Muutke küpsiste eelistusi

E-raamat: English Authorship and the Early Modern Sublime: Spenser, Marlowe, Shakespeare, Jonson

(Pennsylvania State University)
  • Formaat: EPUB+DRM
  • Ilmumisaeg: 29-Mar-2018
  • Kirjastus: Cambridge University Press
  • Keel: eng
  • ISBN-13: 9781108638883
  • Formaat - EPUB+DRM
  • Hind: 28,39 €*
  • * hind on lõplik, st. muud allahindlused enam ei rakendu
  • Lisa ostukorvi
  • Lisa soovinimekirja
  • See e-raamat on mõeldud ainult isiklikuks kasutamiseks. E-raamatuid ei saa tagastada.
  • Formaat: EPUB+DRM
  • Ilmumisaeg: 29-Mar-2018
  • Kirjastus: Cambridge University Press
  • Keel: eng
  • ISBN-13: 9781108638883

DRM piirangud

  • Kopeerimine (copy/paste):

    ei ole lubatud

  • Printimine:

    ei ole lubatud

  • Kasutamine:

    Digitaalõiguste kaitse (DRM)
    Kirjastus on väljastanud selle e-raamatu krüpteeritud kujul, mis tähendab, et selle lugemiseks peate installeerima spetsiaalse tarkvara. Samuti peate looma endale  Adobe ID Rohkem infot siin. E-raamatut saab lugeda 1 kasutaja ning alla laadida kuni 6'de seadmesse (kõik autoriseeritud sama Adobe ID-ga).

    Vajalik tarkvara
    Mobiilsetes seadmetes (telefon või tahvelarvuti) lugemiseks peate installeerima selle tasuta rakenduse: PocketBook Reader (iOS / Android)

    PC või Mac seadmes lugemiseks peate installima Adobe Digital Editionsi (Seeon tasuta rakendus spetsiaalselt e-raamatute lugemiseks. Seda ei tohi segamini ajada Adober Reader'iga, mis tõenäoliselt on juba teie arvutisse installeeritud )

    Seda e-raamatut ei saa lugeda Amazon Kindle's. 

"Patrick Cheney's new book places the sublime at the heart of poems and plays in late sixteenth- and early seventeenth-century England. Specifically, Cheney argues for the importance of an 'early modern sublime' to the advent of modern authorship in Spenser, Marlowe, Shakespeare, and Jonson. Chapters feature a model of creative excellence and social liberty that helps explain the greatness of the English Renaissance. Cheney's argument revises the received wisdom, which locates the sublime in the eighteenth-century philosophical 'subject'. The book demonstrates that canonical works like The Faerie Queene and King Lear reinvent sublimity as a new standard of authorship. This standard emerges not only in rational, patriotic paradigms of classical and Christian goodness but also in the eternizing greatness of the author's work: free, heightened, ecstatic. Playing a centralizing role in the advent of modern authorship, the early modern sublime becomes a catalyst in the formation of an English canon"--

Arvustused

'A remarkable and important study that not only provides the missing link in the history of the sublime, but also redirects the reader towards what is truly great about the literature we read, study, and teach, and why. It is an extraordinarily ambitious project: the work maintains an intellectual focus, energy, and generosity throughout that explains and actually exemplifies the sublime.' Catherine Bates, University of Warwick 'In English Authorship and the Early Modern Sublime, Cheney asserts that the early modern era functions as a crucial link in understanding the sublime. Recommended.' K. K. Smith, Choice 'Patrick Cheney, observing a resurgence of interest in the idea of the sublime, has contributed an original and persuasive book on this subject The book meticulously catalogs and analyzes uses of the word sublime throughout the period.' Richard F. Hardin, Renaissance Quarterly

Muu info

Linking ecstasy with art and liberty, the book advances understanding of Renaissance literature as a field in the humanities today.
List of Figures
viii
Acknowledgements ix
Note on Texts and References xii
Abbreviations xiv
Introduction: Authorship and Sublimity 1(22)
1 Citizenship and Godhood: A Historical Aesthetics of the Sublime Image, Longinus to Lyotard
23(35)
2 Spenser's Sublime Career
58(30)
3 Fictions of Transport: Spenser's Heroic Sublime
88(41)
4 Tragedy and Transport: Phantasia in Marlowe's Poems and Plays
129(29)
5 A world of figures': The Shakespearean Sublime
158(49)
6 The Sublime Wit of Ben Jonson
207(45)
Afterword: `The Aeonian Mount': Sublimity, Eloquence, Canonicity 252(13)
Works Cited 265(26)
Index 291
Patrick Cheney is Edwin Erle Sparks Professor of English and Comparative Literature at Pennsylvania State University. He is the author of seven monographs and the editor of eleven collections, as well as the editor of poems by Spenser, Marlowe, and Shakespeare. A recipient of the Faculty Scholar Medal from Pennsylvania State University and the Distinguished Alumni Award from the University of Montana, Cheney has been a Visiting Research Fellow at Merton College, Oxford, and a Visiting Fellow at All Souls College, Oxford. Currently, he is General Editor of the 14-volume Oxford History of Poetry in English.