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E-raamat: Embodied Fantasies: From Awe to Artifice

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  • Formaat: PDF+DRM
  • Sari: Art Knowledge Theory 1
  • Ilmumisaeg: 29-May-2013
  • Kirjastus: Peter Lang AG, Internationaler Verlag der Wissenschaften
  • Keel: eng
  • ISBN-13: 9783035105407
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  • Formaat: PDF+DRM
  • Sari: Art Knowledge Theory 1
  • Ilmumisaeg: 29-May-2013
  • Kirjastus: Peter Lang AG, Internationaler Verlag der Wissenschaften
  • Keel: eng
  • ISBN-13: 9783035105407

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Central to the theory and practice of art, embodied fantasy is also under the consideration of those in the fields of neuroscience, cognitive sciences, philosophy, and phenomenology. These twenty essays cover this range, including imagination, sensible difference, thwarted expectations, places and space, posing and exposing. Topics include what imagining has to do with images, bio-ethics and luminous ores, what kind of relationship exists between visibility and overlooking, synchronies of vision and touch, the schematism of the modalities, Carsten Holler's SOMA and Matthew Barney's Cremaster, embodying the cave in phenomenal art, experimentally induced psychosis in nineteen century France, the strange friendship of Wolgang Pauli and Carl Jung, Naoko Tanaka's "Die Scheinwerferin," patterns which connect, the Modern Projection Planetarium, planetary design, staging nature, fantasy in a non-given world, seeing red, dance as an embodied fantasy of writing, self-portraits in Facebook, spiegelei, Matthew Barney, Hiroshi Sugimoto, and Adolph Menze. Annotation ©2013 Book News, Inc., Portland, OR (booknews.com)
Introduction 7(8)
Acknowledgements 15(4)
1 Imagining Imagination
What's Imagining Got to Do with Images?
19(14)
C.S. Meijns
Bio-ethers and Luminous Ores: Welcome to Wonderland
33(16)
Suzanne Anker
Sometimes I Begin with a Title
49(14)
Raul Gomez Valverde
Sabine Flach
2 Sensible Differences
(Dis) Synchronies of Vision and Touch
63(10)
Mika Elo
What Does Imagination Look Like? Notes on the Schematism of the Modalities
73(10)
Esa Kirkkopelto
Negotiation and Metamorphosis: Carsten Holler's SOMA and Matthew Barney's Cremaster
83(16)
Sabine Flach
Plato's Shade: Embodying the Cave in Phenomenal Art
99(16)
Dawna Schuld
3 Thwarted Expectations
Fantasias -- Experimental Induced Psychosis and Modern Aesthetics in 19th Century France
115(10)
Gerhard Scharbert
Creative Processes within Fantasies: The Strange Friendship of Wolfgang Pauli and Carl Jung
125(14)
Arthur I. Miller
Fantasies of the Catastrophe: Embodiment and Kinaesthetic Awareness in the Performance-Installation of Naoko Tanaka's "Die Scheinwerferin"
139(12)
Gabriele Brandstetter
Patterns Which Connect: Embodied Fantasies
151(8)
Frank Gillette
4 Places and Spaces
Star Arts or Celestial Embodiments: Culturally Conventionalized Constellations and Ambiguous Artistic Asterisms in the Modern Projection Planetarium
159(18)
Boris Goesl
The Necessity of All Scales: Planetary Design in the Age of Globality
177(10)
Mitchell Joachim
Staging Nature Mathias Kessler
187(8)
Sabine Flach
Fantasy in a Non-Given World?
195(8)
Alex Arteaga
Seeing Red Margareta Hesse
203(14)
Sabine Flach
5 Pose and Expose
Body-Calligraphies: Dance as an Embodied Fantasy of Writing
217(12)
Alexander Schwan
The Grass is Always Greener: Self-Portraiture in the Age of Facebook
229(12)
Shelley Rice
Spiegelei
241(8)
Laura Taler
Twilight of the Artworld: From Representation to Ontology in the Work of Matthew Barney
249(8)
Thyrza Nichols Goodeve
The Phantasmagoria of Everyday Life: The Visceral-Somatic Viewer of Hiroshi Sugimoto and Adolph Menze
257(10)
Ellen Esrock
Contributors 267
Suzanne Anker is a visual artist and theorist working at the nexus of art and the biological sciences. Her work has been shown both nationally and internationally in museums and galleries including the Walker Art Center, the Smithsonian Institute, the Phillips Collection, P.S.1 Museum, the JP Getty Museum, and the Museum of Modern Art in Japan. Her seminal text The Molecular Gaze: Art in the Genetic Age (co-authored with the late Dorothy Nelkin) was published in 2004. She is the Chair of the Fine Arts Department of School of Visual Arts in New York since 2005. Sabine Flach is Professor for Contemporary Art and Art Theory (visiting) at School of Visual Arts in New York. Her current research focuses on Epistemology and Methodology of Contemporary Art; Praxis and Theory of Contemporary Art; Aisthesis and Media of Embodiment; Epistemology and Aesthetics of Visual Thinking; Emotions and Culture of the Senses; Knowledge of the Arts; Art and Art Theories of the 19th and 20th Centuries; Concepts of Nature.