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E-raamat: Entangled Performance Histories: New Approaches to Theater Historiography

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Entangled Performance Histories is the first book-length study that applies the concept of "entangled histories" as a new paradigm in the field of theater and performance historiography.



Entangled Performance Histories is the first book-length study that applies the concept of "entangled histories" as a new paradigm in the field of theater and performance historiography.

"Entangled histories" denotes the interconnectedness of multiple histories that cannot be addressed within national frameworks. The concept refers to interconnected pasts, in which historical processes of contact and exchange between performance cultures affected all involved. Presenting case studies from across the world—spanning Africa, the Arab-speaking world, Asia, the Americas and Europe—the book’s contributors systematically expand, exemplify and examine the concept of "entangled histories," thus introducing various innovative concepts, theories and methodologies for investigating reciprocally consequential processes of interweaving performance cultures from the past. Bringing together examples of entanglements in theater and performance histories from a broad variety of geographical and historical backgrounds, the book’s contributions build together a broad basis for a possible and necessary paradigmatic shift in the field of theater and performance historiography.

Ideal for researchers and students of history, theater, performance, drama and dance, this volume opens novel perspectives on the possibilities and challenges of investigating the entangled histories of theater and performance cultures on a global scale.

List of Figures
viii
List of Contributors
ix
Acknowledgments xv
Introduction: Entangled Performance Histories: New Approaches to Theater Historiography 1(34)
Erika Fischer-Lichte
PART I Methodological Reflections
35(42)
1 Interweaving Stories, Altering Discourses
37(21)
Malgorzata Sugiera
2 Writing Entangled Theater/Performance Histories in the Arab World
58(19)
Khalid Amine
PART II Hidden Histories--Forgetting and Remembering
77(48)
3 William Kentridge's The Head & The Load: Theatrical Collage and the Color of Memory
79(27)
Catherine M. Cole
4 Hijikata Tatsumi at the Osaka World Exposition's Pepsi Pavilion, 1970: Multiple Historiographies of a Lost Performance
106(19)
Stephen Barber
PART III Entanglements between Drama, Theater and Colonial Historiographies
125(40)
5 Disentangling Colonial Archives: The Combustible Affair of Ensuring/Insuring Theater Safety in Colonial Singapore
127(18)
Mele Yamomo
6 The Thorny Entanglements of Theater and Colonial Historiography in the Netherlands: Anti-colonial Critique and Imperial Nostalgia in J. Slauerhoff's Play Jan Pieterszoon Coen (1931)
145(20)
Sruti Bala
PART IV Emergence and Transformation of Genres
165(46)
7 Reversibility as Historiographical Method: Japanese Theater and Its Doubles
167(23)
Carol Fisher Sorgenfrei
8 Plumbing the Past to Project into the Future: The Entangled Trajectories of Flamenco's Twenty-First-Century Avant-Garde
190(21)
Catherine Diamond
PART V National Theater Histories--Entanglements and Disentanglements
211(47)
9 The Interwoven Performance Culture of Algeria
213(21)
Marvin Carlson
10 Writing History as Disentanglement: Toward a Historiography of Modern Greek Theater
234(24)
Platon Mavromoustakos
Coda: The Whirligig of Tech: Theater as Media Archaeology 258(20)
W. B. Worthen
Index 278
Erika Fischer-Lichte is Director of the International Research Center Interweaving Performance Cultures at Freie Universität Berlin.

Magorzata Sugiera is a Full-time Professor at the Jagiellonian University in Cracow, Poland, and Head of the Department for Performativity Studies.

Torsten Jost is a Researcher and academic coordinator at the Cluster of Excellence Temporal Communities: Doing Literature in a Global Perspective at Freie Universität Berlin.

Holger Hartung is a theater and dance scholar from Berlin, who works at the Hanns Eisler School of Music, Berlin, where he oversees digital transformation.

Omid Soltani is a Researcher at the International Research Center "Interweaving Performance Cultures" of Freie Universität Berlin.