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E-raamat: Essential Shakespeare: The Arden Guide to Text and Interpretation

(The English Association), (Open University, UK)
  • Formaat: 360 pages
  • Sari: Arden Shakespeare
  • Ilmumisaeg: 04-Dec-2013
  • Kirjastus: The Arden Shakespeare
  • Keel: eng
  • ISBN-13: 9781472535849
  • Formaat - PDF+DRM
  • Hind: 31,58 €*
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  • Formaat: 360 pages
  • Sari: Arden Shakespeare
  • Ilmumisaeg: 04-Dec-2013
  • Kirjastus: The Arden Shakespeare
  • Keel: eng
  • ISBN-13: 9781472535849

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An introductory critical study for first year undergraduates, aimed at bridging the increasing gap between A Level and university level study. The book offers a comprehensive approach to fourteen key texts looking at different critical perspectives, language, context and performance in particular.

An introductory critical study for first year undergraduates which bridges the gap between A Level and university study. The book offers an accessible overview of key critical perspectives, early modern contexts, and methods of close reading, as well as screen and stage performances spanning several decades. Organised around the discussion of fourteen major plays, it introduces readers to the diverse theoretical approaches typical of today's English studies. This is a go-to resource that can be consulted thematically or by individual play or genre.

Critical approaches can overwhelm students who are daunted by the quantity and complexity of current scholarship; Bickley and Stevens are experienced teachers at both A and university level and are thus uniquely qualified to show how a mix of critical ideas can be used to inform ways of thinking about a play.


An introductory critical study for first year undergraduates, aimed at bridging the increasing gap between A Level and university level study. The book offers a comprehensive approach to fourteen key texts looking at different critical perspectives, language, context and performance in particular.

Arvustused

The particular strength of Pamela Bickley and Jenny Stevens thorough guide to the study of Shakespeares plays is its targeting. Their discussion of each of fourteen of the plays is framed via the introduction of a theoretical method and an exploration of Shakespeares language, thus offering a critical tool-kit aimed squarely and effectively at undergraduates and ambitious sixthformers . . . Bickley and Stevens know their audience and address it clearly and unpatronisingly. Everyone who wants, or is just beginning, to study English literature at university would benefit from this book. -- Emma Smith, Hertford College, Oxford * Around the Globe * The defining quality of Bickley and Stevens Essential Shakespeare is the absolute clarity of their organisation as they navigate the extensive field of Shakespearean criticism The palpable enjoyment to be found in close textual analysis is evident throughout the text and is extremely thorough and precise Bickley and Stevens engage students who will enjoy their direct, modern approach, as well as teachers who can enjoy the wry smile and the shared experience of justifying literary analysis to teenagers: Did Shakespeare really intend all this? -- Tara Hanley * The Use of English * [ T]his engaging volume successfully explains the most important concepts related to the playwrights use of language through a number of critical perspectives ... The Essential Shakespeare is a well-balanced synthesis where each chapter provides a real wealth of information about the playwright. More importantly, it offers a highly readable overview of Shakespeares main plays for those already acquainted with the playwrights language ... [ I]t certainly deserves to be given a special place on academic bookshelves. -- Sophie Chiari, Aix-Marseille Université, France * Cercles *

Muu info

An introductory critical study of Shakespeare for first year undergraduates, bridging the increasing gap between A Level and university level study. The book offers a comprehensive approach to fourteen key texts
How to use this book ix
Introduction 1(8)
Interpreting Shakespeare
1(1)
Locating Shakespeare
2(2)
Reading Shakespeare
4(2)
Performing Shakespeare
6(3)
1 A Midsummer Night's Dream: Transformations, illusions, festivity
9(24)
Bakhtin and the carnivalesque
9(9)
Shakespeare's sources: Ovid
18(5)
A Midsummer Night's Dream: Rhyme, rhythm and metre
23(4)
Peter Brook's Dream (1970)
27(6)
2 Much Ado About Nothing: Exploring language and gender
33(20)
Linguistics and the literary text
34(2)
Female talk and marital suitability
36(5)
Analysing the play's opening scene: Two different approaches
41(7)
Shakespeare Retold (2005)
48(5)
3 Twelfth Night: Disguises and desires
53(24)
Cross-dressing and Queer theory
53(10)
Twelfth Night and romantic comedy: Defining genre
63(5)
Song in Twelfth Night
68(4)
Renaissance Theatre Company production for stage and screen (1987/8)
72(5)
4 Measure for Measure (and its problems...)
77(22)
Reading Shakespeare psychoanalytically
78(8)
Tensions between the old and the new: Measure for Measure and the Bible
86(4)
Measure for Measure's troubling final act
90(4)
Making Shakespeare `fit': William Davenant's The Law Against Lovers (1662)
94(5)
5 Hamlet: A play of `perpetual modernity'
99(20)
The rise of the Shakespeare film
100(4)
Revenge and the early modern audience
104(5)
`Who's there?' Questions in Hamlet
109(4)
Ghosts on screen: Almereyda's Hamlet (2000)
113(6)
6 Othello: Sex, race and suggestibility
119(22)
Presentism: `The new kid on the Shakespeare block'
120(5)
Sexuality in Othello
125(5)
Othello and the power of language
130(5)
Orson Welles's Othello (1952)
135(6)
7 King Lear: `That things might change, or cease'
141(24)
Marxist readings
141(7)
Early modern ideas of authority and duty
148(6)
Quarto and Folio texts
154(6)
Kozintsev's King Lear (1970)
160(5)
8 Macbeth: Kingship and witchcraft
165(24)
Macbeth and masculinities
165(8)
Macbeth the `Jamesian' play
173(7)
Imagery in Macbeth
180(3)
Polanski's Macbeth (1971)
183(6)
9 Antony and Cleopatra: The legendary on stage
189(22)
East meets West: A postcolonial view
189(5)
Acting the woman's part: Shakespeare's boy players
194(5)
The Shakespearean soliloquy
199(5)
The all-male Antony and Cleopatra at Shakespeare's Globe (1999)
204(7)
10 King Richard II: The performance of majesty
211(22)
Deconstruction and Shakespeare
211(7)
Clothes and the early modern theatre
218(3)
Shakespeare's all-verse drama
221(7)
`Girlie' Shakespeare: Deborah Warner's Richard II at the Cottesloe (1995)
228(5)
11 Richard III: History's monster or charismatic villain?
233(22)
New historicism
233(6)
History and historiography: Early modern approaches
239(8)
Richard's dramatic dialogue
247(4)
Richard III as the fascist 1930s: Loncraine's film (1995)
251(4)
12 Cymbeline: `An experimental romance'?
255(22)
British Studies and the `Welsh play'
256(5)
The advent of the Blackfriars theatre
261(4)
Cymbeline's dramatic structure
265(5)
`Not an evening for purists': Kneehigh Theatre's Cymbeline (2006/7)
270(7)
13 The Winter's Tale: Tyranny, trials, time
277(24)
Feminism/s
277(7)
Madness and melancholy
284(6)
Time and place
290(5)
BBC Shakespeare and Jane Howell's The Winter's Tale (1981)
295(6)
14 The Tempest: Where `Thought is free'
301(24)
Genre theory
301(7)
The masque
308(5)
Tone
313(5)
Shakespeare and opera: Thomas Ades's The Tempest (2004)
318(7)
Glossary of critical terms used in this book 325(4)
Abbreviations 329(2)
References 331(10)
Index 341
Pamela Bickley and Jenny Stevens have taught Shakespeare at pre-university and degree level for many years. They lead the English Association's ongoing involvement with transition issues and lecture and publish on a range of literary topics.