Exit Capitalism explores a new path for cultural studies and re-examines key moments of British cultural and literary history. Simon During argues that the long and liberating journey towards democratic state capitalism has led to an unhappy dead-end from which there is no imaginable exit.
| Introduction |
|
vi | |
|
Part I Modernizing the English literary field |
|
|
1 | (54) |
|
Church, state, and modernization: literature as gentlemanly knowledge after 1688 |
|
|
3 | (21) |
|
Quackery, selfhood, and the emergence of the modern cultural marketplace |
|
|
24 | (15) |
|
Interesting: the politics of the sympathetic imagination |
|
|
39 | (16) |
|
Part II Towards endgame capitalism: literature, theory, culture |
|
|
55 | (107) |
|
World literature, Stalinism, and the nation: Christina Stead as lost object |
|
|
57 | (38) |
|
Socialist ends: the emergence of academic theory in post-war Britain |
|
|
95 | (20) |
|
Completing secularism: the mundane in the neo-liberal era |
|
|
115 | (16) |
|
Refusing capitalism? Theory and cultural studies after 1968 |
|
|
131 | (31) |
| Notes |
|
162 | (11) |
| Bibliography |
|
173 | (14) |
| Index |
|
187 | |
Simon During teaches at the English Department of Johns Hopkins University. He is also a Professoral Fellow at the School of Culture and Communications at the University of Melbourne. His most recent books are Modern Enchantments: the cultural power of secular magic (2002) and Cultural Studies: a critical introduction (2005). He is also the editor of the three editions of the Cultural Studies Reader.
Lisainfo e-raamatute kohta