.


The only volume to comprehensively bring together developments from different disciplines that address the complex interplay between British Romantic literature and the visual arts



From the birth of the museum to the explosion of mass-produced illustrated books, the Romantic period (c. 1770-1840) was a moment of rapid change and fruitful experimentation in the fields of art and literature alike. New advances in print production encouraged a wider range of readers to engage with literary forms that opened a path into the once aristocratic field of the visual arts. This Companion captures the way recent engagements with visual studies have reshaped how we approach and understand the boundaries between print and visual culture in the period. It brings together 27 research-led chapters that offer a detailed account of the productive, if sometimes tense, interactions between emergent forms of intermedial expression that were redefining culture in the Romantic period -- as they continue to do today.

Arvustused

At last, proper emphasis is given to the interaction between print and the visual cultures of the Romantic period. Wonderfully comprehensive and authoritative, ranging from aesthetic discourse through exhibition practices, popular spectacle, the print shop, illustration, magazine culture and the afterlife of Romanticism in film. Inspirational and indispensable in equal measure. -- Nicola Watson, Open University

List of Illustrations
vii
Acknowledgements xx
Introduction 1(22)
Maureen McCue
Sophie Thomas
Part I Perspectives
1 `The happiest vehicles of antiquarian knowledge': The Visual Arts and Romantic Antiquarianism
23(17)
Katharina Boehm
2 The Gothic Aesthetic: Word and Image
40(18)
Katie Garner
3 Aesthetic Landscapes: Travel and Tourism
58(19)
Mary-Ann Constantine
4 Visualising the Indigenous Pacific
77(18)
Kacie L. Wills
5 Elite and Popular Orientalisms
95(18)
James Watt
Part II Exhibition, Commerce and Culture
6 Collecting and the Country House, 1750-1840
113(17)
Joan Coutu
7 Public Improvement as `National Ornament': Commerce, Culture and Patriotism in London and Edinburgh
130(16)
Alison O'Byme
8 Commemoration, Domestic Display and the Decorative Arts: Romantic Nelsonia
146(19)
Charlotte Boyce
9 Building(s) for Art: The Evolution of Public Art Galleries in England, 1780-1840
165(19)
Susanna Avery-Quash
10 Exhibitions Culture, Consumerism and the Romantic Artist
184(17)
Martin Myrone
11 Portraiture: Commerce and Celebrity
201(19)
Peter Funnell
12 Convergence and Dissonance: Romantic Theatre and the Visual Arts
220(17)
Heather McPherson
13 Sound and Vision in Blake's London
237(18)
James Grande
14 Taken By Storm: Multisensory Learning in the Lecture Room
255(17)
Sarah Zimmerman
15 Romanticism, `Real' Illusions and the Transformation of Experience in Modernity
272(23)
Peter Otto
Part III Circulations: Print Culture and the Arts
16 Romantic Art and the Novel
295(18)
Jillian Heydt-Stevenson
17 Mired in Print: Romantic Writers and Caricature
313(22)
Ian Haywood
18 `A Point to Aim at in a Morning's Walk': Encounters at the Print Shop
335(21)
Maureen McCue
19 Illustrated Poetry in the Romantic Period
356(18)
Susan Matthews
20 Fashioning the Female Artist: Allegory and Celebrity in Lady Diana Beauclerk's Watercolours of The Faerie Queene
374(17)
Laura Engel
21 Angelica Kauffman and the Sister Arts
391(17)
Thora Brylowe
22 Illustrated Magazines and Periodicals: Visual Genres and Gendered Aspirations
408(21)
Jennie Batchelor
Part IV Romanticism Reimagined, the 1830s and Beyond
23 Album Culture: Begging for Scraps
429(21)
Samantha Matthews
24 Nineteenth-Century Illustrated Poetry: Mise-en-Page and the Visual Rhythms of Seriality
450(21)
Alison Chapman
25 Romantic Caricature and Comics
471(15)
Jason Whittaker
26 Cultural Manifestations of Romanticism on the Contemporary Screen
486(16)
Hila Shachar
27 Looking Back Through Fashion: Regency Romances and a `Jumble of Styles'
502(21)
Hilary Davidson
Notes on Contributors 523(6)
Index 529
Maureen McCue is former Senior Lecturer in nineteenth-century British Literature at Bangor University (UK). She is the author of British Romanticism and the Reception of Italian Old Master Art, 17931840 (Ashgate, 2014), which was short-listed for the British Association of Romantic Studies First Book Prize (2015). She has published essays on Romantic periodicals, the development of the National Gallery in London, Anglo-Italian relations and illustrations. Her current project, funded in part by the British Academy/Leverhulme Small Research Grant, examines how the rich ecology of womens visual lives determined the periods wider print culture. Sophie Thomas is Professor of English at Toronto Metropolitan University. She is the author of Romanticism and Visuality: Fragments, History, Spectacle (Routledge, 2008), and of numerous articles and chapters that address the crosscurrents between literature, material culture and visual culture in the Romantic period. She is currently completing a book on objects, collections, and museums at the turn of the nineteenth centuryThe Romantic Museum, 1770 1830: Matter, Memory, and the Poetics of Thingsand beginning a new, funded program of research on Romanticism, museums and the poetics of sculpture.