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E-raamat: Empires of light: Vision, visibility and power in colonial India

  • Formaat: 304 pages
  • Sari: Rethinking Art's Histories
  • Ilmumisaeg: 19-Sep-2019
  • Kirjastus: Manchester University Press
  • Keel: eng
  • ISBN-13: 9781526139658
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  • Formaat: 304 pages
  • Sari: Rethinking Art's Histories
  • Ilmumisaeg: 19-Sep-2019
  • Kirjastus: Manchester University Press
  • Keel: eng
  • ISBN-13: 9781526139658

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Light was central to the visual politics and imaginative geographies of empire, even beyond its role as a symbol of knowledge and progress in post-Enlightenment narratives. This book describes how imperial mappings of geographical space in terms of ‘cities of light’ and ‘hearts of darkness’ coincided with the industrialisation of light (in homes, streets, theatres) and its instrumentalisation through new representative forms (photography, film, magic lanterns, theatrical lighting). Cataloguing the imperial vision in its engagement with colonial India, the book evaluates responses by the celebrated Indian painter Ravi Varma (1848–1906) to reveal the centrality of light in technologies of vision, not merely as an ideological effect but as a material presence that produces spaces and inscribes bodies.

Empires of light is a study of light, vision and power in colonial India. It examines the material cultures of light within imperial networks, drawing the colonial experience into contemporary debates on vision and optics to provide an art historical account of how a modern consciousness was forged amidst these dramatic transformations.

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Short-listed for Finalist for the Historians of British Art Book Prize 2021 (Exemplary Scholarship after 1800) 2021.
List of plates
vi
List of figures
viii
Acknowledgements xii
Introduction: writing photo-graphic histories of empire 1(40)
Part I Technologies of illumination
1 Through the glass darkly: the phantasmagoria of Elephanta
41(26)
2 Four acts of seeing: the veil as technology of illumination
67(46)
Part II Visibility is a trap': battles of the veil
3 `Purdah hai purdah!': proscenium theatre and technologies of illusionism
113(38)
4 Erotics of the body politic: the naked and the clothed
151(34)
Part III Chiaroscuro, portraiture and subjectivity
5 Private lives and interior spaces: masculine subjects in Ravi Varma's scholar paintings
185(33)
6 Impossible subjects: the subaltern in the shadows
218(32)
Postscript 250(3)
Bibliography 253(29)
Index 282
Niharika Dinkar is Associate Professor of South Asian Art History and Visual Culture at Boise State University -- .