Muutke küpsiste eelistusi

E-raamat: Encountering Ensemble

4.20/5 (19 hinnangut Goodreads-ist)
Contributions by (University of South Wales, UK), Contributions by , Contributions by , Contributions by (University of York, UK), Contributions by , Contributions by , Edited by (Artistic Director, DUENDE), Contributions by , Contributions by , Contributions by (University of Malta, Malta)
  • Formaat: 224 pages
  • Sari: Performance Books
  • Ilmumisaeg: 29-Aug-2013
  • Kirjastus: Methuen Drama
  • Keel: eng
  • ISBN-13: 9781408155172
Teised raamatud teemal:
  • Formaat - EPUB+DRM
  • Hind: 31,58 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
Encountering EnsembleSuurem pilt
  • Formaat: 224 pages
  • Sari: Performance Books
  • Ilmumisaeg: 29-Aug-2013
  • Kirjastus: Methuen Drama
  • Keel: eng
  • ISBN-13: 9781408155172
Teised raamatud teemal:

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

Encountering Ensemble, is a text for students, teachers, researchers and practitioners who wish to develop a deeper understanding of the history, conceptual foundations and practicalities of the world of ensemble theatre. It is the first book to draw together definitions and practitioner examples, making it a cutting edge work on the subject.

Encountering Ensemble combines historical and contemporary case studies with a wide range of approaches and perspectives. It is written collaboratively with practitioners and members from the academic community and is divided into three sections:
1. Introduction and an approach to training ensembles
2. Practitioner case studies and analysis of specific practical approaches to training ensembles (or individuals in an ensemble context)
3. Succinct perspectives from practitioners reflecting on a range of questions including: What is an ensemble ; the place of ensemble in the contemporary theatre landscape; and training issues.

Arvustused

Encountering Ensemble draws attention to the reality that ensemble invites and demands from practitioners, students and audience members alike ... For students, practitioners, educators and researchers who are interested in understanding the extent to which ensemble theatre has contributed, and can continue to contribute, towards the purpose and practice of theatre in contemporary society, this book is invaluable. * South African Theatre Journal * This welcome contribution to performance studies provides a rich and significant resource for students, teachers and practitioners. -- Jayne Richards * Studies in Theatre and Performance * A thoughtful, practical guide that celebrates ensemble as an intersection of historical knowledge shaping the relationships we craft both with one another and the audience. -- Rebecca Hewett * Theatre Topics *

Muu info

Encountering Ensemble is the first book to attempt to define and analyse the nature of ensemble theatre with case studies and contributions from companies and practitioners around the globe.
Acknowledgments ix
Contributors xi
PART ONE Defining ensemble
1(142)
Introduction 3(46)
John Britton
1 The emergence of studiinost: The ethics and processes of ensemble in the Russian theatre studio
49(12)
Bryan Brown
2 More than the sum of their parts: Reflections on Vsevolod Meyerhold's theatrical ensemble
61(17)
Amy Skinner
3 Michael Chekhov's ensemble feeling
78(16)
Franc Chamberlain
4 Star or Team? Theodore Komisarjevsky's early developments in ensemble playing in the United Kingdom
94(17)
Jonathan Pitches
5 The French ensemble tradition: Jacques Copeau, Michel Saint-Denis and Jacques Lecoq
111(15)
Mark Evans
6 The Berliner Ensemble: Bertolt Brecht's theories of theatrical collaboration as practice
126(17)
David Barnett
PART TWO Contemporary ensemble
143(128)
Snapshot #1 Ensemble
145(2)
Chris Johnston
Snapshot #2 Michael Boyd on the RSC ensemble Introduced
147(5)
Duska Radosavljevic
7 Stan's Cafe: The vision of the ensemble
152(20)
Adam J. Ledger
Snapshot #3 Collaboration, ensemble, devising
167(3)
Peter Harrop
Evelyn Jamieson
Snapshot #4 Ensemble/improvisation: An experiment in drama/music interdisciplinarity
170(2)
Paul Carr
Richard J. Hand
8 As important as blood and shelter: Extending studiinost into obshchnost
172(19)
Bryan Brown
Snapshot #5 Ensembles, groups, networks
182(3)
Julia Varley
Snapshot #6 Teatr Chorea: Synchrony in action
185(3)
Malgorzata Jablonska
Snapshot #7 Song of the Goat Theatre (Teatr Piesn Kozla)
188(3)
Anna Porubcansky
9 Towards a syncretic ensemble? RedCape Theatre's The Idiot Colony
191(21)
Rebecca Loukes
Snapshot #8 Network of ensemble theaters
209(3)
Mark Valdez
10 Locating the ensemble: NACL theatre and the ethics of collaboration
212(10)
Brad Krumholz
11 Building Chartres in the desert: The TEAM, collective intelligence and the failure of ideals
222(12)
Paz Hilfinger-Pardo
12 Elevator Repair Service and The Wooster Group: Ensembles surviving themselves
234(16)
John Collins
13 `Whose fantasy?' Five voices on Rachel Rosenthal's TOHUBOHU! Extreme Theatre Ensemble
250(21)
Marianne Sharp
Snapshot #9 The Waiting Room: Practicing embodied cognition in performance
263(3)
Kate Hunter
Snapshot #10 Ingemar Lindh and the Institutet for Scenkonst
266(5)
Frank Camilleri
PART THREE Forming ensemble: Some approaches to training
271(140)
Introduction
273(40)
John Britton
14 `Self-With-Others': A psychophysical approach to training the individual in ensemble
313(56)
John Britton
Snapshot #11 Collaborating in time: The formation of ensemble through rhythm
363(4)
Eilon Morris
Snapshot #12 Delicate codes and invisible lines: `Pulse' - an approach to ensemble training
367(2)
Tanya Gerstle
15 Psychophysical training and the formation of an ensemble
369(20)
Phillip Zarrilli
Snapshot #13 The Suzuki actors' training method as ensemble training
381(4)
Antje Diedrich
Snapshot #14 Ensemble training and Meyerhold's biomechanics
385(2)
Terence Chapman
Snapshot #15 Narrative images
387(2)
Chris Johnston
16 Freedom and constraints: Jacques Lecoq and the theater of ensemble creation
389(22)
Susan Thompson
Snapshot #16 Birthdays make the best training
405(3)
Bryan Brown
Snapshot #17 Where I'll be on Armageddon
408(3)
Patrick Stewart
Afterword: What is it? 411(4)
John Britton
Bibliography 415(22)
Index 437
John Britton is Senior Lecturer in Performance at the University of Huddersfield, Course Leader for the MA Ensemble Theatre: Training & Performance (a postgraduate degree based round his unique training processes) and Artistic Director of DUENDE, an international performance ensemble dedicated to developing interdisciplinary and intergenerational new work. John trains ensemble groups worldwide through his workshops in Mexico, Slovenia, France, Germany, Greece, China, Portugal, Australia, India and the UK. John has extensive experience as a director, performer and writer of physical, interdisciplinary and text-based work.
Lisainfo e-raamatute kohta Lisainfo e-raamatute kohta
Püsilink: https://www.kriso.ee/db/97814081551726e.html
Märksõnad: